Guido Ruggiero – författare

Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the fourteenth and fifteenth centuries. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life, and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.

Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the fourteenth and fifteenth centuries. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life, and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.

This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.

This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.

As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love.For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio’s Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio’s collection of novelle was, in Guido Ruggiero’s words, a “symphony of life.”Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio’s world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron’s cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo—the people, fractious and enterprising. Boccaccio’s stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment.

"An excellent introduction to and sampling of the developing genre of microhistory...In essence these historians begin their analysis `from below,' viewing the ordinary peoples ignored in the annals of European history."--'Catholic Historical Review.' 'Selections from' Quaderni Storici.

At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form-the ancient Latin comedy-to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class roles. Five Comedies from the Italian Renaissance brings together the best of these works in lively new translations by Laura Giannetti and Guido Ruggiero, who also place the comedies in their cultural and social context. Presenting a fresh perspective on the Italian Renaissance, these deft translations allow modern readers to experience the original artistry and carnivalesque humor of these delightfully profane and irreverent literary classics. Contents: The Comedy of Calandro by Bernardo Dovizi de Bibbiena; The Mandrake Root by Niccolo Machiavelli; The Master of the Horse by Pietro Aretino; The Deceived by the Academy of the Intronati of Siena; and A Venetian Comedy (anonymous)

Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero's study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period. Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age. Machiavelli's letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation.Ruggiero's challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.

This volume brings together some of the most exciting renaissance scholars to suggest new ways of thinking about the period and to set a new series of agendas for Renaissance scholarship. Overturns the idea that it was a period of European cultural triumph and highlights the negative as well as the positive.Looks at the Renaissance from a world, as opposed to just European, perspective.Views the Renaissance from perspectives other than just the cultural elite.Gender, sex, violence, and cultural history are integrated into the analysis.

This volume historicizes the study of life-writing and egodocuments, focusing on early modern European reflections on the self, self-fashioning, and identity.

This volume historicizes the study of life-writing and egodocuments, focusing on early modern European reflections on the self, self-fashioning, and identity.

At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form-the ancient Latin comedy-to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class roles. Five Comedies from the Italian Renaissance brings together the best of these works in lively new translations by Laura Giannetti and Guido Ruggiero, who also place the comedies in their cultural and social context. Presenting a fresh perspective on the Italian Renaissance, these deft translations allow modern readers to experience the original artistry and carnivalesque humor of these delightfully profane and irreverent literary classics. Contents: The Comedy of Calandro by Bernardo Dovizi de Bibbiena; The Mandrake Root by Niccolo Machiavelli; The Master of the Horse by Pietro Aretino; The Deceived by the Academy of the Intronati of Siena; and A Venetian Comedy (anonymous)