Greg Thomas – författare

The Sexual Demon of Colonial Power is a political, cultural, and intellectual study of race, sex, and Western empire. Greg Thomas interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. By connecting sex and eroticism to geopolitics both politically and epistemologically, he examines the logic, operations, and politics of sexuality in the West. The book focuses on the centrality of race, class, and empire to Western realities of "gender and sexuality" and to problematic Western attempts to theorize gender and sexuality (or embodiment). Addressing a wide range of intellectual disciplines, it holds out the hope for an analysis freed from the domination of white, Western terms of reference.

This book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism’s wide geographical spread and late twentieth-century legacies.

This book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism’s wide geographical spread and late twentieth-century legacies.

Edwin Morgan is best remembered as Scotland’s foremost national poet, a bold, lyric voice who shaped conversations around queerness, politics and post-war life. But Morgan was also a restless experimenter working far beyond traditional verse. This book brings together, for the first time, the full range of his visual and sound poetry – from vibrant poster poems and surrealist collages to concrete poetry, cut-ups and sonic permutations. It reveals Morgan as a major figure in twentieth-century multimedia art, linking language, image and sound in surprising and timely ways. Attuned to questions of identity, ecology and empire, Morgan’s work remains as urgent and inventive as ever – a celebration of poetic form at its most expansive and alive.

Written scholars and past community college presidents, this book provides unique perspectives and tools for facing some of the most vexing problems for community college leaders. Structured for both current and aspiring presidents, the book introduces the 'challenge framework' and is structured the same way including the process for collecting information for the challenge, the approach to analyzing that information, a glimpse into how to structure potential initiatives to address the challenge, and  a discussion on the follow-up processes for each challenge. By using the framework in this book to examine nine of the most significant challenges that college leaders face, the work shows how to apply the framework to common challenges and wicked problems in higher education. The nine main challenges addressed in this book are situated in current research focused on executive college leaders and supplemented by the lived experience of college presidents to create a blend of theory and practice that best informs and prepares college leaders. The challenges focused on in this book include the executive leader search process, strategic enrollment management, board engagement, talent management, institutional politics, institutional finances, fundraising, inclusive programming, crisis management, and personal health. The challenges span the experience of being hired as a community college leader to the impact of leadership on one’s personal life. Taking this wholistic approach is critical because too much of the current research only focuses on the day-to-day work of presidents.

This thirteen-volume catalogue documents the art and history of Wuming, an underground group of artists active in Beijing from 1973 to 1981. Painting landscapes, portraits, and still lifes in oil paint, the Wuming artists rejected academic conventions and shunned the political propaganda art that dominated the Cultural Revolution, eking out an early form of Chinese modernism still little known.