John Russo – författare

Once the symbol of a robust steel industry and blue-collar economy, Youngstown, Ohio, and its famous Jeannette Blast Furnace have become key icons in the tragic tale of American deindustrialization. Sherry Lee Linkon and John Russo examine the inevitable tension between those discordant visions, which continue to exert great power over Steeltown's citizens as they struggle to redefine their lives.When "the Jenny" was shut down in 1978, 50,000 Youngstown workers lost their jobs, cutting the heart out of the local economy. Even as the community organized a nationally recognized effort to save the mills, the city was rocked by economic devastation, runaway crime, and mob scandal, problems that persist twenty-five years later. In the midst of these struggles the Jenny remained standing as a proud symbol of the community's glory days, still a dominant force in the construction of both individual and collective identities in Youngstown.ocusing on stories and images that both reflect and perpetuate how Youngstown understands itself as a community, Sherry Lee Linkon and John Russo have forged a historical and cultural study of the relationship between community, memory, work, and conflict. Drawing on written texts, visual images, sculptures, films, songs, and interviews with people who have lived and worked in Youngstown, the authors show the importance of memory in forming the collective identity of a place.Steeltown, U.S.A. is a richly developed portrait of a place, showing how images of the Jenny and of Youngstown have been used in national media and connecting these representations to the broader public conversation about work and place: Bruce Springsteen's song "Youngstown," the book Journey to Nowhere, and other pop culture artifacts have helped make Youngstown the symbolic epicenter of American deindustrialization. And while many people see the need to get over the past and on with the future, in rushing to erase the difficult parts of Youngstown's history they might also forget the powerful events that made the city so important, such as the struggles for economic and social justice that improved the lives of steelworkers.This multifaceted study of the meaning of work and place in one community pointedly depicts the relationships among economic development, media representations, and community life. As we see how people's faith in the value of their work dwindled away in Youngstown, their stories can help us understand not only how the meaning of work has changed but also why the changing meaning of work matters.

NIGHT OF THE LIVING DEAD Featuring the original cast of the cult classic You Won''t Believe... An abandoned hilltop farmhouse. Seven desperate people -- and a surrounding darkness ripped by bloodcurdling cries of anguish...a state of emergency has been declared: the unimaginable is happening in the night... Pray for Morning... Out of the night they come. Filling the air with chilling howls, the dead are rising from their graves, bent on feeding on the flesh and blood of the living. They seek out human life. And these monstrous corpses will let nothing stand in their way as they hunt down the living to satisfy their own evil desires.

Zombie Double Bill George A. Romero''s classic 1968 film, Night of the Living Dead, launched a new era of gut-munching mayhem, relentelessly terrorizing the hearts of moviegoers and launching the zombie movie phenomenon. Screenwriter John A. Russo turned the flesh-eating frenzy into two horrific, blood-drenched novels. . . Night Of The Living Dead A cemetery in rural Pennsylvania. A brother and sister putting flowers on their father''s grave. A strange figure shambling toward them--eyes dead and teeth gnashing. So begins a night of endless terror that would live on in infamy. Seven strangers locked inside a small farmhouse fight off an army of walking corpses. Who will survive? And who will have their flesh devoured. . .? Return Of The Living Dead Not long after the first zombie outbreak, a bus crashes in a small American town. Local churchgoers rush to the scene to save the living--and destroy the dead. But they''re too late. A terrifying new plague of undead has been unleashed. A new horde of victims has been infected. And this time, they are ravenous. . . Two great, gruesome zombie thrillers in one volume! John Russo wants everyone to know he''s a really nice guy even though he loves to scare people. He started it by co-scripting the 1968 horror classic Night of the Living Dead, one of the greatest fright flicks of all time, ranked #18 on the Internet Movie Database''s top 100 Scariest Movies. (In a fine example of showmanship and multi-tasking, Russo also played a zombie in the film.) He also wrote the screenplays and/or stories for Midnight, Santa Claws, The Majorettes, Return of the Living Dead, Bloodsisters, and Inhuman. Mr. Russo has authored fifteen terror-suspense novels, including Living Things, The Awakening, Voodoo Dawn, and Inhuman. His nonfiction books, Scare Tactics and Making Movies are considered bibles of independent filmmaking by film students and horror fans. Those who are not faint of heart will enjoy digging into this presentation of Night of the Living Dead and the original stark-and-dark version of Return of the Living Dead. Look for John Russo''s upcoming cinematic shockfest Escape of the Living Dead, which is now in preproduction for a 2011 release. Mr. Russo resides in a suburb of Pittsburgh, PA. To his knowledge, none of his neighbors are zombies, though "there is that one guy around the corner who is rumored to have devoured the mailman a few years ago." "Truly harrowing." --Roger Ebert, Chicago Sun-Times

Your book. . .guided me through my first completed movie. --Quentin Tarantino, on Scare TacticsFrom the Master of the Living DeadJohn Russo''s brilliantly chilling screenplay for the 1968 groundbreaking Night of the Living Dead helped pave the wave for the flesh-eating spectacles that have thrilled zombie fans for three generations. Here, for the first time in one volume, are two of the master''s most gruesome and demented novels of gut-wrenching mayhem. . .MidnightFirst, they captured small animals. Then, they moved on to bigger prey. Now the backwoods family that slays together stays together for one last midnight snack: a pair of unsuspecting travelers whose ritual torture and sacrifice will only intensify the demonic clan''s cravings. . .for more. Yeah, they''re dead. . .they''re all messed up.Escape From The Living DeadIn an isolated roadside diner, a desperate group of strangers barricade themselves against a ravenous horde of undead customers who crave something more than the early bird special. They want flesh. Human flesh. With a side order of brains and stomach-turning terror. A Two-for-One Feast for Hungry Horror Fans! "An unrelieved orgy of sadism." --Variety on Night of the Living Dead

"We put the working class, in all its varieties, at the center of our work. The new working-class studies is not only about the labor movement, or about workers of any particular kind, or workers in any particular place—even in the workplace. Instead, we ask questions about how class works for people at work, at home, and in the community. We explore how class both unites and divides working-class people, which highlights the importance of understanding how class shapes and is shaped by race, gender, ethnicity, and place. We reflect on the common interests as well as the divisions between the most commonly imagined version of the working class—industrial, blue-collar workers—and workers in the 'new economy' whose work and personal lives seem, at first glance, to place them solidly in the middle class."—from the IntroductionIn John Russo and Sherry Lee Linkon's book, contributors trace the origins of the new working-class studies, explore how it is being developed both within and across fields, and identify key themes and issues. Historians, economists, geographers, sociologists, and scholars of literature and cultural studies introduce many and varied aspects of this emerging field. Throughout, they consider how the study of working-class life transforms traditional disciplines and stress the importance of popular and artistic representations of working-class life.Contributors: Robert Bruno, University of Illinois; Renny Christopher, California State University–Channel Islands; Jim Daniels, Carnegie Mellon University in Pittsburgh; Elizabeth Faue, Wayne State University; Lisa Jordan, University of Minnesota; Paul Lauter, Trinity College; Sherry Lee Linkon, Youngstown State University; Jack Metzgar, Roosevelt University in Chicago; Don Mitchell, Syracuse University; Kimberley L. Phillips, The College of William and Mary; Alessandro Portelli, University of Rome La Sapienza; David Roediger, University of Illinois, Rachel Lee Rubin, University of Massachusetts–Boston; John Russo, Youngstown State University; Tim Strangleman, London Metropolitan University; Tom Zaniello, Northern Kentucky University and George Meany Center for Labor Studies; Michael Zweig, State University of New York at Stony Brook

"We put the working class, in all its varieties, at the center of our work. The new working-class studies is not only about the labor movement, or about workers of any particular kind, or workers in any particular place—even in the workplace. Instead, we ask questions about how class works for people at work, at home, and in the community. We explore how class both unites and divides working-class people, which highlights the importance of understanding how class shapes and is shaped by race, gender, ethnicity, and place. We reflect on the common interests as well as the divisions between the most commonly imagined version of the working class—industrial, blue-collar workers—and workers in the 'new economy' whose work and personal lives seem, at first glance, to place them solidly in the middle class."—from the IntroductionIn John Russo and Sherry Lee Linkon's book, contributors trace the origins of the new working-class studies, explore how it is being developed both within and across fields, and identify key themes and issues. Historians, economists, geographers, sociologists, and scholars of literature and cultural studies introduce many and varied aspects of this emerging field. Throughout, they consider how the study of working-class life transforms traditional disciplines and stress the importance of popular and artistic representations of working-class life.Contributors: Robert Bruno, University of Illinois; Renny Christopher, California State University–Channel Islands; Jim Daniels, Carnegie Mellon University in Pittsburgh; Elizabeth Faue, Wayne State University; Lisa Jordan, University of Minnesota; Paul Lauter, Trinity College; Sherry Lee Linkon, Youngstown State University; Jack Metzgar, Roosevelt University in Chicago; Don Mitchell, Syracuse University; Kimberley L. Phillips, The College of William and Mary; Alessandro Portelli, University of Rome La Sapienza; David Roediger, University of Illinois, Rachel Lee Rubin, University of Massachusetts–Boston; John Russo, Youngstown State University; Tim Strangleman, London Metropolitan University; Tom Zaniello, Northern Kentucky University and George Meany Center for Labor Studies; Michael Zweig, State University of New York at Stony Brook

George A. Romero's classic 1968 film, "Night of the Living Dead", introduced a new era of gutmunching cinematic mayhem and inspired legions of directors and writers, among them Quentin Tarantino and George Lucas. John A. Russo co-wrote the screenplay for "Night of the Living Dead" and turned it into two blood-drenched novels, now combined in one gory, chilling volume.

From the screenwriter of the original 1968  Night of the Living Dead comes a shocking new wave of zombie mayhem to devour your dreams—and feed your nightmares . . . THEY ARE WHAT THEY EATIt starts with infected needles. It spreads like a plague. Soon the town of Chapel Grove, Pennsylvania, is overrun with cannibalistic corpses. Some are taken down with a bullet to the brain. Others, torched like kindling. But a few have survived—inside a maternity ward . . . THEY’RE EATING FOR TWO NOW Detective Bill Curtis manages to rescue his pregnant wife Lauren from the ward in the nick of time. But the other pregnant women are not so lucky. Some of them have been bitten—and infected. Now it’s anyone’s guess what’s growing inside them . . . THEY’RE THE NEXT GENERATIONBut the nightmare isn’t over yet. The infected mothers’ newborns appear to be normal. But as the years go by, Bill and Lauren Curtis begin to worry about their beautiful, healthy daughter Jodie. Jodie is drawn to the town’s “special” children, the ones whose mothers were bitten. They’re reaching adolescence now. Their hormones are raging. And they’re starting to possess strange appetitites . . . If you thought millenials werea pain, just wait until you meet Generation Z. “An unrelieved orgy of sadism.”—Variety on Night of the Living Dead

The official novelization of the seminal horror movie. A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls."They're coming to get you, Barbara."The classic film that changed cinema by redefining horror and zombies forever. George A. Romero's hit movie is reimagined in this novel by John Russo, the screenwriter of the belovedflick.While visiting their father's grave, Barbara and Johnny see a man slowly approaching them.Grotesque and ghost-pale, the man kills Johnny. Barbara manages to flee to a nearbyfarmhouse, where others have gathered to escape the outbreak. This ragtag group hope to fendoff the horde of recently dead, flesh-eating ghouls. Will any of them make it out alive?

The official novelization of the seminal horror movie. A group of strangers trapped in a farmhouse find themselves fending off a horde of flesh-eating ghouls as the unburied dead return to life, and seek human victims."They're coming to get you, Barbara."The classic film that changed cinema by redefining horror and zombies forever. George A. Romero's hit movie is reimagined in this novel by John Russo, the co-screenwriter of the beloved flick.While visiting their father's grave, Barbara and Johnny see a man slowly approaching them. Grotesque and ghost-pale, the man kills Johnny. Barbara manages to flee to a nearby farmhouse, where six other strangers have gathered to escape an outbreak of the unburied dead returning to life and attacking the living. This ragtag group struggle to fend off the horde of flesh-eating ghouls. Will any of them make it out alive?

SQL by Example uses one case study to teach the reader basic structured query language (SQL) skills.The author has tested the case study in the classroom with thousands of students. While other SQL texts tend to use examples from many different data sets, the author has found that once students get used to one case study, they learn the material at a much faster rate. The text begins with an introduction to the case study and trains the reader to think like the query processing engine for a relational database management system. Once the reader has a grasp of the case study then SQL programming constructs are introduced with examples from the case study. In order to reinforce concepts, each chapter has several exercises with solutions provided on the book's website.SQL by Example is designed both for those who have never worked with SQL as well as those with some experience. It is modular in that each chapter can be approached individually or as part of a sequence, giving the reader flexibility in the way that they learn or refresh concepts. This also makes the book a great reference to refer back to once the reader is honing his or her SQL skills on the job.

SQL by Example uses one case study to teach the reader basic structured query language (SQL) skills. The author has tested the case study in the classroom with thousands of students. While other SQL texts tend to use examples from many different data sets, the author has found that once students get used to one case study, they learn the material at a much faster rate. The text begins with an introduction to the case study and trains the reader to think like the query processing engine for a relational database management system. Once the reader has a grasp of the case study then SQL programming constructs are introduced with examples from the case study. In order to reinforce concepts, each chapter has several exercises with solutions provided on the book's website. SQL by Example is designed both for those who have never worked with SQL as well as those with some experience. It is modular in that each chapter can be approached individually or as part of a sequence, giving the reader flexibility in the way that they learn or refresh concepts. This also makes the book a great reference to refer back to once the reader is honing his or her SQL skills on the job.

1971: It's been three years since the blood-soaked night that the dead rosefrom their graves, attacking and devouring the living. Now, the legacy of thathorrific and unexplained event is about to be unleashed once again upon anunsuspecting world! With zombies once again roaming the Pennsylvaniacountryside, only a handful of individuals know that the horror has begun anew!The ultimate zombie graphic novel, John Russo's zombie epic is unveiled in thisdefinitive collection!

A prequel to the original film from the original creator and co-writer JohnRusso! You've heard the eyewitness accounts and were shocked by the televisionreports, but now for the first time you'll experience the horrifying eventswhich led to that first Night of the Living Dead! A strange mist brings theunburied dead back to life, hungry for the flesh of the living. This incredibleprequel to the blockbuster classic 1968 Night of the Living Dead filmgives new insight into many of the film's characters and locations, includinghorrific encounters at the farm house and Beekman's diner, and introduces, forthe first time, the Cemetery Zombie, Sheriff McClellan, the zombie girl Karen,and NOTLD hero Ben.

The most horrifying night in American history continues as the next chapter of NIGHT OF THE LIVING DEAD is revealed by writers Mike Wolfer (GRAVEL, WOLFSKIN) and John Russo, the co-writer of the original film classic! Set on the fateful evening in 1968 when shocking reports flood the airwaves with accounts of the dead rising up to kill the living, officials in Washington struggle to quell the panic-stricken public as thousands of anti-war protesters converge on Capitol Hill. With the National Guard spread impossibly thin to deal with civil unrest, Washington is completely unprepared as an unstoppable army of the undead brings its bloodthirsty reign of terror to the steps of the White House!