Eva Giloi – författare

This innovative book illuminates popular attitudes toward political authority and monarchy in eighteenth- and nineteenth-century Prussia and twentieth-century Germany. In a fascinating study of how subjects incorporated the material culture of monarchy into their daily lives, Eva Giloi provides insights into German mentalities toward sovereign power. She examines how ordinary people collected and consumed relics and other royal memorabilia, and used these objects to articulate, validate, appropriate, or reject the state's political myths. The book reveals that the social practices that guided the circulation of material culture - under what circumstances it was acceptable to buy and sell the queen's underwear, for instance - expose popular assumptions about the Crown that were often left unspoken. The book sets loyalism in the everyday context of consumerism and commodification, changes in visual culture and technology, and the emergence of mass media and celebrity culture, to uncover a self-possessed, assertive German middle class.

Railroads, telegraphs, lithographs, photographs, and mass periodicals-the major technological advances of the 19th century seemed to diminish the space separating people from one another, creating new and apparently closer, albeit highly mediated, social relationships. Nowhere was this phenomenon more evident than in the relationship between celebrity and fan, leader and follower, the famous and the unknown. By mid-century, heroes and celebrities constituted a new and powerful social force, as innovations in print and visual media made it possible for ordinary people to identify with the famous; to feel they knew the hero, leader, or "star"; to imagine that public figures belonged to their private lives. This volume examines the origins and nature of modern mass media and the culture of celebrity and fame they helped to create. Crossing disciplines and national boundaries, the book focuses on arts celebrities (Sarah Bernhardt, Byron and Liszt); charismatic political figures (Napoleon and Wilhelm II); famous explorers (Stanley and Brazza); and celebrated fictional characters (Cyrano de Bergerac).

This innovative book illuminates popular attitudes toward political authority and monarchy in eighteenth- and nineteenth-century Prussia and twentieth-century Germany. In a fascinating study of how subjects incorporated the material culture of monarchy into their daily lives, Eva Giloi provides insights into German mentalities toward sovereign power. She examines how ordinary people collected and consumed relics and other royal memorabilia, and used these objects to articulate, validate, appropriate, or reject the state's political myths. The book reveals that the social practices that guided the circulation of material culture - under what circumstances it was acceptable to buy and sell the queen's underwear, for instance - expose popular assumptions about the Crown that were often left unspoken. The book sets loyalism in the everyday context of consumerism and commodification, changes in visual culture and technology, and the emergence of mass media and celebrity culture, to uncover a self-possessed, assertive German middle class.

Railroads, telegraphs, lithographs, photographs, and mass periodicals—the major technological advances of the 19th century seemed to diminish the space separating people from one another, creating new and apparently closer, albeit highly mediated, social relationships. Nowhere was this phenomenon more evident than in the relationship between celebrity and fan, leader and follower, the famous and the unknown. By mid-century, heroes and celebrities constituted a new and powerful social force, as innovations in print and visual media made it possible for ordinary people to identify with the famous; to feel they knew the hero, leader, or "star"; to imagine that public figures belonged to their private lives. This volume examines the origins and nature of modern mass media and the culture of celebrity and fame they helped to create. Crossing disciplines and national boundaries, the book focuses on arts celebrities (Sarah Bernhardt, Byron and Liszt); charismatic political figures (Napoleon and Wilhelm II); famous explorers (Stanley and Brazza); and celebrated fictional characters (Cyrano de Bergerac).