Edward K. Kaplan – författare

The first full account of the life of one of America’s greatest religious thinkers during World War II and in the decades afterwardBorn in Warsaw, raised in a Hasidic community, and reaching maturity in secular Jewish Vilna and cosmopolitan Berlin, Abraham Joshua Heschel (1907-1972) escaped Nazism and immigrated to the United States in 1940. This lively and readable book tells the comprehensive story of his life and work in America, his politics and personality, and how he came to influence not only Jewish debate but also wider religious and cultural debates in the postwar decades.A worthy sequel to his widely praised biography of Heschel’s early years, Edward Kaplan’s new volume draws on previously unseen archives, FBI files, interviews with people who knew Heschel, and analyses of his extensive writings. Kaplan explores Heschel’s shy and private side, his spiritual radicalism, and his vehement defense of the Hebrew prophets’ ideal of absolute integrity and truth in ethical and political life. Of special interest are Heschel’s interfaith activities, including a secret meeting with Pope Paul VI during Vatican II, his commitment to civil rights with Martin Luther King, Jr., his views on the state of Israel, and his opposition to the Vietnam War. A tireless challenger to spiritual and religious complacency, Heschel stands as a dramatically important witness.

A strategy for reading Heschel's major works, as well as a new route to understanding religious writing in general: a lucid study of modern religious and ethical thought using literary criticism.Holiness in Words: Abraham Joshua Heschel's Poetics of Piety is both an introduction to reading Heschel's works in English, and an in-depth study of the way his literary style can transform the consciousness of readers. Heschel's life and works respond to the contemporary crisis in religion, formulating positions on faith and despair, racism and social justice, the Holocaust, interreligious dialogue, and the availability of God's presence. We study Heschel's theory and use of literary language, his "poetics of piety," in order to elucidate his narrative strategy to teach God-centered (or prophetic) thinking.The book traces the major themes of his "depth theology," awe and radical amazement, the meaning of symbol, ritual, prayer, and mystical insight. Historical and biographical information clarifies Heschel's implicit polemic with Martin Buber and a supplemental study guide provides sources for each chapter and suggestions for further thought and discussion.

From Edouard Manet to T. S. Eliot to Jim Morrison, the reach of Charles Baudelaire's influence is beyond estimation. In this prize-winning translation of his no-longer-neglected masterpiece, Baudelaire offers a singular view of 1850s Paris. Evoking a mélange of reactions, these fifty "fables of modern life" take us on various tours led by a flâneur, an incognito stroller.Through day and night, in gleaming cafés and filthy side streets, this alienated yet compassionate esthete muses on the bizarre in the commonplace, the sublime in the mundane. As the work reveals a teeming metropolis on the eve of great change, we see a Paris as contradictory, surprising, and ultimately unknowable as our guide himself. Superbly complemented by twenty-one period illustrations by Delacroix, Callot, Manet, Whistler, Baudelaire himself, and others, The Parisian Prowler is an essential companion to Les Fleurs du Mal and other works by the father of modern poetry. In the preface to this edition, translator Edward K. Kaplan explains how the volume's illustrations act as a graphic subtext to the narrator's observations.

Baudelaire's Prose Poems is the first full-length, integral study of the fifty prose poems Baudelaire wrote between 1857 and his death in 1867, collected posthumously under the title Le Spleen de Paris. Edward Kaplan resurrects this neglected masterpiece by defining the structure and meaning of the entire collection, which Kaplan himself has translated as The Parisian Prowler. Engaging in a dialogue with deconstructionists whose critical methods often obscure the meaning of the whole, Kaplan rejects the view of prose poems as a random assemblage of melodic rhapsodies. Instead, he sees a coherent ensemble of "fables of modern life" that join lyricism and critical self-awareness.Kaplan defines three dimensions of experience that inform The Parisian Prowler from beginning to end: the esthetic includes art, ideal beauty, and especially the intense immediacy of sensations, fantasy, and dream; the ethical includes principles of right and wrong, relations between intimates or between individuals and the community; and the religious—not to be confused with church or dogma—points to the province of ultimate reality, whether it be God or an absolute standard of truth, justice, and meaning. These dimensions are explored by a narrator, a complex, highly self-conscious writer whose passion for pure Beauty continually frustrates his yearning for affection. He begins his tour through 1850s Paris alienated from reality, becomes aggravated by conflicts between his "ethical" and "esthetic" drives—to the point of despair—and ends by expressing loyal friendship. Analyzing the fables in relation to one another in pairs or groups, Kaplan demonstrates how later pieces intermingle or even confuse the narrator's esthetic and ethical drives, and how the most advanced "theoretical fables"—through ironic puns on their form—further undermine this simplistic dualism.Baudelaire's fables of modern life radically challenge us to examine our presuppositions, Kaplan argues. Though rarely didactic, the narrator's Socratic irony engages readers in a volatile dialogue, provoking them to form their own judgments. He often betrays self-destructive anger, rebelling against injustice or stupidity—or against women who might love him. At times he insults our complacency and self-deception with vicious glee; at other times, he recognizes his own frailty, nurturing a sense of fellowship with the oppressed. Seeking both to analyze experience objectively and to sympathize with isolated individuals like himself, Baudelaire's narrator joins criticism and poetry in a voyage of self-discovery, finally accepting experience as impure and mixed.Kaplan contends that the "prose poems" constitute a genre parallel to the poems Baudelaire added to the 1861 edition of Les Fleurs du Mal, both of which illustrate fundamental principles of the theory of modernity he developed in his essays on art. The self-reflective fables in The Parisian ProwlerM/i>—depicting a way of thinking beyond ideologies—clarify Baudelaire's development as poet, critic, and thinker.