Emile Zola - Böcker

Madame Raquin har hand om både sin sjuklige son Camille och dennes föräldralösa kusin, den vilda men återhållna Thérèse. Barnen växer upp tillsammans, och orolig över vem som ska ta hand om Camille när hon dör, ser Madame Raquin till att Camille och Thérèse gifter sig med varandra. Alla tre flyttar in bakom en liten sybehörsbutik i en av Paris dunklare passager, där de lever ett olyckligt liv tillsammans. När Camille en dag tar med sig en vän hem förändras allt: Laurent är allt som Camille inte är. Det blir början på en kärleksaffär som går väldigt fel - när Thérèse och Laurent kommer fram till att de måste göra sig av med Camille.Thérèse Raquin [1867], Émile Zolas debutbok, räknas till naturalismens viktigaste romaner. Paris skildrades här på ett alldeles nytt sätt, och som psykologisk thriller tar boken med sig läsaren på en vansinnesfärd: från tristess till hett begär, till planering av den yttersta överträdelsen av alla, för att sluta i de djupaste känslor av ånger och skuld. En av den franska litteraturens största klassiker, här i svensk översättning av Ann Bouleau.ÉMILE ZOLA [1840-1902] var en fransk romanförfattare, dramatiker och journalist, och en av portalfigurerna för naturalismen. Hans mest berömda verk är debutromanen Thérèse Raquin [1867], som både var stilbildande för naturalismen och räknas till en av den franska litteraturens bästa skräckromaner.

Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out… the law can look as deep as it likes, but when the crime itself goes unsuspected… oh yes, there's many a murderer basking in the sun...When Thérèse Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband’s friend, Laurent, and Thérèse throws herself headlong into an affair. There seems only one obstacle to their happiness; Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them…First published in 1867, Thérèse Raquin has lost none of its power to enthral. Adam Thorpe’s unflinching translation brings Zola’s dark and shocking masterwork to life.A NEW TRANSLATION BY ADAM THORPE‘Adam Thorpe's version deserves to become the standard English text’ Daily Telegraph

Born to drunken parents in the slums of Paris, Nana lives in squalor until she is discovered at the Théâtre des Variétés. She soon rises from the streets to set the city alight as the most famous high-class prostitute of her day. Rich men, Comtes and Marquises fall at her feet, great ladies try to emulate her appearance, lovers even kill themselves for her. Nana's hedonistic appetite for luxury and decadent pleasures knows no bounds - until, eventually, it consumes her. Nana provoked outrage on its publication in 1880, with its heroine damned as 'the most crude and bestial sort of whore', yes the language of the novel makes Nana almost a mythical figure: a destructive force preying on a corrupt society.

Part of the vast Rougon-Macquart cycle of novels, The Earth was regarded by Émile Zola's as his greatest novel. This Penguin Classics edition is translated with an introduction by Douglas Parmée.When Jean Macquart arrives in the peasant community of Beauce, where farmers have worked the same land for generations, he quickly finds himself involved in the corrupt affairs of the local Fouan family. Aging and Lear-like, Old Man Fouan has decided to divide his land between his three children: his penny-pinching daughter Fanny, his eldest son - a far from holy figure known as 'Jesus Christ' - and the lecherous Buteau, Macquart's friend. But in a community where land is everything, sibling rivalry quickly turns to brutal hatred, as Buteau declares himself unsatisfied with his lot. A fascinating portrayal of a struggling but decadent community, The Earth offers a compelling exploration of the destructive nature of human ignorance and greed.Douglas Parmée's translation vividly conveys the naturalistic tone of the original in clear, contemporary English. This edition also includes an introduction, exploring Zola's motivation in writing The Earth and considering its influence on his contemporaries.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Earth, you might like Zola's Germinal, also available in Penguin Classics.

Considered by André Gide to be one of the ten greatest novels in the French language, Émile Zola's Germinal is a brutal depiction of the poverty of a mining community in northern FranceÉtienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Compelled to take a back-breakin job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all. The thirteenth novel in Zola's great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity's capacity for compassion and hope.Translated with an introduction by Roger Pearson in Penguin Classics If you enjoyed Germinal, you might like Zola's Thérèse Raquin, also available in Penguin Classics.

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumer capitalism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.This edition also contains a bibliography, introduction, chronology and explanatory notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).'A complete page-turner about the consumer society, greed, fashion and instant gratification'India Knight'A fine translation'The Times Literary Supplement

Perhaps his most famous work, Émile Zola's Thérèse Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss.In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever. Thérèse Raquin caused a scandal when it appeared in 1867 and borught its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola's novel is not only an uninhibited portrayal of adultery, madness and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence.Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style. In his introduction, he discusses Zola's life and literary career, and the influence of art, literature and science on his writing. This edition also includes the preface to the second edition of 1868, a chronology, further reading and notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed Thérèse Raquin, you might like Zola's Germinal, also available in Penguin Classics.

Previously published as L'assommoir (The Dram Shop), Emile Zola's The Drinking Den is an unflinching study of a desperate young woman struggling against the ravages of vice. This Penguin Classics edition is translated from the French with an introduction by Robin Buss.Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband's drinking and the unexpected appearance of a figure from her past, Gervaise's plans begin to unravel tragically. The Drinking Den caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola's great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise's struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature.Robin Buss's translation renders Zola's street argot into clear, contemporary English. This edition also includes an introduction discussing Zola's Naturalistic method, with maps of Paris, Zola's preface responding to his critics, notes, a chronology and further reading.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Drinking Den, you might like Zola's The Beast Within, also available in Penguin Classics.

His haunting, impressionistic study of a man's slow corruption by jealousy, Emile Zola's The Beast Within (La Bete Humaine) is translated from the French with an introduction and notes by Roger Whitehouse in Penguin Classics.Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee. Jacques, meanwhile, must contend with his own terrible impulses, for every time he sees a woman he feels the overwhelming desire to kill. In the company of Roubaud's wife, Severine, he finds peace briefly, yet his feelings for her soon bring disasterous consequences. A key work in the Rougon-Macquart cycle, The Beast Within is one of Zola's most dark and violent works - a tense thriller of political corruption and a graphic exploration of the criminal mind.Roger Whitehouse's vivid translation is accompanied by an introduction discussing Zola's depiction of the railways, politics and the legal system and the influence of the studies of criminology and the Jack the Ripper murders on his novel. This edition also includes a chronology, suggestions for further reading and notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Beast Within, you might like Zola's The Drinking Den, also available in Penguin Classics.

'Everything revolved around their love. They were constantly bathed in a passion that they carried with them, around them, as though it were the only air they could breathe.'Hélène Grandjean, an attractive young widow, lives a secluded life in Paris with her only child, Jeanne. Jeanne is a delicate and nervous girl who jealously guards her mother's affections. When Jeanne falls ill, she is attended by Dr Deberle, whose growing admiration for Hélène gradually turns into mutual passion. Deberle's wife Juliette, meanwhile, flirts with a shallow admirer, and Hélène, intent on preventing her adultery, precipitates a crisis whose consequences are far-reaching. Jeanne realizes she has a rival for Hélène's devotion in the doctor, and begins to exercise a tyrannous hold over her mother.The eighth novel in Zola's celebrated Rougon-Macquart series, A Love Story is an intense psychological and nuanced portrayal of love's different guises. Zola's study extends most notably to the city of Paris itself, whose shifting moods reflect Hélène's emotional turmoil in passages of extraordinary lyrical description.

'I really don't understand how people can blame a priest so much, when he strays from the path.'The Sin of Abbé Mouret tells the compelling story of the young priest Serge Mouret. Striving after spiritual purity and sanctity, he lives a life of constant prayer, but his neglect of all physical needs leads to serious illness, followed by amnesia. No longer knowing he is a priest, he falls in love with his nurse Albine. Together, like a latter-day Adam and Eve, they roam through an Eden-like garden called the 'Paradou', seeking a forbidden tree in whose shade they will make love. Zola memorably shows their gradual awakening to sexuality, and his poetic descriptions of the luxuriant and beautiful Paradou create a lyrical celebration of Nature. When Serge regains his memory and recalls his priestly vows, anguish inevitably follows.The whole story, with its numerous biblical parallels, becomes a poetic reworking of the Fall of Man and a questioning of the very meaning of innocence and sin. Zola explores the conflict between Church and Nature, the sterility of the Church and the fertility of Nature. This new translation includes a wide-ranging and helpful introduction and explanatory notes.

Is it wrong to love whatever is beautiful and rich? I love it precisely because it is beautiful, because it is rich - because, I think, it brings joy to my heart. . .On Christmas day, in the flurry of a snow storm, the Huberts discover a ragged nine year old girl sheltering under the neighbouring cathedral porch. Childless and pious, the couple take in and raise Angelique as their own. The girl is intensely passionate, and given to rage and disobedience as well as love and religious fervour. Inspired by The Golden Legend, Angelique creates a dream world all of her own, peopled with spirits. As part of her dream vision, she becomes convinced she will marry a rich and handsome young prince. Her wish seemingly comes true when she falls in love with a lord's son...The sixteenth novel in the Rougon-Macquart series, The Dream marks a departure by Zola from the conventions of realism. Here, Zola explores the persistence of mysticism, but also blends elements of fairy tale with the naturalist techniques for which he had become known. This edition contains a wide-ranging introduction placing Zola's changing concerns in the context of his wider work, and illuminates key themes in the novel, such as architecture, heraldry, and the lives of the saints.

'There's something of everything there, the best and the worst, the vulgar and the sublime, flowers, muck, tears, laughter, the river of life itself'Pascal Rougon has served as a doctor in the rural French town of Plassans for thirty years. He lives a quiet life with his faithful servant Martine and young niece Clotilde. Pascal is a man of science, striving to find the ultimate cure for all diseases. This puts him at odds with his niece, who is horrified by his denial of religious faith. Clotilde also distrusts Pascal's lifelong ambition to create a family tree on scientific principles, based upon his theories of heredity. Tensions in the household are fuelled by Pascal's scheming mother, Félicité, as the final episode in the great Rougon-Macquart saga plays out. Dr Pascal is the passionate conclusion to Zola's twenty-novel sequence, and the most eloquent expression of the ideas on heredity and human progress that have underpinned it. Human relations are at its heart, as Pascal and Clotilde are bound ever closer by ties of family and love.

'He loved power for power's sake . . . He was without question the greatest of the Rougons.' His Excellency Eugène Rougon (1876) is the sixth novel in Zola's twenty-volume Rougon-Macquart cycle. A political novel set in the corridors of power and in the upper échelons of French Second Empire society, including the Imperial court, it focuses on the fluctuating fortunes of the authoritarian Eugène Rougon, the 'vice-Emperor'. But it is more than just a chronicle. It plunges the reader into the essential dynamics of the political: the rivalries, the scheming, the jockeying for position, the ups and downs, the play of interests, the lobbying and gossip, the patronage and string-pulling, the bribery and blackmail, and, especially, the manipulation of language for political purposes. The novel's themes-especially its treatment of political discourse-have remarkable contemporary resonance. His Excellency Eugène Rougon is about politics everywhere.

'Neither spoke another word, they were gripped by a shared, unthinking madness as they plunged headlong together into vertiginous rapture.'Orphaned with a substantial inheritance at the age of ten, Pauline Quenu is taken from Paris to live with her relatives, Monsieur and Madame Chanteau and their son Lazare, in the village of Bonneville on the wild Normandy coast. Her presence enlivens the household and Pauline is the only one who can ease Chanteau's gout-ridden agony. Her love of life contrasts with the insularity and pessimism that infects the family, especially Lazare, for whom she develops a devoted passion. Gradually Madame Chanteau starts to take advantage of Pauline's generous nature, and jealousy and resentment threaten to blight all their lives. The arrival of a pretty family friend, Louise, brings tensions to a head.The twelfth novel in the Rougon Macquart series, The Bright Side of Life is remarkable for its depiction of intense emotions and physical and mental suffering. The precarious location of Bonneville and the changing moods of the sea mirror the turbulent relations of the characters, and as the story unfolds its title comes to seem ever more ironic.

'My title speaks not merely of war, but also of the crumbling of a regime and the end of a world.' Émile ZolaThe penultimate novel of the Rougon-Macquart cycle, La Débâcle (1892) takes as its subject the dramatic events of the Franco-Prussian War and the Commune of 1870-1. During Zola's lifetime it was the bestselling of all his novels, praised by contemporaries for its epic sweep as well as for its attention to historical detail.La Débâcle seeks to explain why the Second Empire ended in a crushing military defeat and revolutionary violence. It focuses on ordinary soldiers, showing their bravery and suffering in the midst of circumstances they cannot control, and includes some of the most powerful descriptions Zola ever wrote. Zola skilfully integrates his narrative of events and the fictional lives of his characters to provide the finest account of this tragic chapter in the history of France. Often compared to War and Peace, La Débâcle has been described as a 'seminal' work for all modern depictions of war.

'She was the golden beast, an unconscious force, the very scent of her could bring the world to ruin.'Nana, daughter of a drunk and a laundress, is the Helen of Troy of Paris. A sexually magnetic high-class prostitute and actress, she becomes a celebrity, rapidly conquering society, ruining all men who fall under her spell-especially Count Muffat, Chamberlain to the Empress. Nana herself meets a terrible fate, consumed by her own dissipation and extravagance, just as the disastrous war with Prussia is declared.Nana is the ninth instalment in the twenty volume Rougon-Macquart series. The novel opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan élite, was la Ville Lumière, the glittering setting-and object-of Zola's scathing denunciation of society's hypocrisy and moral corruption. Nana comes to symbolize the Second Empire regime itself in all its excesses; but in the final chapters, the narrator seems to suggest that the coming disaster is not so much a result of the corruption of the Empire, as of rampant female sexuality.

'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect.The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.

Thérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere `human beasts' who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. Many readers were scandalized by an approach to character-drawing which seemed to undermine not only the moral values of a deeply conservative society, but also the whole code of psychological description on which the realist novel was based.Together with the important `Preface to the Second Edition' in which Zola defended himself against charges of immorality, Thérèse Raquin stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock.This new translation is based on the second edition of 1868. The Introduction situates the novel in the context of Naturalism, medicine, and the scientific ideas of Zola's day. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'.The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world.Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Ladies' Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store's owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola's greatest novels of the modern city. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Masterpiece is the tragic story of Claude Lantier, an ambitious and talented young artist from the provinces who has come to conquer Paris and is conquered by the flaws in his own genius. While his boyhood friend Pierre Sandoz becomes a successful novelist, Claude's originality is mocked at the Salon and turns gradually into a doomed obsession with one great canvas. Life - in the form of his model and wife Christine and their deformed child Jacques - is sacrificed on the altar of Art.The Masterpiece is the most autobiographical of the twenty novels in Zola's Rougon-Macquart series. Set in the 1860s and 1870s, it provides a unique insight into his career as a writer and his relationship with Cézanne, a friend since their schooldays in Aix-en-Provence. It also presents a well-documented account of the turbulent Bohemia world in which the Impressionists came to prominence despit the conservatism of the Academy and the ridicule of the general public. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.'The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his `most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This new translation of Zola's most acerbic social satire captures the directness and robustness of Zola's language and restores the omissions of earlier abridged versions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.