Edward W. Said – författare

The seminal work that has redefined our understanding of colonialism and empire, with a preface by the author'Stimulating, elegant and pugnacious' Observer'Magisterial' Terry EagletonIn this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of the Orient. Drawing on his own experiences as an Arab Palestinian living in the West, Said examines how these ideas can be a reflection of European imperialism and racism. 'Beautifully patterned and passionately argued'New Statesman'Very exciting ... his case is not merely persuasive, but conclusive' John Leonard, New York Times

A major work by one of the great public intellectuals of the twentieth century, The Question of Palestine was the first book to narrate the modern Palestinian experience in English. Edward Said’s project to ‘bring Palestine into history’ was unquestionably a success – there is no longer a question of whether Palestine had a history before colonization – and yet Palestinian self-determination is as distant as ever. With the rigorous scholarship he brought to his influential Orientalism and shaped by his own life in exile in New York, Said’s account of the traumatic national encounter of the Palestinian people with Zionism is still as pertinent and incisive today as it was on first publication in 1979.

From the Iranian hostage crisis through the Gulf War and the World Trade Centre bombing, the West has been haunted by a spectre called 'Islam'. As portrayed by the news media - and by a chorus of government, academic and corporate experts - 'Islam' is synonymous with terrorism and religious hysteria. At the same time, Islamic countries use Islam to justify unrepresentative and often oppressive regimes. In this landmark work, for which he has written a new introduction, one of our foremost public thinkers examines the origins and repercussions of the media's monolithic images of Islam. Combining political commentary with literary criticism, Edward Said reveals the hidden assumptions and distortions of fact that underlie even the most 'objective' coverage of the Islamic world.

‘Readers accustomed to the precision and elegance of Edward Said's analytical prowess will not be disappointed . . . Those discovering Said for the first time will be profoundly impressed’ Toni MorrisonFollowing his profoundly influential study Orientalism, Edward W. Said turned his attention to the Western world, tracing the connections between imperialism and European art, literature and music. From Jane Austen to Salman Rushdie, from Yeats to media coverage of the Gulf War, Culture and Imperialism initiates a dialogue between culture and the political and economic fabric of its time. Vast in its scope and stunning in its erudition, this collection of essays remains as urgent today as it was on first publication.WITH AN INTRODUCTION BY THE AUTHOR

More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation.This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, Mimesis is among the finest works of literary criticism ever written. This Princeton Classics edition includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.

Detta nummer av Arche, 2012:38-39, utgör delvis en fortsättning på det tema kring Michel Foucaults doktorsavhandling Vansinnets historia under den klassiska epoken (1961) som inleddes i nummer 2011:34-35. Tonvikten ligger denna gång mer på Foucaults betydelse för diskussionen om psykiatrin än på verkets filosofiska och litterära implikationer. Andra teman som behandlas i numret är bland annat universitetet samt Hans Hedlunds arkitektur.

Since the 1948 war which drove them from their heartland, the Palestinian people have consistently been denied the most basic democratic rights. Blaming the Victims shows how the historical fate of the Palestinians has been justified by spurious academic attempts to dismiss their claim to a home within the boundaries of historical Palestine and even to deny their very existence.Beginning with a thorough exposé of the fraudulent assertions of Joan Peters concerning the indigenous inhabitants of Palestine prior to 1948, the book then turns to similar instances in Middle East research where the truth about the Palestinians has been systematically suppressed: from the bogus-though still widely believed-explanations of why so many Palestinians fled their homes in 1948, to today's distorted propaganda about PLO terrorism. The volume also includes sharp critiques of the wide consensus in the USA which supports Israel and its territorial ambitions while maintaining total silence about the competing reality of the Palestinians.

Edward W. Said locates Joseph Conrad's fear of personal disintegration in his constant re-narration of the past. Using the author's personal letters as a guide to understanding his fiction, Said draws an important parallel between Conrad's view of his own life and the manner and form of his stories. The critic also argues that the author, who set his fiction in exotic locations like East Asia and Africa, projects political dimensions in his work that mirror a colonialist preoccupation with "civilizing" native peoples. Said then suggests that this dimension should be considered when reading all of Western literature. First published in 1966, Said's critique of the Western self's struggle with modernity signaled the beginnings of his groundbreaking work, Orientalism, and remains a cornerstone of postcolonial studies today.

In his final book, completed just before his death, Edward W. Said offers impassioned pleas for the beleaguered Palestinian cause from one of its most eloquent spokesmen. These essays, which originally appeared in Cairo’s Al-Ahram Weekly, London’s Al-Hayat, and the London Review of Books, take us from the Oslo Accords through the U.S. led invasion of Iraq, and present information and perspectives too rarely visible in America.Said is unyielding in his call for truth and justice. He insists on truth about Israel''s role as occupier and its treatment of the Palestinians. He pleads for new avenues of communication between progressive elements in Israel and Palestine. And he is equally forceful in his condemnation of Arab failures and the need for real leadership in the Arab world.From the Trade Paperback edition.

Edward Said has long been considered one of the world’s most compelling public intellectuals, taking on a remarkable array of topics with his many publications. But no single book has encompassed the vast scope of his stimulating erudition quite like Power, Politics, and Culture, a collection of interviews from the last three decades. In these twenty-eight interviews, Said addresses everything from Palestine to Pavarotti, from his nomadic upbringing under colonial rule to his politically active and often controversial adulthood, and reflects on Austen, Beckett, Conrad, Naipaul, Mahfouz, and Rushdie, as well as on fellow critics Bloom, Derrida, and Foucault. The passion Said feels for literature, music, history, and politics is powerfully conveyed in this indispensable complement to his prolific life''s work.From the Trade Paperback edition.

Edward Said, the renowned literary and cultural critic and passionately engaged intellectual, is one of our era''s most formidable, provocative, and important thinkers.  For more than three decades his books, which include Culture and Imperialism, Peace and Its Discontents, and the seminal study Orientalism, have influenced not only our worldview but the very terms of public discourse.The Edward Said Reader includes key sections from all of Said''s books, from the groundbreaking 1966 study of Joseph Conrad to his new memoir, Out of Place. Whether he is writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, music or the media, Said''s uncompromising intelligence casts urgent light on every subject he undertakes. The Edward Said Reader will prove a joy to the general reader and an indispensable resource for scholars of politics, history, literature, and cultural studies: in short, of all those fields that his work has influenced and, in some cases, transformed.From the Trade Paperback edition.

In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists. Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He uncovers the conflicts and complexity that often distinguish artistic lateness, resulting in works that stood in direct contrast to what was popular at the time and were forerunners of what was to come in each artist''s discipline–works of true genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said''s own great last work.From the Trade Paperback edition.

These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends.As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of place; music as a defiance of silence; the legacies of artists from Mozart and Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; and the need for “artistic solutions” to the predicament of the Middle East—something they both witnessed when they brought young Arab and Israeli musicians together. Erudite, intimate, thoughtful and spontaneous, Parallels and Paradoxes is a virtuosic collaboration.From the Trade Paperback edition.

In works such as Culture and Imperialism, Said has compelled us to question our culture''s most privileged myths. Now with this impassioned and incisive book, our foremost Palestinian-American intellectual challenges the official version of the Middle East "peace process." "He challenges and stimulates our thinking in every area."-- Washington Post Book World.

In these six essays--delivered on the BBC as the prestigious Reith Lectures--Edward Said addresses the ways in which the intellectual can best serve society in the light of a heavily compromised media and of special interest groups who are protected at the cost of larger community concerns.  Said suggests a recasting of the intellectual''s vision to resist the lures of power, money, and specialization.  In these pieces, Said eloquently illustrates his arguments by drawing on such writers as Antonio Gramsci, Jean-Paul Sartre, Regis Debray, Julien Benda, and Theodore Adorno, and by discussing current events and celebrated figures in the world of science and politics: Robert Oppenheimer, Henry Kissinger, Dan Quayle, Vietnam and the Gulf War.  Said sees the modern intellectual as an editor, journalist, academic, or political adviser--in other words, a highly specialized professional--who has moved from a position of independence to an alliance with powerful corporate, institutional, or governmental organizations. He concludes that it is the exile-immigrant, the expatriate, and the amateur who must uphold the traditional role of the intellectual as the voice of integrity and courage, able to speak out against those in power.

Ever since the appearance of his groundbreaking The Question of Palestine, Edward Said has been America''s most outspoken advocate for Palestinian self-determination. As these collected essays amply prove, he is also our most intelligent and bracingly heretical writer on affairs involving not only Palestinians but also the Arab and Muslim worlds and their tortuous relations with the West.In The Politics of Dispossession Said traces his people''s struggle for statehood through twenty-five years of exile, from the PLO''s bloody 1970 exile from Jordan through the debacle of the Gulf War and the ambiguous 1994 peace accord with Israel. As frank as he is about his personal involvement in that struggle, Said is equally unsparing in his demolition of Arab icons and American shibboleths. Stylish, impassioned, and informed by a magisterial knowledge of history and literature, The Politics of Dispossession is a masterly synthesis of scholarship and polemic that has the power to redefine the debate over the Middle East.

From one of the most important intellectuals of our time comes an extraordinary story of exile and a celebration of an irrecoverable past. A fatal medical diagnosis in 1991 convinced Edward Said that he should leave a record of where he was born and spent his childhood, and so with this memoir he rediscovers the lost Arab world of his early years in Palestine, Lebanon, and Egypt. Said writes with great passion and wit about his family and his friends from his birthplace in Jerusalem, schools in Cairo, and summers in the mountains above Beirut, to boarding school and college in the United States, revealing an unimaginable world of rich, colorful characters and exotic eastern landscapes. Underscoring all is the confusion of identity the young Said experienced as he came to terms with the dissonance of being an American citizen, a Christian and a Palestinian, and, ultimately, an outsider. Richly detailed, moving, often profound, Out of Place depicts a young man''s coming of age and the genesis of a great modern thinker.

In this book of interviews, Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East - and globally.