Graeme Kirkpatrick – författare
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In this compelling book, Graeme Kirkpatrick argues that computer games have fundamentally altered the relation of self and society in the digital age.
Tracing the origins of gaming to the revival of play in the 1960s counter culture, Computer Games and the Social Imaginary describes how the energies of that movement transformed computer technology from something ugly and machine-like into a world of colour and ‘fun’. In the process, play with computers became computer gaming – a new cultural practice with its own values.
From the late 1980s gaming became a resource for people to draw upon as they faced the challenges of life in a new, globalizing digital economy. Gamer identity furnishes a revivified capitalism with compliant and ‘streamlined’ workers, but at times gaming culture also challenges the corporations that control game production.
Analysing topics such as the links between technology and power, the formation of gaming culture and the subjective impact of play with computer games, this insightful text will be of great interest to students and scholars of digital media, games studies and the information society.
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This edited collection evaluates the relationship between Marxism and religion in two ways: Marxism’s treatment of religion and the religious aspects of Marxism. Its aim is to complicate the superficial understanding of Marxism as a simple rejection of religion both in theory and practice. Divided into two parts (Theory and Praxis), this book brings together the three different themes of Marxism, religion, and emancipation for the first time. The first part explores the more theoretical discussions regarding the relationship between Marxism and various themes (or currents) within religious thought, to highlight points of compatibility as well as incompatibilities/conflicts. The studies in the second part of the collection refer to how Marxist ideas are received in different parts of the world. They show that as soon as Marxism arrives in a new place, the theory interacts and bonds with a pre-existing stock of ideas, each changing the other reciprocally.
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