George A. Romero – författare

A work of horror genius from the Godfather of zombie film-making, George A. Romero, and 2026 Fiction Pulitzer Prize-winner Daniel Kraus . . .It begins with one body. A pair of medical examiners find themselves facing a dead man who won't stay dead.It spreads quickly. In a Midwestern trailer park, an African American teenage girl and a Muslim immigrant battle newly-risen friends and family.On a US aircraft carrier, living sailors hide from dead ones while a fanatic preaches the gospel of a new religion of death.At a cable news station, a surviving anchor keeps broadcasting, not knowing if anyone is watching, while his undead colleagues try to devour him.In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.Everywhere, people are targeted by both the living and the dead.We think we know how this story ends. We. Are. Wrong.'A horror landmark, a work of gory genius.' JOE HILL, author of NOS4A2'A monumental achievement.' ADAM NEVILL, author of The Ritual'Like a lost Romero classic.' CLIVE BARKER, author of Hellraiser'A sprawling, timely, scary epic.' PAUL TREMBLAY, author of The Cabin at the End of the World

In 1968 the world experienced a brand new kind of terror with the debut of George A. Romero's landmark movie Night of the Living Dead. The newly dead rose to attack the living. Not as vampires or werewolves. This was something new...and terrifying. Since then, zombies have invaded every aspect of popular culture. But it all started on that dreadful night in a remote farmhouse...Nights of the Living Dead returns to that night, to the outbreak, to where it all began. New York Times bestselling author Jonathan Maberry teams with the godfather of the living dead himself, George A. Romero to present a collection of all new tales set during the 48 hours of that legendary outbreak. Nights of the Living Dead includes stories by some of today's most important writers: Brian Keene, Carrie Ryan, Chuck Wendig, Craig Engler, David J. Schow, David Wellington, Issac Marion, Jay Bonansinga, Joe R. Lansdale, Joe McKinney, John Russo, John Skipp, Keith R.A. DeCandido, Max Brallier, Mike Carey, Mira Grant, Neal Shusterman & Brandon Shusterman, and Sandra Brown & Ryan Brown. Plus original stories by Romero and Maberry! For fans of The Walking Dead, World War Z, and anyone who loves scary stories.Take a bite out of this!

A terrifying tale of supernatural horror set in a cursed Louisiana bayou, from the minds of legendary director George Romero and bestselling author Daniel Kraus.In 2019, while sifting through University of Pittsburgh Library System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light.Alligator Point, Louisiana, population 141: Young Renée Pontiac has heard stories of “the Piper”—a murderous swamp entity haunting the bayou—her entire life. But now the legend feels horrifically real: children are being taken and gruesomely slain. To resist, Pontiac and the town’s desperate denizens will need to acknowledge the sins of their ancestors—the infamous slave traders, the Pirates Lafitte. If they don’t . . . it’s time to pay the piper.Perfect for fans of George A. Romero’s pioneering horror movies or his previous collaboration with Daniel Kraus, The Living Dead, Pay the Piper is a thrilling taleof dark folklore, grisly murders, and the horrors that manifest when a community must confront its shadowy past. Readers looking for gothic horror books will enjoy the chilling supernatural elements and haunting Southern setting, and anyone who enjoys scary books for adults will appreciatethe chance to dive into this lost work by a celebrated horror icon

A terrifying tale of supernatural horror set in a cursed Louisiana bayou, from the minds of legendary director George Romero and bestselling author Daniel Kraus.In 2019, while sifting through University of Pittsburgh Library’s System’s George A. Romero Archival Collection, novelist Daniel Kraus turned up a surprise: a half-finished novel called Pay the Piper, a project few had ever heard of. In the years since, Kraus has worked with Romero’s estate to bring this unfinished masterwork to light.Alligator Point, Louisiana, population 141: Young Renée Pontiac has heard stories of “the Piper”—a murderous swamp entity haunting the bayou—her entire life. But now the legend feels horrifically real: children are being taken and gruesomely slain. To resist, Pontiac and the town’s desperate denizens will need to acknowledge the sins of their ancestors—the infamous slave traders, the Pirates Lafitte. If they don’t . . . it’s time to pay the piper.

William Lincoln, an impatient businessman in his 20s, casually asks a small-town coffee shop barista about a carousel horse atop its roof. Within earshot, an elderly man asks William if he would like to learn about the history of the sprawling amusement park that once stood on that spot, the carousel horse the final reminder of its existence. They settle into a conversation that immediately disturbs young William. It is the story of an elderly man hoping to experience the amusement park one last time to recapture childhood memories, to relish the rapidly fleeting remaining moments.Instead of pleasant memories, each attraction becomes a surreal microcosm of aging and its inherent challenges as bodies and minds begin to break down. The elderly man is abused, pushed in a seemingly endless throng of elderly people through attractions that mimic the final stages of life. Finally, he winds up right back where he started, battered both mentally and physically. Instead of being able to leave the park, he realizes he is trapped in a loop, forced to relive the harrowing experience over and over. At the end of the elderly man’s tale, William is puzzled, concerned, and annoyed, irritated to have had his time wasted on such a story.William quickly realizes that not everything in the coffee shop is as it seems. The elderly man with whom young William has been conversing shares his name. It is William Lincoln. Perplexed and scared now, young William attempts to leave, fleeing through the coffee shop’s front door. When the door closes behind him, William is back in the amusement park, transformed again into his elderly self, still trapped in the loop, forced to reconcile the reality of aging and ultimately, his own mortality.