Eliot Weinberger – författare

For the past twenty years, Eliot Weinberger has been taking the essay far beyond the borders of literary criticism or personal journalism and into the realm of poetry and narrative. Full of stories, yet written in a condensed, imagistic language, his essays are works of the imagination where all the facts are verifiable. As entertaining as fiction and as vivid as poems, making unexpected stops in odd corners of the globe or forgotten moments in human history, erudite, politically engaged, and acerbically witty, there is nothing quite like his work in contemporary writing. In Karmic Traces, his third collection with New Directions, twenty-four essays take the reader along on the author’s personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the hand-over to China, as well as on imagined voyages on a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And in “The Falls,” the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncovering the deep roots of contemporary racism and violence.

The Ghosts of Birds offers thirty-five essays by Eliot Weinberger: the first section of the book continues his linked serial-essay, An Elemental Thing, which pulls the reader into “a vortex for the entire universe” (Boston Review). Here, Weinberger chronicles a nineteenth-century journey down the Colorado River, records the dreams of people named Chang, and shares other factually verifiable discoveries that seem too fabulous to possibly be true. The second section collects Weinberger’s essays on a wide range of subjects—some of which have been published in Harper’s, New York Review of Books, and London Review of Books—including his notorious review of George W. Bush’s memoir Decision Points and writings about Mongolian art and poetry, different versions of the Buddha, American Indophilia (“There is a line, however jagged, from pseudo-Hinduism to Malcolm X”), Béla Balázs, Herbert Read, and Charles Reznikoff. This collection proves once again that Weinberger is “one of the bravest and sharpest minds in the United States” (Javier Marías).

For over fifty years Eliot Weinberger has been celebrated for his innovative literary and political essays—translated into over thirty languages—as well as his trailblazing translations from the Spanish. In his exquisite new book The Life of Tu Fu, Weinberger has composed a montage of fifty-eight poems that capture the life and times of the great Tang Dynasty poet Tu Fu (712–770 AD). As he writes in a note to the edition, “This is not a translation of individual poems, but a fictional autobiography of Tu Fu derived and adapted from the thoughts, images, and allusions in the poetry.” Through lines as penetrating as a classical tanka and as fluid as a mountain stream, themes of endless war and ongoing pandemic surround the wandering life of the ancient Chinese master.

Nobel Laureate Octavio Paz is incontestably Latin America's foremost living poet. The Collected Poems of Octavio Paz is a landmark bilingual gathering of all the poetry he has published in book form since 1952, the year of his premier long poem, Sunstone (Piedra de Sol)—here translated anew by Eliot Weinberger—made its appearance. This is followed by the complete texts of Days and Occasions (Días Hábiles), Homage and Desecrations (Homenaje y Profanaciones), Salamander (Salamandra), Solo for Two Voices (Solo a Dos Voces), East Slope (Ladera Este), Toward the Beginning (Hacza el Comienzo), Blanco, Topoems (Topoemas), Return (Vuelta), A Draft of Shadows (Pasado en Claro), Airborn (Hijos del Aire), and Paz's most recent collection, A Tree Within (Árbol Adentro).With additional translations by Elizabeth Bishop, Paul Blackburn, Lysander Kemp, Denise Levertov, John Frederick Nims, and Charles Tomlinson.

Unpredictable and uncanonical, Eliot Weinberger’s essays are the “outside stories” of cultural migrations. The fifteen pieces collected here range from the history of the Salman Rushdie affair to the dream of Atlantis, from the turf wars among ethnographic filmmakers to the unlikely romance between poetry and espionage, from the pilgrims in Plymouth to the students in Tiananmen Square. Above all, Weinberger’s concern is poetry––whether written in medieval Baghdad or by Mexicans in Japan––and the perennially underground yet global network through which it travels. With his modernist sensibility and internationalist perspective, Weinberger’s inventive prose transports old myths and texts to the strange realities of contemporary life.

With An Elemental Thing, Weinberger turns from his celebrated political chronicles to the timelessness of the subjects of his literary essays. With the wisdom of a literary archaeologist-astronomer-anthropologist-zookeeper, he leads us through histories, fables, and meditations about the ten thousand things in the universe: the wind and the rhinoceros, Catholic saints and people named Chang, the Mandaeans on the Iran-Iraq border and the Kaluli in the mountains of New Guinea. Among the thirty-five essays included are a poetic biography of the prophet Muhammad, which was praised by the London Times for its "great beauty and grace," and "The Stars," a reverie on what's up there that has already been translated into Arabic, Chinese, Hindi, and Maori.

Moss covered paths between scarlet peonies,Pale jade mountains fill your rustic windows.I envy you, drunk with flowers,Butterflies swirling in your dreams.—Ch’ien Ch’iThis exquisite gift book offers a wide sampling of Chinese verse, from the first century to our own time, beginning with the lyric poetry of Tu Fu, moving to the folk songs of the Six Dynasties Period, on to the Sung Dynasty, and to the present. Also represented are some of the best-known women of Chinese poetry, including Li Ching-chao and Chu Shu-chen. These simple, accessible but profound poems come through to us with a breathtaking immediacy in Kenneth Rexroth’s English versions—a wonderful gift for any lover of poetry.

in the mirror there is always this momentthis moment leads to the door of rebirththe door opens to the seathe rose of time—Bei DaoThe Rose of Time: New & Selected Poems presents a glowing selection of poetry by contemporary China’s most celebrated poet, Bei Dao. From his earliest work, Bei Dao developed a wholly original poetic language composed of mysterious and arresting images tuned to a distinctive musical key. This collection spans Bei Dao’s entire writing life, from his first book to appear in English, The August Sleepwalker, published a year after the Tiananmen tragedy, to the increasingly interior and complex poems of Landscape Over Zero and Unlock, to new never-before-published work. This bilingual edition also includes a prefatory note by the poet, and a brief afterword by the editor Eliot Weinberger. A must-read book from a seminal poet who has been translated into over thirty languages.

Part of our revived "Poetry Pamphlet" series, Two American Scenes features two masters of the essay discussing "found material."Excerpts:It was given to me, in the nineteenth century,to spend a lifetime on this earth. Along with a few of the sorrowsthat are appointed unto men, I have had innumerable enjoyments;and the world has been to me, even from childhood,a great museum.— Lydia DavisBad rapids. Bradley is knocked over the side; his foot catchesunder the seat and he is dragged, head under water. Camped ona sand beach, the wind blows a hurricane. Sand piles over us likea snow-drift.— Eliot Weinberge

The difficulty (and necessity) of translation is concisely described in Nineteen Ways of Looking at Wang Wei, a close reading of different translations of a single poem from the Tang Dynasty—from a transliteration to Kenneth Rexroth’s loose interpretation. As Octavio Paz writes in the afterword, “Eliot Weinberger’s commentary on the successive translations of Wang Wei’s little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility.”

Angels have soared through Western culture and consciousness from Biblical to contemporary times. But what do we really know about these celestial beings? Where do they come from, what are they made of, how do they communicate and perceive? The celebrated essayist Eliot Weinberger has mined and deconstructed, resurrected and distilled centuries of theology into an awe-inspiring exploration of the heavenly host.From a litany of angelic voices, Weinberger’s lyrical meditation then turns to the earthly counterparts, the saints, their lives retold in a series of vibrant and playful capsule biographies, followed by a glimpse of the afterlife.Threaded throughout Angels & Saints are the glorious illuminated grid poems by the eighteenth-century Benedictine monk Hrabanus Maurus. These astonishingly complex, proto-“concrete” poems are untangled in a lucid afterword by the medieval scholar and historian Mary Wellesley.

With wit and anger, the author of the blackly comic What I Heard About Iraq takes us through the administration of the ''Bush junta''. Eliot Weinberger begins with the inauguration of George W. Bush and the actions and policies that presaged an invasion of Iraq even before the terrorist attack of 9/11. Giving a moving account of downtown Manhattan, where he lives, on the day after the attack, he accounts for the feeling of lost innocence in the United States. On the aftermath of 9/11, Weinberger goes on to excoriate the Bush administration for its panic peddling and massive and secret arrests of ''suspects'', as well as the contrived ''intelligence'' that led to the war on Iraq. Ranging from personal journalism to political analysis, Eliot Weinberger traces the nightmarish absurdities of the Bush administration with incisive elegance. Includes What I Heard About Iraq in 2005, the sequel to his earlier work. What Happened Here was nominated for a 2006 National Book Critics Circle Award for Criticism.

The Iraq War has unleashed such a torrent of opinion - impassioned polemic, neo-con apologia, world-weary cynicism - that it feels like the important truths are being lost in a media feeding-frenzy. Eliot Weinberger eschews the rehtoric of the soapbox in an extraordinary montage of facts, sound bites and testimonies. He assembles an uncompromising and blackly comic narrative, which permits the voices of the war to speak for themselves, and allows the protagonists to damn themselves in their own words.This pocket-sized volume is vast in scope, a work unlike any other you have read on Iraq, which finds an unexpected eloquence in its refusal to join in the facile grand-standing and selective amnesia of so much contemporary commentary.

As Eliot Weinberger states in his introduction, from the moderns onwards, the juxtaposition of disparate elements, and the making of the strange through dislocation became an essential part of poetry. In here Weinberger chooses a few examples of a collage pasted onto an unfamiliar landscape. This is part of the Poetry Foundation''s comprehensive "Poets of the World" series.

This exquisitely composed photo-novel by French artist-writer Anouck Durand (born 1975)—collaged from photographic archives, personal letters and propaganda magazines—tells a true story that begins in Albania during World War II, stops in China during the Cold War, and ends in Israel after Communism crumbles.When the Nazis invaded Albania, teenage partisan Refik Veseli’s Muslim family hid Jewish photographer Mosha Mandil, his wife and two small children. Despite the dire circumstances, Mosha instilled in Refik a great passion for photography, and a friendship was forged in the crucible of war. After liberation, the Mandils left for Israel, inviting Refik to join them, but he stayed behind to contribute to his new nation, not knowing he’d never see his dear friend again.In a nuanced, wholly imagined story, Durand inhabits Refik’s voice as he narrates his journey to China where—free of Albanian state censors—he attempts to mail a letter to Mosha. She also reveals how photography, used at the behest of merciless state powers, becomes a tool for liberation and human connection. Says Richard McGuire, author of Here: "A timely book about dictatorships, propaganda and friendship. Imagine Art Spiegelman meets Chris Marker, told in gorgeous tricolor photography, a knock out!"

Eliot Weinberger ist nicht nur einer der origi­nellsten Essayisten, er ist auch einer der schärfsten politischen Kommentatoren der USA. In seinen Texten über die Politik unter den Regierungen Bush und Trump lässt er Fakten sprechen: Nachrichtendetails, Aus­sagen von Politikern, die den Wahnsinn, der in den USA zum Alltag geworden ist, in all seinen bizarren Auswüchsen präsentieren. Nichts fehlt: der Irakkrieg, fromm homophobe und rassistische Republikaner, Konzentrations­lager für geflüchtete Kinder, nicht zu vergessen Donald Trumps Empfehlungen zum Umgang mit einem Virus. Weinbergers Chroniken aus dem republikanischen Amerika sind erschütternde Bilder einer verstörten Gesellschaft. "Einer der spannendsten und unabhängigsten amerikanischen Intellektuellen."Sieglinde Geisel, NZZ am Sonntag "Eliot Weinberger ist ein begnadeter ­Essayist."Michael Schmitt, Deutschlandfunk

Wie viele Engel gibt es ? Mehr als Sterne am ­Himmel, als Sand am Meer, heißt es. Andere haben nach­gerechnet: genau 301.655.722 – oder doch 399.920.004 ? So oder so: Wir sind von Engeln durch­drungen und umzingelt. Was aber wissen wir über diese himmlischen Wesen ? Woher kommen sie, woraus sind sie gemacht, wie kommu­nizieren sie miteinander, können sie hören, ­riechen, schmecken, fühlen ? Die Antworten kennt Eliot Weinberger. In seinen eleganten ­Essays ­kondensiert er theologische Schriften aus vielen Jahrhunderten zu einer poetischen Vermessung der himmlischen Heerscharen und berichtet anschließend vom Leben ihrer irdischen Gegenstücke: den Heiligen.»Eines der genialsten Bücher, die ich in den letzten Jahren in der Hand gehalten habe.« Hans Ulrich Obrist in der Basler Zeitung

I över femtio år har den prisbelönta författaren Eliot Weinberger hyllats för sina nyskapande litterära och politiska essäer, som översatts till mer än trettio språk. Utöver sin författargärning har han verkat som redaktör för ett stort antal poesiantologier, samt översatt namn som Octavio Paz, Jorge Luis Borges och Bei Dao.Tu Fus liv är Weinbergers första diktsamling och antar formen av fiktiv självbiografi över den store Tangdynastipoeten Tu Fu (712–770) och tiden han levde i. I femtioåtta kärnfulla dikter behandlas teman som ensamhet, saknad, åldrande och förgänglighet, alltihop mot fonden av det förödande inbördeskrig som omgav den gamle kinesiske mästarens kringflackande liv.I översättning av Christoffer Stuveback och med förord av Martin Svensson Ekström.

”Weinbergers syrliga, gåtfulla Tu Fu beskriver en värld som känns smärtsamt bekant. Det skulle kunna vara Etiopien, Myanmar eller någon annan av dagens konfliktzoner. – The Paris Review”Han är som en uråldrig kinesisk cittraspelare som ensam stämmer upp i bergen och blickar ut över världen.” – Bei Dao”Med omfattande kunskaper och en orubblig lojalitet med det svårbegripliga skriver översättaren och redaktören Weinberger genreöverskridande essäer och prosadikter som hjälper oss att se världen med nya ögon.” – The New York Times

During the past several years, Eliot Weinberger’s inventive prose has earned him a reputation as a candid social observer and penetrating essayist. Works on Paper is the first collection of his writings, twenty-one pieces that juxtapose the world as it is and the world as it is imagined-by artists, poets, historical figures, and ordinary people. “Inventions of Asia,” the first section, deals primarily with how the West reinvents the East (and how the East invents itself): images of India circa 1492 (where Columbus thought he was going); Christian missionaries in sixteenth-century China; Bombay prostitutes as seen by a New York photojournalist; Tibetan theocracy transplanted to the Rockies; a Confucian bureaucrat’s address to crocodiles; the shifting iconography of the “tyger”; looking for an answer to an ancient Chinese poem of questions; how the children of Mao have reinvented Imagism; Kampuchea Under Pol Pot. “Extensions of Poetry” explores the ways in which the world affects the imaginations of individual poets (George Oppen, Langston Hughes, Charles Reznikoff, Octavio Paz, Clayton Eshleman) and indeed entire movements, leading at times to unexpected incarnations and transformations. Weinberger ponders such strange conjunctions as Whittaker Chambers and Objectivism, anti-Semitism among American Modernists, bourgeois poets––present-day wards of the academy and the state––confronting the issues of peace, American foreign policy, and The Bomb.

This lavishly illustrated volume features new paintings and works on paper by Brice Marden, with an essay by Eliot Weinberger.Published to coincide with a 2021 exhibition of new paintings and works on paper by Brice Marden, this catalogue includes full-color illustrations of each work, as well as details of works and installation views documenting the exhibition. Portraits of the artist in his studio were taken by the artist’s daughter, Mirabelle Marden, and are accompanied by images of works in progress. Marden’s paintings evoke the daily and seasonal shifts in natural light and color that the artist observes when working in his studio in Tivoli in upstate New York. He begins with drawing, filling some canvases with gestural glyphs that occupy a realm between writing and painting. Over these, he applies sinuous, multihued networks of linear brushstrokes, establishing interrelationships between the compositions’ straight and curving lines, and between their contours—whether defined or implied—and perimeters. Related works on paper made on the Caribbean island of Nevis reveal the immediacy and range of Marden’s drawing practice and exemplify the artist’s sustained engagement with the traditions of Chinese poetry and calligraphy, which he initiated in the 1980s and has continuously developed ever since. A new text by Eliot Weinberger takes this particular interest as its point of departure, connecting Marden’s work to the origin of Chinese writing and early modernist philosophies about the content of abstract art.