Emile Zola – författare

Considered by André Gide to be one of the ten greatest novels in the French language, Émile Zola's Germinal is a brutal depiction of the poverty of a mining community in northern FranceÉtienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Compelled to take a back-breakin job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all. The thirteenth novel in Zola's great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity's capacity for compassion and hope.Translated with an introduction by Roger Pearson in Penguin Classics If you enjoyed Germinal, you might like Zola's Thérèse Raquin, also available in Penguin Classics.

'Respectable people... What bastards!'Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'état in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old Marché des Innocents has been knocked down as part of Haussmann's grand programme of urban reconstruction to make way for Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice of society are inextricably linked.The Belly of Paris (Le Ventre de Paris) is the third volume in Zola's famous cycle of twenty novels, Les Rougon-Macquart. It introduces the painter Claude Lantier and in its satirical representation of the bourgeoisie and capitalism complements Zola's other great novels of social conflict and urban poverty. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Nana – en ung kvinna med ett förflutet på gatan – slår igenom som skådespelerska i Paris andra kejsardöme. Hon saknar talang, men publiken jublar. Det är inte hennes röst man älskar, utan hennes kropp. Med skönhet, sexuell makt och oberäknelig charm förför hon män ur samhällets alla skikt. De faller som dominobrickor, en efter en – ruinerade, förödmjukade, förtrollade. Och i centrum står hon, lika självförbrännande som oemotståndlig. Nana [1880] är Zolas mest beryktade roman – en berättelse om kvinnlig makt och manlig undergång, skriven med ett närmast kliniskt öga för detaljer och strukturer. Men bakom skandalen döljer sig en större analys: av sexualitetens roll i ett samhälle som håller på att ruttna inifrån. Zola låter Nanas kropp spegla kejsardömets moraliska förfall – det är inte bara männen som krossas, utan själva systemet. Romanen är den nionde delen i sviten Les Rougon-Macquart, där Zola skildrar det moderna Frankrikes framväxt genom en släkts öden. I Nana undersöker han miljöns och ärftlighetens påverkan på kvinnan i ett patriarkalt konsumtionssamhälle – där makt och förstörelse ofta är två sidor av samma mynt. I översättning av Tom Wilson. ÉMILE ZOLA [1840–1902] var den franska naturalismens ledande namn och en av Europas mest inflytelserika författare. I romaner som Nana förenade han djärv samhällskritik med stilistisk precision och psykologisk skärpa. Skandalerna kring romanen gjorde honom ökänd – men också omöjlig att ignorera. Med sin osentimentala blick på kön, klass och makt skapade Zola ett verk som fortfarande väcker starka reaktioner.

Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'.The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world.Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Born to drunken parents in the slums of Paris, Nana lives in squalor until she is discovered at the Théâtre des Variétés. She soon rises from the streets to set the city alight as the most famous high-class prostitute of her day. Rich men, Comtes and Marquises fall at her feet, great ladies try to emulate her appearance, lovers even kill themselves for her. Nana's hedonistic appetite for luxury and decadent pleasures knows no bounds - until, eventually, it consumes her. Nana provoked outrage on its publication in 1880, with its heroine damned as 'the most crude and bestial sort of whore', yes the language of the novel makes Nana almost a mythical figure: a destructive force preying on a corrupt society.

The Ladies' Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store's owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola's greatest novels of the modern city. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his `most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Madame Raquin har hand om både sin sjuklige son Camille och dennes föräldralösa kusin, den vilda men återhållna Thérèse. Barnen växer upp tillsammans, och orolig över vem som ska ta hand om Camille när hon dör, ser Madame Raquin till att Camille och Thérèse gifter sig med varandra. Alla tre flyttar in bakom en liten sybehörsbutik i en av Paris dunklare passager, där de lever ett olyckligt liv tillsammans. När Camille en dag tar med sig en vän hem förändras allt: Laurent är allt som Camille inte är. Det blir början på en kärleksaffär som går väldigt fel - när Thérèse och Laurent kommer fram till att de måste göra sig av med Camille.Thérèse Raquin [1867], Émile Zolas debutbok, räknas till naturalismens viktigaste romaner. Paris skildrades här på ett alldeles nytt sätt, och som psykologisk thriller tar boken med sig läsaren på en vansinnesfärd: från tristess till hett begär, till planering av den yttersta överträdelsen av alla, för att sluta i de djupaste känslor av ånger och skuld. En av den franska litteraturens största klassiker, här i svensk översättning av Ann Bouleau.ÉMILE ZOLA [1840-1902] var en fransk romanförfattare, dramatiker och journalist, och en av portalfigurerna för naturalismen. Hans mest berömda verk är debutromanen Thérèse Raquin [1867], som både var stilbildande för naturalismen och räknas till en av den franska litteraturens bästa skräckromaner.

Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out… the law can look as deep as it likes, but when the crime itself goes unsuspected… oh yes, there's many a murderer basking in the sun...When Thérèse Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband’s friend, Laurent, and Thérèse throws herself headlong into an affair. There seems only one obstacle to their happiness; Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them…First published in 1867, Thérèse Raquin has lost none of its power to enthral. Adam Thorpe’s unflinching translation brings Zola’s dark and shocking masterwork to life.A NEW TRANSLATION BY ADAM THORPE‘Adam Thorpe's version deserves to become the standard English text’ Daily Telegraph

Conservative and working-class, Jean Macquart is an experienced, middle-aged soldier in the French army, who has endured deep personal loss. When he first meets the wealthy and mercurial Maurice Levasseur, who never seems to have suffered, his hatred is immediate. But after they are thrown together during the disastrous Franco-Prussian war of 1870-71, the pair are compelled to understand one other. Forging a profound friendship, they must struggle together to endure a disorganised and brutal war, the savage destruction of France's Second Empire and the fall of Napoleon III. One of the greatest of all war novels, The Debacle is the nineteenth novel in Zola's great Rougon-Macquart cycle. A forceful and deeply moving tale of close friendship, it is also a fascinating chronicle of the events that were to lead, in the words of Zola himself, to 'the murder of a nation'.

Part of the vast Rougon-Macquart cycle of novels, The Earth was regarded by Émile Zola's as his greatest novel. This Penguin Classics edition is translated with an introduction by Douglas Parmée.When Jean Macquart arrives in the peasant community of Beauce, where farmers have worked the same land for generations, he quickly finds himself involved in the corrupt affairs of the local Fouan family. Aging and Lear-like, Old Man Fouan has decided to divide his land between his three children: his penny-pinching daughter Fanny, his eldest son - a far from holy figure known as 'Jesus Christ' - and the lecherous Buteau, Macquart's friend. But in a community where land is everything, sibling rivalry quickly turns to brutal hatred, as Buteau declares himself unsatisfied with his lot. A fascinating portrayal of a struggling but decadent community, The Earth offers a compelling exploration of the destructive nature of human ignorance and greed.Douglas Parmée's translation vividly conveys the naturalistic tone of the original in clear, contemporary English. This edition also includes an introduction, exploring Zola's motivation in writing The Earth and considering its influence on his contemporaries.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Earth, you might like Zola's Germinal, also available in Penguin Classics.

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumer capitalism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.This edition also contains a bibliography, introduction, chronology and explanatory notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).'A complete page-turner about the consumer society, greed, fashion and instant gratification'India Knight'A fine translation'The Times Literary Supplement

Perhaps his most famous work, Émile Zola's Thérèse Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss.In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever. Thérèse Raquin caused a scandal when it appeared in 1867 and borught its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola's novel is not only an uninhibited portrayal of adultery, madness and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence.Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style. In his introduction, he discusses Zola's life and literary career, and the influence of art, literature and science on his writing. This edition also includes the preface to the second edition of 1868, a chronology, further reading and notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed Thérèse Raquin, you might like Zola's Germinal, also available in Penguin Classics.

Previously published as L'assommoir (The Dram Shop), Emile Zola's The Drinking Den is an unflinching study of a desperate young woman struggling against the ravages of vice. This Penguin Classics edition is translated from the French with an introduction by Robin Buss.Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband's drinking and the unexpected appearance of a figure from her past, Gervaise's plans begin to unravel tragically. The Drinking Den caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola's great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise's struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature.Robin Buss's translation renders Zola's street argot into clear, contemporary English. This edition also includes an introduction discussing Zola's Naturalistic method, with maps of Paris, Zola's preface responding to his critics, notes, a chronology and further reading.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).If you enjoyed The Drinking Den, you might like Zola's The Beast Within, also available in Penguin Classics.

Born to drunken parents in the slums of Paris, Nana lives in squalor until she is discovered at the Théâtre des Variétés. She soon rises from the streets to set the city alight as the most famous high-class prostitute of her day. Rich men, Comtes and Marquises fall at her feet, great ladies try to emulate her appearance, lovers even kill themselves for her. Nana's hedonistic appetite for luxury and decadent pleasures knows no bounds - until, eventually, it consumes her. Nana provoked outrage on its publication in 1880, with its heroine damned as 'the most crude and bestial sort of whore', yes the language of the novel makes Nana almost a mythical figure: a destructive force preying on a corrupt society.

Considered by André Gide to be one of the ten greatest novels in the French language, Émile Zola's Germinal is a brutal depiction of the poverty of a mining community in northern FranceÉtienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Compelled to take a back-breakin job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all. The thirteenth novel in Zola's great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity's capacity for compassion and hope.Translated with an introduction by Roger Pearson in Penguin Classics If you enjoyed Germinal, you might like Zola's Thérèse Raquin, also available in Penguin Classics.

La Bete humaine (1890), the seventeenth novel in the Rougon-Macquart series, is one of Zola's most violent and explicit works. On one level a tale of murder, passion, and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his 'most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within.

Set in the taverns of Paris, this is perhaps the first classical tragedy of working-class people living in the slums of a city. The Drinking Den (1877) is part of the Rougon-Macquart series, a naturalistic history of two branches of a family traced through several generations. Zola's work was influenced by contemporary theories of heredity and experimental science, and the behaviour of the two families is shown to be conditioned by environment and inherited characteristics, chiefly drunkenness and mental instability.

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumerism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.This edition also contains a bibliography, introduction, chronology and explanatory notes.Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).'A complete page-turner about the consumer society, greed, fashion and instant gratification'India Knight'A fine translation'The Times Literary Supplement

Set in the claustrophobic atmosphere of a dingy haberdasher's shop in the passage du Pont-Neuf in Paris, this powerful novel tells how the heroine and her lover, Laurent, kill her husband, Camille, but are subsequently haunted by visions of the dead man and prevented from enjoying the fruits of their crime. Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

When Jean Macquart arrives in the peasant community of Beauce, where farmers have worked the same land for generations, he quickly finds himself involved in the corrupt affairs of the local Fouan family. Aging and Lear-like, Old Man Fouan has decided to divide his land between his three children: his penny-pinching daughter Fanny, his eldest son - a far from holy figure known as 'Jesus Christ' - and the lecherous Buteau, Macquart's friend. But in a community where land is everything, sibling rivalry quickly turns to brutal hatred, as Buteau declares himself unsatisfied with his lot. Part of the vast Rougon-Macquart cycle, The Earth was regarded by Zola as his greatest novel. A fascinating portrayal of a struggling but decadent community, it offers a compelling exploration of the destructive nature of human ignorance and greed

Conservative and working-class, Jean Macquart is an experienced, middle-aged soldier in the French army, who has endured deep personal loss. When he first meets the wealthy and mercurial Maurice Levasseur, who never seems to have suffered, his hatred is immediate. But after they are thrown together during the disastrous Franco-Prussian war of 1870-71, the pair are compelled to understand one other. Forging a profound friendship, they must struggle together to endure a disorganised and brutal war, the savage destruction of France's Second Empire and the fall of Napoleon III. One of the greatest of all war novels, The Debacle is the nineteenth novel in Zola's great Rougon-Macquart cycle. A forceful and deeply moving tale of close friendship, it is also a fascinating chronicle of the events that were to lead, in the words of Zola himself, to 'the murder of a nation'.