The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field.

Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres.

This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field.

Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres.

This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

Now in its fourth edition, this popular A-Z guide provides a comprehensive overview of the issues which characterize postcolonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity.

Fully revised and updated, the fourth edition contains more than 30 new entries, including:

With substantial updates to the further reading, Postcolonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

Now in its fourth edition, this popular A-Z guide provides a comprehensive overview of the issues which characterize postcolonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity.

Fully revised and updated, the fourth edition contains more than 30 new entries, including:

With substantial updates to the further reading, Postcolonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates.

Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requires ‘interpreters’, two architect-scholars who knew Mikkola well, Juhani Pallasmaa, and Aino Niskanen. The book also sheds light on a young generation of Finnish architects that distanced itself from Aalto as a role model, pinpointed here by the inclusion of the essay ‘Snowballs’ (1948) by Aulis Blomstedt.

Often quoted by Finnish architectural scholars, the publication finally of an English translation of Mikkola’s book will appeal to those international scholars and students who have been aware of the lack of critical perspectives from Aalto’s Finnish architect contemporaries.

This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates.

Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requires ‘interpreters’, two architect-scholars who knew Mikkola well, Juhani Pallasmaa, and Aino Niskanen. The book also sheds light on a young generation of Finnish architects that distanced itself from Aalto as a role model, pinpointed here by the inclusion of the essay ‘Snowballs’ (1948) by Aulis Blomstedt.

Often quoted by Finnish architectural scholars, the publication finally of an English translation of Mikkola’s book will appeal to those international scholars and students who have been aware of the lack of critical perspectives from Aalto’s Finnish architect contemporaries.

The first book of long fiction by an African to be published in English, this novel tells the story of a young woman of the Vai people in Liberia. Guanya Pau, betrothed as a child to a much older, polygamous man, flees her home rather than be forced into marriage, and the novel recounts her subsequent efforts to reach the Christian community where the man she loves awaits her. Joseph Jeffrey Walters was a Vai man who converted to Christianity, and this, his only novel, is a remarkably complex work, embracing both Christian beliefs and a deep pride in his African heritage.

This Broadview edition includes a critical introduction that locates the novel in the context of Vai culture and the history of African missions, and a rich selection of historical documents relating to the education of African women, the Vai writing system, and the author’s life.

The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field.

Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres.

This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field.

Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres.

This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.

Now in its fourth edition, this popular A-Z guide provides a comprehensive overview of the issues which characterize postcolonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity.

Fully revised and updated, the fourth edition contains more than 30 new entries, including:

With substantial updates to the further reading, Postcolonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

Now in its fourth edition, this popular A-Z guide provides a comprehensive overview of the issues which characterize postcolonialism: explaining what it is, where it is encountered and the crucial part it plays in debates about race, gender, politics, language and identity.

Fully revised and updated, the fourth edition contains more than 30 new entries, including:

With substantial updates to the further reading, Postcolonial Studies: The Key Concepts remains an essential guide for anyone studying this vibrant field.

This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates.

Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requires ‘interpreters’, two architect-scholars who knew Mikkola well, Juhani Pallasmaa, and Aino Niskanen. The book also sheds light on a young generation of Finnish architects that distanced itself from Aalto as a role model, pinpointed here by the inclusion of the essay ‘Snowballs’ (1948) by Aulis Blomstedt.

Often quoted by Finnish architectural scholars, the publication finally of an English translation of Mikkola’s book will appeal to those international scholars and students who have been aware of the lack of critical perspectives from Aalto’s Finnish architect contemporaries.

This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates.

Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requires ‘interpreters’, two architect-scholars who knew Mikkola well, Juhani Pallasmaa, and Aino Niskanen. The book also sheds light on a young generation of Finnish architects that distanced itself from Aalto as a role model, pinpointed here by the inclusion of the essay ‘Snowballs’ (1948) by Aulis Blomstedt.

Often quoted by Finnish architectural scholars, the publication finally of an English translation of Mikkola’s book will appeal to those international scholars and students who have been aware of the lack of critical perspectives from Aalto’s Finnish architect contemporaries.

The first book of long fiction by an African to be published in English, this novel tells the story of a young woman of the Vai people in Liberia. Guanya Pau, betrothed as a child to a much older, polygamous man, flees her home rather than be forced into marriage, and the novel recounts her subsequent efforts to reach the Christian community where the man she loves awaits her. Joseph Jeffrey Walters was a Vai man who converted to Christianity, and this, his only novel, is a remarkably complex work, embracing both Christian beliefs and a deep pride in his African heritage.

This Broadview edition includes a critical introduction that locates the novel in the context of Vai culture and the history of African missions, and a rich selection of historical documents relating to the education of African women, the Vai writing system, and the author’s life.