Elisabeth Ozdalga – författare

In the Turkish elections of December 1995, the Islamic Welfare Party became the biggest Party in parliament and for the first time in history, an Islamic party had come to power by means of free elections.The rise to power of the Turkish Islamists is a result of several decades of revivalism. In this process the veil has been a prominent symbol of the new religious puritanism, causing resentment among those who regard the bare-headed woman as the symbol of progress and emancipation. In the light of a century-long conflict between secularism and popular Islam, the present study describes the conflict over the veil as it became a burning issue in the decade following the military intervention of 1980 and remains to this day a matter of controversy.While focusing on the issue of veiling, the author also considers the wider picture of tension between official secularism and popular Islam in present-day Turkey. Although  this tension is not discounted, the author argues that the fact that the Islamic movement is on the rise does not mean that it threatens the very foundations of modern Turkish society. Whereas the controversies of the nineteenth century could be described as a 'clash of civilizations' (between Islam and the West), those of today have shrunk into conflicts over certain cultural symbols that are part of the same globally-expanding technological civilization.

In the rising momentum for new and reformulated cultural identities, the Turkish Alevi have also emerged on the scene, demanding due recognition. In this process a number of dramatic events have served as important milestones: the clashes between Sunni and Alevi in Kahramanmaras in 1979 and Corum in 1980, the incendiarism in Sivas in 1992, and the riots in Istanbul (Gaziosmanpasa) in 1995. Less evocative, but in the long run more significant, has been the rising interest in Alevi folklore and religious practices. Questions have also arisen as to what this branch of Islamic heterodoxy represents in terms of old and new identities. In this book, these questions are addressed by some of the most prominent scholars in the field.

In the rising momentum for new and reformulated cultural identities, the Turkish Alevi have also emerged on the scene, demanding due recognition. In this process a number of dramatic events have served as important milestones: the clashes between Sunni and Alevi in Kahramanmaras in 1979 and Corum in 1980, the incendiarism in Sivas in 1992, and the riots in Istanbul (Gaziosmanpasa) in 1995. Less evocative, but in the long run more significant, has been the rising interest in Alevi folklore and religious practices. Questions have also arisen as to what this branch of Islamic heterodoxy represents in terms of old and new identities. In this book, these questions are addressed by some of the most prominent scholars in the field.

After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.

After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.

After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.

In the rising momentum for new and reformulated cultural identities, the Turkish Alevi have also emerged on the scene, demanding due recognition. In this process a number of dramatic events have served as important milestones: the clashes between Sunni and Alevi in Kahramanmaras in 1979 and Corum in 1980, the incendiarism in Sivas in 1992, and the riots in Istanbul (Gaziosmanpasa) in 1995. Less evocative, but in the long run more significant, has been the rising interest in Alevi folklore and religious practices. Questions have also arisen as to what this branch of Islamic heterodoxy represents in terms of old and new identities. In this book, these questions are addressed by some of the most prominent scholars in the field.

In the rising momentum for new and reformulated cultural identities, the Turkish Alevi have also emerged on the scene, demanding due recognition. In this process a number of dramatic events have served as important milestones: the clashes between Sunni and Alevi in Kahramanmaras in 1979 and Corum in 1980, the incendiarism in Sivas in 1992, and the riots in Istanbul (Gaziosmanpasa) in 1995. Less evocative, but in the long run more significant, has been the rising interest in Alevi folklore and religious practices. Questions have also arisen as to what this branch of Islamic heterodoxy represents in terms of old and new identities. In this book, these questions are addressed by some of the most prominent scholars in the field.

In the Turkish elections of December 1995, the Islamic Welfare Party became the biggest Party in parliament and for the first time in history, an Islamic party had come to power by means of free elections.The rise to power of the Turkish Islamists is a result of several decades of revivalism. In this process the veil has been a prominent symbol of the new religious puritanism, causing resentment among those who regard the bare-headed woman as the symbol of progress and emancipation. In the light of a century-long conflict between secularism and popular Islam, the present study describes the conflict over the veil as it became a burning issue in the decade following the military intervention of 1980 and remains to this day a matter of controversy.While focusing on the issue of veiling, the author also considers the wider picture of tension between official secularism and popular Islam in present-day Turkey. Although  this tension is not discounted, the author argues that the fact that the Islamic movement is on the rise does not mean that it threatens the very foundations of modern Turkish society. Whereas the controversies of the nineteenth century could be described as a ''clash of civilizations'' (between Islam and the West), those of today have shrunk into conflicts over certain cultural symbols that are part of the same globally-expanding technological civilization.

In the Turkish elections of December 1995, the Islamic Welfare Party became the biggest Party in parliament and for the first time in history, an Islamic party had come to power by means of free elections.The rise to power of the Turkish Islamists is a result of several decades of revivalism. In this process the veil has been a prominent symbol of the new religious puritanism, causing resentment among those who regard the bare-headed woman as the symbol of progress and emancipation. In the light of a century-long conflict between secularism and popular Islam, the present study describes the conflict over the veil as it became a burning issue in the decade following the military intervention of 1980 and remains to this day a matter of controversy.While focusing on the issue of veiling, the author also considers the wider picture of tension between official secularism and popular Islam in present-day Turkey. Although  this tension is not discounted, the author argues that the fact that the Islamic movement is on the rise does not mean that it threatens the very foundations of modern Turkish society. Whereas the controversies of the nineteenth century could be described as a ''clash of civilizations'' (between Islam and the West), those of today have shrunk into conflicts over certain cultural symbols that are part of the same globally-expanding technological civilization.

Exploring the relationship between fiction and nation formation in the Muslim world through 12 unique studies from Azerbaijan, Libya, Iran, Algeria, and Yemen, amongst others, this book shows how fiction reflects and relates the complex entanglements of nation, religion, and modernity in the process of political and cultural identity formation.

After decades of prohibition, Mevlana ceremonies of whirling dervishes attract renewed interest as forms of sacral music, both in formal and popular genres. This trend runs parallel to an increasing concern for cultural, ethnic and religious identities, where the rising tide of religious revivalism sets the tone.