Eric Robinson – författare

For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day.Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology.This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.

For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day. Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology.This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.

Clare's `The Shepherd's Calendar' has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals and verse-tales, all of which appear in these two volumes, along with many others which were not selected for publication in 1827. Clare's first editors also tidied up and standardized his vocabulary, grammar and spelling, but his original language has here been restored. By the later 1820s Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes will make an important contribution to the ongoing assessment of Clare as a major English poet.This is the first of five volumes devoted to Clare's `middle period', between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.

These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.

Completing the influential Oxford edition of Clare's collected poems, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles that will assist readers in their use of the edition as a whole.Clare's poetry deals not only with his own countryside, but also with its ceremonies and celebrations, its customs and games, its political, economic, and religious concerns, its proverbs, tales, and songs - indeed, with all aspects of its popular culture. The poems of the Northborough period are some of Clare's best work, demonstrating a particularly concise vision of Clare's experience of Nature.

The additional material in this volume of poems from Clare's middle period includes some of his finest poems, such as `The Last of Summer', `The Mole Catcher' and the whole manuscript, now lost, entitled `Birds Nesting'. Clare's but his original language and usage has here been restored, his distinctive idiom and highlighting the more powerful voice evident throughout his verse written in the late 1820s. These volumes will make an important contribution to the ongoing reassessment of Clare as a major English poet.This is the second of five volumes devoted to Clare's `middle period', between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters.John Clare (1793-1864) is now recognized as one of the greatest English Romantic poets, after years of indifference and neglect. Clare was an impoverished agricultural labourer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of his contemporaries Byron, Keats, and Shelley, and this fine selection illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry, and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair.Clare's writings are here presented with the minimum of editorial interference, and with a new Introduction by the poet and scholar Tom Paulin. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A Champion for the Poor brings together for the first time John Clare's longest poem, The Parish - in a new and corrected text - and his forceful satires 'The Hue & Cry' and 'The Summons'. Some previously unpublished poems are included, too. There are also essays, letters and fragments - advice to his children, reflections on Enclosure, observations of social custom and social ill - which illuminate the poems and enhance our sense of Clare and his attitudes to the political and social conditions and events of his age.The Introduction evokes the context of Clare's writings and the difficulties he faced as a labourer voicing the concerns of his class at a time when such matters were regarded as the exclusive province of the educated and propertied classes. Notes and a glossary of unfamiliar words are included. Readers can at last assess a neglected aspect of Clare's work.