Federico Campagna – författare

What can survive the end of the world?In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great’s cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.In Campagna’s lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed

We take for granted that only certain kind of things exist – electrons but not angels, passports but not nymphs. This is what we understand as ‘reality’. But in fact, ‘reality’ varies with each era of the world, in turn shaping the field of what is possible to do, think and imagine. Our contemporary age has embraced a troubling and painful form of reality: Technic. Under Technic, the foundations of reality begin to crumble, shrinking the field of the possible and freezing our lives in an anguished state of paralysis. Technic and Magic shows that the way out of the present deadlock lies much deeper than debates on politics or economics. By drawing from an array of Northern and Southern sources – spanning from Heidegger, Junger and Stirner’s philosophies, through Pessoa’s poetry, to Advaita Vedanta, Bhartrhari, Ibn Arabi, Suhrawardi and Mulla Sadra’s theosophies – Magic is presented as an alternative system of reality to Technic. While Technic attempts to capture the world through an ‘absolute language’, Magic centres its reconstruction of the world around the notion of the ‘ineffable’ that lies at the heart of existence. Technic and Magic is an original philosophical work, and a timely cultural intervention. It disturbs our understanding of the structure of reality, while restoring it in a new form. This is possibly the most radical act: if we wish to change our world, first we have to change the idea of ‘reality’ that defines it.

*Shortlisted for the Bread and Roses Prize, 2013* From the pens of major figures of the anti-austerity movement, comes the first radical, collective manifesto of the new decade. From participatory democracy to media reform, from direct action to communal living, What Are We Fighting For is a bold look at alternatives to the economic, social and political travesty of contemporary capitalism. Chapters from Owen Jones, David Graeber, John Holloway, Nina Power, Mark Fisher, Franco Berardi Bifo and Marina Sitrin show a multifaceted but collective desire for a better world. Anarchists, communists, feminists and autonomists come together to inspire us to think beyond neoliberalism.

We take for granted that only certain kind of things exist – electrons but not angels, passports but not nymphs. This is what we understand as ‘reality’. But in fact, ‘reality’ varies with each era of the world, in turn shaping the field of what is possible to do, think and imagine. Our contemporary age has embraced a troubling and painful form of reality: Technic. Under Technic, the foundations of reality begin to crumble, shrinking the field of the possible and freezing our lives in an anguished state of paralysis. Technic and Magic shows that the way out of the present deadlock lies much deeper than debates on politics or economics. By drawing from an array of Northern and Southern sources – spanning from Heidegger, Junger and Stirner’s philosophies, through Pessoa’s poetry, to Advaita Vedanta, Bhartrhari, Ibn Arabi, Suhrawardi and Mulla Sadra’s theosophies – Magic is presented as an alternative system of reality to Technic. While Technic attempts to capture the world through an ‘absolute language’, Magic centres its reconstruction of the world around the notion of the ‘ineffable’ that lies at the heart of existence. Technic and Magic is an original philosophical work, and a timely cultural intervention. It disturbs our understanding of the structure of reality, while restoring it in a new form. This is possibly the most radical act: if we wish to change our world, first we have to change the idea of ‘reality’ that defines it.

We take for granted that only certain kind of things exist – electrons but not angels, passports but not nymphs. This is what we understand as ''reality''. But in fact, ''reality'' varies with each era of the world, in turn shaping the field of what is possible to do, think and imagine. Our contemporary age has embraced a troubling and painful form of reality: Technic. Under Technic, the foundations of reality begin to crumble, shrinking the field of the possible and freezing our lives in an anguished state of paralysis. Technic and Magic shows that the way out of the present deadlock lies much deeper than debates on politics or economics. By drawing from an array of Northern and Southern sources – spanning from Heidegger, Junger and Stirner''s philosophies, through Pessoa''s poetry, to Advaita Vedanta, Bhartrhari, Ibn Arabi, Suhrawardi and Mulla Sadra''s theosophies – Magic is presented as an alternative system of reality to Technic. While Technic attempts to capture the world through an ''absolute language'', Magic centres its reconstruction of the world around the notion of the ''ineffable'' that lies at the heart of existence. Technic and Magic is an original philosophical work, and a timely cultural intervention. It disturbs our understanding of the structure of reality, while restoring it in a new form. This is possibly the most radical act: if we wish to change our world, first we have to change the idea of ''reality'' that defines it.

We take for granted that only certain kind of things exist – electrons but not angels, passports but not nymphs. This is what we understand as ''reality''. But in fact, ''reality'' varies with each era of the world, in turn shaping the field of what is possible to do, think and imagine. Our contemporary age has embraced a troubling and painful form of reality: Technic. Under Technic, the foundations of reality begin to crumble, shrinking the field of the possible and freezing our lives in an anguished state of paralysis. Technic and Magic shows that the way out of the present deadlock lies much deeper than debates on politics or economics. By drawing from an array of Northern and Southern sources – spanning from Heidegger, Junger and Stirner''s philosophies, through Pessoa''s poetry, to Advaita Vedanta, Bhartrhari, Ibn Arabi, Suhrawardi and Mulla Sadra''s theosophies – Magic is presented as an alternative system of reality to Technic. While Technic attempts to capture the world through an ''absolute language'', Magic centres its reconstruction of the world around the notion of the ''ineffable'' that lies at the heart of existence. Technic and Magic is an original philosophical work, and a timely cultural intervention. It disturbs our understanding of the structure of reality, while restoring it in a new form. This is possibly the most radical act: if we wish to change our world, first we have to change the idea of ''reality'' that defines it.

Selected as one of The Tablet’s Books of the Year 2021Throughout history, different civilisations have given rise to many alternative worlds. Each of them was the enactment of a unique story about the structure of reality, the rhythm of time and the range of what it is possible to think and to do in the course of a life. Cosmological stories, however, are fragile things. As soon as they lose their ring of truth and their significance for living, the worlds that they brought into existence disintegrate. New and alien worlds emerge from their ruins.Federico Campagna explores the twilight of our contemporary notion of reality, and the fading of the cosmological story that belonged to the civilisation of Westernised Modernity. How are we to face the challenge of leaving a fertile cultural legacy to those who will come after the end of our future? How can we help the creation of new worlds out of the ruins of our own?

Selected as one of The Tablet’s Books of the Year 2021Throughout history, different civilisations have given rise to many alternative worlds. Each of them was the enactment of a unique story about the structure of reality, the rhythm of time and the range of what it is possible to think and to do in the course of a life. Cosmological stories, however, are fragile things. As soon as they lose their ring of truth and their significance for living, the worlds that they brought into existence disintegrate. New and alien worlds emerge from their ruins.Federico Campagna explores the twilight of our contemporary notion of reality, and the fading of the cosmological story that belonged to the civilisation of Westernised Modernity. How are we to face the challenge of leaving a fertile cultural legacy to those who will come after the end of our future? How can we help the creation of new worlds out of the ruins of our own?

Selected as one of The Tablet''s Books of the Year 2021Throughout history, different civilisations have given rise to many alternative worlds. Each of them was the enactment of a unique story about the structure of reality, the rhythm of time and the range of what it is possible to think and to do in the course of a life. Cosmological stories, however, are fragile things. As soon as they lose their ring of truth and their significance for living, the worlds that they brought into existence disintegrate. New and alien worlds emerge from their ruins.Federico Campagna explores the twilight of our contemporary notion of reality, and the fading of the cosmological story that belonged to the civilisation of Westernised Modernity. How are we to face the challenge of leaving a fertile cultural legacy to those who will come after the end of our future? How can we help the creation of new worlds out of the ruins of our own?

Selected as one of The Tablet''s Books of the Year 2021Throughout history, different civilisations have given rise to many alternative worlds. Each of them was the enactment of a unique story about the structure of reality, the rhythm of time and the range of what it is possible to think and to do in the course of a life. Cosmological stories, however, are fragile things. As soon as they lose their ring of truth and their significance for living, the worlds that they brought into existence disintegrate. New and alien worlds emerge from their ruins.Federico Campagna explores the twilight of our contemporary notion of reality, and the fading of the cosmological story that belonged to the civilisation of Westernised Modernity. How are we to face the challenge of leaving a fertile cultural legacy to those who will come after the end of our future? How can we help the creation of new worlds out of the ruins of our own?

What can survive the end of the world?In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great’s cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.In Campagna’s lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed

What can survive the end of the world?In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great''s cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.In Campagna''s lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed

What can survive the end of the world?In Otherworlds, philosopher Federico Campagna constructs extraordinary stories and alternative histories of the Mediterranean, nexus of migrations and odysseys, ruins and romances, to depict a world in which the imagination is the only engine of survival.Chapter by chapter, Campagna chronicles the existential challenges posed by history and the inventive and radical responses of people facing the ruin of their world. From the earliest myths with which the inhabitants of the kingdoms around the Mediterranean constructed a shared social reality, the stories of the Mediterranean are dominated by cataclysm and collapse in which fugitive fragments become the building blocks of resilience and renewal. Alexander the Great''s cataclysmic conquests seed a cycle of existential romances; pagan philosophers fleeing the fall of Rome give rise to new visions of reality; translators across the Islamic world, Iberia and Italy use stories to bridge the gap between cultures at war and pirates, slaves, renegades and publishers expand the imaginative horizons of human possibility through modernity and beyond.In Campagna''s lyrical, novel and expansive work – part history, part philosophy, part love letter to a heritage of seasonal migration and searches for belonging – the challenges of disintegration and destruction are time and again met with the creation of new and radical realities. As rich and various as the philosophy, myths, literature and art of the Mediterranean itself, Otherworlds traces the tales of these attempts to reinvent the world – and reveals how, at the most dramatic and decisive junctures of Mediterranean history, it was the ability to set sail for these other worlds which prevailed

Our secular society seems to have finally found its new God: Work. As technological progress makes human labor superfluous, and over-production destroys both the economy and the planet, Work remains stronger than ever as a mantra of universal submission. This book develops a fully-fledged theory of radical atheism, advocating a disrespectful, opportunist squandering of obedience. By replacing hope and faith with adventure, The Last Night of our lives might finally become the first morning of an autonomous future.