Gene Roberts – författare

An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.From the Trade Paperback edition.

What has happened to the news? Over the past decade, there has been a major shift in newspaper coverage. Many newspaper executives, paring costs and badly misreading public appetites, have cut back dramatically on all types of public-affairs reporting. Fewer reporters than ever are assigned to the statehouse or the White House, to city hall or foreign capitals. Too often celebrity gossip and movie tips take the place of serious journalism instead of existing alongside it. Newspapers once operated under a mandate to provide the kinds of news that citizens need to function in a democratic society, but many corporations have changed that mandate.   For more than two years, legendary editor Gene Roberts led a group of journalists in an unprecedented study of the newspaper industry for the American Journalism Review. This is the second volume of their findings. The first, Leaving Readers Behind: The Age of Corporate Newspapering, documented the storm of buying, selling, and consolidation that is transforming the American press. This second volume explores the consequences of these changes for ordinary communities and for the nation, arguing that they place democracy itself in peril.   Contributors include Peter Arnett, Mary Walton, Charles Layton, John Herbers, James McCartney, Carl Sessions Stepp, Lewis M. Simons, Chip Brown and Winnie Hu.

New Mexico rancher and lawman Dee (Daniel R.) Harkey describes himself as having “been shot at more times than any man in the world not engaged in war.” Mean as Hell, originally published in 1948 when Harkey was 83, is his detailed, witty autobiography about his youth in San Saba County of west Texas, where in 1882 he learned from his brother Joe, the sheriff, to “be damned sure you don’t get killed, but don’t kill anybody unless you have to” and his adult life in Eddy County after moving to Karlsbad (then Eddy) in 1890.Harkey served as a New Mexico peace officer from 1893 until 1911. Among the many cattle rustlers, train robbers, and other outlaws he confronted were Jim Miller, whom Harkey fingers as Pat Garrett’s real killer, and the Dalton Gang. Harkey observes that, in 1948, “cattle stealing has gone out of fashion. We’ve gotten civilized. Instead..., we now have statesman who practice nepotism, pad the public payrolls and graft as much as they think they can get away with (in an honorable way, of course) just like the folks back east.”Readers interested in many aspects of the territorial and outlaw West will enjoy Dee Harkey’s lively stories.