Emmanuel Alloa – författare
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23 produkter
23 produkter
Inbunden, Engelska, 2021
1 319 kr
Skickas inom 5-8 vardagar
Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.
Häftad, Engelska, 2021
335 kr
Skickas inom 5-8 vardagar
Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory—Aristotle’s concept of the diaphanous milieu of vision—and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.
Inbunden, Engelska, 2017
1 390 kr
Skickas inom 5-8 vardagar
In this book, Emmanuel Alloa offers a handrail for venturing into the complexities of the work of the French philosopher Maurice Merleau-Ponty (1908–61). Through a comprehensive analysis of the three main phases of Merleau-Ponty's thinking and a thorough knowledge of his many unpublished manuscripts, the author traces how Merleau-Ponty's philosophy evolved and exposes the remarkable coherence that structures it from within. Alloa teases out the continuity of a motive that traverses the entire oeuvre as a common thread. Merleau-Ponty struggled incessantly against any kind of ideology of transparency, whether of the world, of the self, of knowledge, or of the self's relation to others.Already translated into several languages, Alloa's innovative reading of this crucially important thinker shows why the issues Merleau-Ponty raised are, more than ever, those of our time.
Häftad, Engelska, 2017
416 kr
Skickas inom 5-8 vardagar
In this book, Emmanuel Alloa offers a handrail for venturing into the complexities of the work of the French philosopher Maurice Merleau-Ponty (1908–61). Through a comprehensive analysis of the three main phases of Merleau-Ponty's thinking and a thorough knowledge of his many unpublished manuscripts, the author traces how Merleau-Ponty's philosophy evolved and exposes the remarkable coherence that structures it from within. Alloa teases out the continuity of a motive that traverses the entire oeuvre as a common thread. Merleau-Ponty struggled incessantly against any kind of ideology of transparency, whether of the world, of the self, of knowledge, or of the self's relation to others.Already translated into several languages, Alloa's innovative reading of this crucially important thinker shows why the issues Merleau-Ponty raised are, more than ever, those of our time.
Inbunden, Engelska, 2024
2 416 kr
Skickas inom 10-15 vardagar
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared.Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson.The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.
Häftad, Engelska, 2025
679 kr
Skickas inom 10-15 vardagar
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared.Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson.The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.
E-bok
PDF, Engelska, 2024721 kr
Läs direkt efter köp
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared.Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetA(c)s. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselvesa "e;all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of arta "e;from ancient painting, trompe loeil, and Brunelleschis experiment in Renaissance Florencea "e;to the issue of perspective in the work of contemporary artists such as Robert Smithson.The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.
E-bok
Engelska, 2024723 kr
Läs direkt efter köp
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared.Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetA(c)s. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the forgotten tradition of perspectiva communis, which makes perspective the vector of a common horizon. This book argues that vision is never immediate. Rather, to see through is the key to understanding the perspectival operation. We never see by ourselvesa "e;all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of arta "e;from ancient painting, trompe loeil, and Brunelleschis experiment in Renaissance Florencea "e;to the issue of perspective in the work of contemporary artists such as Robert Smithson.The Share of Perspective will be of interest to scholars and advanced students working in aesthetics, phenomenology, art history, and the history of sciences.
Häftad, Engelska, 2020
624 kr
Skickas inom 3-6 vardagar
Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy.Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.
Inbunden, Engelska, 2020
433 kr
Skickas inom 7-10 vardagar
Thevisible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibitioncatalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.
Häftad, Engelska, 2019
1 506 kr
Skickas inom 10-15 vardagar
This book critically engages with the idea of transparency whose ubiquitous demand stands in stark contrast to its lack of conceptual clarity. The book carefully examines this notion in its own right, traces its emergence in Early Modernity and analyzes its omnipresence in contemporary rhetoric. Today, transparency has become a catchword outplaying other Enlightenment values like empowerment, sincerity and the notion of a public sphere. In a suspicious manner, transparency is entangled in the discourses on power, surveillance, and self-exposure. Bringing together prominent scholars from the emerging field of Critical Transparency Studies, the book offers a map of the various sites at which transparency has become virulent and connects the dots between past and present. By studying its appearances in today’s hyper-mediated economies of information and by linking it back to its historical roots, the book analyzes transparency and its discontents, and scrutinizes the reasons why it hasbecome the imperative of a supposedly post-ideological age.
E-bok
PDF, Engelska, 2020782 kr
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Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation.
The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Häftad, Tyska, 2023
610 kr
Skickas inom 3-6 vardagar
Die Phänomenologie stellt eine der Hauptströmungen der Gegenwartsphilosophie dar und findet in zahlreichen Wissenschaften sowie in Praxis und Therapeutik starke Resonanz. Nach 120 Jahren Wirkungsgeschichte füllt die Bibliothek phänomenologischer Werke zahllose Bücherregale und selbst für Expertinnen und Experten ist die Forschungsliteratur mittlerweile unüberschaubar geworden. An allgemeinen Einführungen sowie spezialisierter Fachliteratur mangelt es dabei keineswegs, wohl aber an einem Handbuch, in dem sowohl der Vielfalt der historischen Entwicklungen als auch dem berechtigten Wunsch nach innerer systematischer Kohärenz Rechnung getragen wird. Das Handbuch Phänomenologie schließt diese Lücke. Ausgewiesene Autorinnen und Autoren bereiten in eigens für diesen Band verfassten Artikeln komplexe sachliche Zusammenhänge übersichtlich auf. Durch seinen Aufbau eignet sich das Handbuch sowohl für Neulinge als auch für Fortgeschrittene. Anhand bündig präsentierter Grundbegriffe und Verfahren konturiert das Handbuch die Spezifik der phänomenologischen Methode, spart dabei jedoch nicht die Kontroversen und methodologischen Neuausrichtungen aus, die von ihrer Lebendigkeit und Vielstimmigkeit zeugen. Ein umfangreicher Schlussteil ist der Rezeption und Anwendung in einzelnen Wirkfeldern gewidmet. Als Hilfsmittel zur eigenständigen Erschließung der phänomenologischen Denkrichtung und zu ihrer Anwendung auf aktuelle Probleme zeichnet sich das Handbuch durch seine Lesefreundlichkeit und einen stark forschungspraktischen Bezug aus.
Inbunden, Engelska, 2018
1 506 kr
Skickas inom 10-15 vardagar
This book critically engages with the idea of transparency whose ubiquitous demand stands in stark contrast to its lack of conceptual clarity. The book carefully examines this notion in its own right, traces its emergence in Early Modernity and analyzes its omnipresence in contemporary rhetoric. Today, transparency has become a catchword outplaying other Enlightenment values like empowerment, sincerity and the notion of a public sphere. In a suspicious manner, transparency is entangled in the discourses on power, surveillance, and self-exposure. Bringing together prominent scholars from the emerging field of Critical Transparency Studies, the book offers a map of the various sites at which transparency has become virulent and connects the dots between past and present. By studying its appearances in today’s hyper-mediated economies of information and by linking it back to its historical roots, the book analyzes transparency and its discontents, and scrutinizes the reasons why it hasbecome the imperative of a supposedly post-ideological age.
E-bok
Engelska, 20181 886 kr
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This book critically engages with the idea of transparency whose ubiquitous demand stands in stark contrast to its lack of conceptual clarity. The book carefully examines this notion in its own right, traces its emergence in Early Modernity and analyzes its omnipresence in contemporary rhetoric. Today, transparency has become a catchword outplaying other Enlightenment values like empowerment, sincerity and the notion of a public sphere. In a suspicious manner, transparency is entangled in the discourses on power, surveillance, and self-exposure. Bringing together prominent scholars from the emerging field of Critical Transparency Studies, the book offers a map of the various sites at which transparency has become virulent and connects the dots between past and present. By studying its appearances in today’s hyper-mediated economies of information and by linking it back to its historical roots, the book analyzes transparency and its discontents, and scrutinizes the reasons why it hasbecome the imperative of a supposedly post-ideological age.
Häftad, Tyska, 2026
1 240 kr
Skickas inom 3-6 vardagar
E-bok
PDF, Tyska, 2026802 kr
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Medienkunst gibt es nicht erst, seitdem technische Medien sich ins Kunstgeschehen einschalten. Vielmehr gab es medienfreie Künste noch nie, ob man unter Medien Bild, Klang, Licht, Raum oder Sprache versteht. Ebenso wenig sind Materialien wie Marmor oder Bronze, Töne oder Farben einem Kunstwerk jemals äußerlich, vielmehr entsteht ästhetische Bedeutung erst durch die jeweilige medial-materielle Konfiguration und ließe sich ohne sie gar nicht artikulieren.Der Band dokumentiert eine Auswahl der Beiträge zum XII. Kongress der Deutschen Gesellschaft für Ästhetik in Fribourg, der medientheoretische Fragen in historischer oder zeitgenössischer, in systematischer oder angewandter Absicht zum Thema gemacht hat. Es geht dabei um den Eigensinn ikonischer, choreographischer, filmischer oder architektonischer Artefakte, um die Analog-digital-Differenz, um die medialen Voraussetzungen in der Massenproduktion und -reproduktion von Kunst sowie um die Funktion von Medien bei der Verbreitung, Kommentierung und Archivierung künstlerischer Arbeit bis hin zum Einsatz von KI im Schaffensprozess. Jede Kunst kann in diesem Sinne als Medienkunst gelten, wenn und weil sie mit Medien reflexiv und kritisch arbeitet und aufzeigt, wie diese arbeiten.Mit Beiträgen von Florian Arnold, Johannes Bennke, Kathrin Busch, Christian Grüny, Christoph Haffter, Dieter Mersch, Alva Noë, Mirjam Schaub, Ludger Schwarte, Martin Seel, J. Emil Sennewald, Luca Viglialoro, Christiane Voss und Lambert Wiesing.
Häftad, Tyska, 2019
308 kr
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Häftad, Engelska, 2022
1 080 kr
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The paradoxical logic of transparency and mediationTransparency is the metaphor of our time. Whether in government or corporate governance, finance, technology, health or the media – it is ubiquitous today, and there is hardly a current debate that does not call for more transparency. But what does this word actually stand for and what are the consequences for the life of individuals? Can knowledge from the arts, and its play of visibility and invisibility, tell us something about the paradoxical logics of transparency and mediation? This Obscure Thing Called Transparency gathers contributions by international experts who critically assess the promises and perils of transparency today. Contributors: Emmanuel Alloa (University of Fribourg), Loup Cellard (Melbourne Law School), Riccardo Donati (Università di Salerno), Mark Fenster (University of Florida), Sara Guindani (Université Paris 7), David Heald (University of Glasgow), Vlad Ionescu (UHasselt/PXL MAD), Dorota Mokrosinska (Leiden University), Herman Parret (KU Leuven), John Pitseys (UCLouvain), Natacha Pfeiffer (Université Saint-Louis), Philippe Van Parijs (UCLouvain), Bart Verschaffel (Ghent University), Patrick Vandermeersch (KU Leuven), Christophe Van Gerrewey (EPFL).This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
E-bok
Spanska, 2021271 kr
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Las imágenes siempre han provocado reacciones ambivalentes. Sean miradas fascinadas o repulsión iconoclasta, las imágenes sin embargo raramente fueron vistas como verdaderas fuentes de conocimiento. Hoy en día, parece que la crítica tradicional del espectáculo ha dado paso a una aceptación incondicional de lo visual. Sin embargo, no es en absoluto obvio que nuestras interacciones cotidianas con las imágenes también implican que entendemos cómo funcionan. La imagen diáfana recorre la historia de la actitud occidental hacia las imágenes, y de la provocación que aquellas representan para el intelecto. Al mostrar cómo en la premodernidad, la cuestión de las imágenes estaba indisociablemente ligada a la dimensión de las apariencias y sus medios, el libro ofrece una novedosa genealogía de la fenomenología y del concepto de medio. Las imágenes no son ventanas transparentes al mundo ni son medios ocultos que realizan sus actividades a nuestra espalda. En su propia superficie, en su despliegue material, reactivan constantemente el poder de aparecer, dando visibilidad a algo que no podría aparecer de otra manera.
E-bok
Spanska, 2022249 kr
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Pensar lo visual antropológicamente conlleva comprender las formasen que distintos pueblos alrededor del mundo se han enfrentado a loque hacen las imágenes –no siempre diferenciada de la escritura–,así como el lugar que se les ha asignado en la vida y en la muerte,en la «cultura» y en la «naturaleza». La reflexión resultante llevaindefectiblemente a interrogar el estatuto de lo humano, y sutransformación concomitante a las mutaciones de lo visual, una vezque las imágenes se obtienen por medio de un cálculo maquínico.Este segundo volumen reúne algunos de los nombres másrelevantes de la antropología y de los estudios sobre la imagen,además de figuras centrales de disciplinas como la egiptología o laepistemología. Sin excepción, sus trabajos muestran que el estudiode la visualidad no puede hacerse si no es cruzando disciplinas,campos y culturas. El conjunto es un libro que con seguridadcontribuirá a los debates en curso sobre lo visual y lo antropológico.
Inbunden, Engelska, 2019
1 076 kr
Tillfälligt slut
Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy.Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.
Inbunden, Tyska, 2023
2 300 kr
Tillfälligt slut
Die Phänomenologie stellt eine der Hauptströmungen der Gegenwartsphilosophie dar und findet in zahlreichen Wissenschaften sowie in Praxis und Therapeutik starke Resonanz. Nach 120 Jahren Wirkungsgeschichte füllt die Bibliothek phänomenologischer Werke zahllose Bücherregale und selbst für Expertinnen und Experten ist die Forschungsliteratur mittlerweile unüberschaubar geworden. An allgemeinen Einführungen sowie spezialisierter Fachliteratur mangelt es dabei keineswegs, wohl aber an einem Handbuch, in dem sowohl der Vielfalt der historischen Entwicklungen als auch dem berechtigten Wunsch nach innerer systematischer Kohärenz Rechnung getragen wird. Das Handbuch Phänomenologie schließt diese Lücke. Ausgewiesene Autorinnen und Autoren bereiten in eigens für diesen Band verfassten Artikeln komplexe sachliche Zusammenhänge übersichtlich auf. Durch seinen Aufbau eignet sich das Handbuch sowohl für Neulinge als auch für Fortgeschrittene. Anhand bündig präsentierter Grundbegriffe und Verfahren konturiert das Handbuch die Spezifik der phänomenologischen Methode, spart dabei jedoch nicht die Kontroversen und methodologischen Neuausrichtungen aus, die von ihrer Lebendigkeit und Vielstimmigkeit zeugen. Ein umfangreicher Schlussteil ist der Rezeption und Anwendung in einzelnen Wirkfeldern gewidmet. Als Hilfsmittel zur eigenständigen Erschließung der phänomenologischen Denkrichtung und zu ihrer Anwendung auf aktuelle Probleme zeichnet sich das Handbuch durch seine Lesefreundlichkeit und einen stark forschungspraktischen Bezug aus.