Harry Mathews – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

A blend of postmodern metafiction and old-style bedroom farce, The Journalist explores the elusive, sometimes illusive, boundaries between facts and the fictions we weave around them. The novel's protagonist, living at a time that might be the present in a city that might be anywhere, has decided for reasons of mental hygiene to keep a detailed record of his thoughts, words, and deeds. Very quickly, however, the project begins to absorb his entire life, as the increasingly meticulous recording of experience threatens to supplant experience itself. To make matters worse, what he records offers its own grist for worry: his devoted wife suddenly grows secretive, his equally devoted mistress turns evasive, his frustratingly independent son might or might not be visiting that same mistress behind his back, and his closest friend begins acting in mysterious ways (and is it just his imagination, or is this friend having clandestine meetings with his wife?). His ever more convoluted perceptions breed a dark muddle of suspicion, leading to a climax that is at once intensely funny and excruciatingly poignant.

At a dinner party hosted by a wealthy New Yorker, a guest receives a gold adze, the coveted prize in a worm race. When the man dies the next day, he bequeaths, according to a stipulation in his will, the bulk of his fortune to the adze's possessor, provided he answer three mysterious questions relating to the artifact's history. In his search the owner encounters a menagerie of eccentric personalities: an ancient revolutionary in a Parisian prison, a ludicrous pair of gibberish-speaking brothers, and customs officials who spend their time reading contraband materials. He soon finds himself immersed in the centuries-long history of a persecuted religious sect and in an odyssey that begins in a forgotten fog-covered town in Scotland and ends on the ocean floor off the cost of an uncharted French island. A wild goose chase through a remarkably unusual world, The Conversions invites both reader and protagonist to participate in a quest for answers to an elusive game.

For a period of just over a year, Harry Mathews set about following Stendhal’s dictum for writers of “twenty lines a day, genius or not.” What resulted is a book that is part journal, parts writer’s manual, and part genius. First undertaken as a kind of discipline, the work molds itself into a penetrating reflection on daily events in Mathews’s life, his friends, himself, and the act of writing.

This novel begins in a Russian prison camp at a baseball game featuring the defective Baptists versus the Fideists. There is a plot (of sorts), one of revenge surrounding a doctor who, in removing a bone spur from our narrator, manages to amputate a ring and index finger, a significant surgical error considering that the narrator is, or was, a violinist. When Dr. Roak is released from prison, our narrator escapes in order to begin the pursuit, and thus begins a digressive journey from Afghanistan to Venice, then on to India and Morocco and France. All of this takes place amid Mathews's fictional concern and play with games, puzzles, arcana, and stories within stories.

Composed of a series of letters between a husband and wife, ?"The Sinking of the Odradek Stadium"?is a brilliant comedy about love and longing, dashed hopes and frustrations, and trying to make connections. Newly wedded Zachary McCaltex (a librarian in Miami) and Twang Panattapam (originally from the Southeast-Asian country of Pan-Nam, but residing in Italy) try to trace the whereabouts of a treasure supposedly lost off the coast of Florida in the sixteenth century, while navigating a relationship separated by an ocean as well as their different cultures. In the end, the postal service may be responsible for what gets lost (including Zachary's sanity) along the way.

The subject of this unique book of short fiction is masturbation, a practice both universal and virtually taboo. In sixty-one vignettes, Mathews records the imaginative varieties of this solitary activity in prose that is playful, intimate, urgent, quirky, and humane.

A companion to The Human Country: New and collected Stories, this volume collects all of Harry Mathews's non-fiction, including an astonishing range of essays which discuss everything from complex literary and musical forms to the works of Lewis Carroll, Raymond Roussel, Italo Calvino, Joseph McElroy, George Perec and the OuLiPo. Throughout the collection, Mathews examines the relationship between form and literature in a lucid, intimate voice, arguing with erudition, grace and humour for the importance of artifice.

Available For The First Time In One Volume, The Very Best Of Mathews's Short Fiction; This expertly designed original paperback presents a comprehensive collection of internationally renowned poet and novelist Harry Mathews' short prose. From the hilarious 'The Broadcast, ' in which the narrator learns from a radio program that everything he needs in life should fit into one sock, to 'Calibration of Latitude, ' which follows Sir Joseph Pernican on a meandering and seemingly aimless but deeply moving journey, this is a long-awaited addition to Mathew's beloved and masterful canon.

"It's outrageous that an educated man and a gifted writer like Mr. Mathews could make such a public confession of such shameful activities." Q. Kuhlmann, author of The Eye of Anguish: Subversive Activity in the German Democratic Republic

The narrator's desire to record all of his experiences gradually becomes an obsession that overwhelms his real life and generates distrust of all those around him.

Cigarettes is a novel about the rich and powerful, tracing their complicated relationships from the 1930s to the 1960s, from New York City to Upper New York State.Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel—and be right and wrong on both counts.What one can emphatically say is that Cigarettes is a brilliant display of Harry Mathews's ingenuity and deadly playfulness.

Cigarettes is a novel about the rich and powerful, tracing their complicated relationships from the 1930s to the 1960s, from New York City to Upper New York State.Though nothing is as simple as it might appear to be, we could describe this as a story about Allen, who is married to Maud but having an affair with Elizabeth, who lives with Maud. Or say it is a story about fraud in the art world, horse racing, and sexual intrigues. Or, as one critic did, compare it to a Jane Austen creation, or to an Aldous Huxley novel—and be right and wrong on both counts.With a new introduction by Lucy Sante, Cigarettes returns to print in full force: a brilliant display of Harry Mathews's ingenuity and deadly playfulness.

A remarkable and unusual novel by “one of the most remarkable prose stylist presently writing in English.” —The San Francisco ChronicleAt a dinner party hosted by a wealthy New Yorker, a guest receives an ancient golden weapon as a prize. When the mysterious host of this party dies the next day, his fortune is left to whomever it was that received the prize at the party. The only requirement: the owner must answer three cryptic questions relating to the artifact's mysterious history.In his search for answers, He quickly finds himself entangled in the centuries-long history of a secretive religious sect, embarking on an odyssey that begins at a dinner party, and ends on the ocean floor. Along this wild goose chase, we encounter a menagerie of eccentric personalities: an ancient revolutionary in a Parisian prison, a ludicrous pair of gibberish-speaking brothers, and customs officials who spend their time reading contraband materials. The Conversions is a wildly unpredictable novel, inviting readers along in the search for answers that may never have existed in the first place.

A “cool, humorous, and affectionate” book about a practice that is universal and universally taboo.In sixty-one vignettes, Harry Mathews records the imaginative varieties of the most solitary of pleasures—masturbation—in prose that is playful, intimate, and humane. The soloists range in age from nine to eighty; the locales from Australia to Zaire; the means from the commonplace to the bizarre. There is the woman in Manila with her cello bow, the man in Pretoria with his mirror, the long-eared bat, the charioteer, the candelabra...“There is nothing pornographic, in the strict sense, about Mathews' text, since it does not seek to arouse the reader,” wrote John Ash for Artforum. “His intention is to leave us deeply impressed by the ingenuity, tenacity, and inventiveness with which humans in all places and at all ages have pursued their own pleasure. He succeeds completely.” The text is illustrated throughout with watercolors by Francesco Clemente that offer an intriguing counterpoint to Mathews's microfictions.

A “comic extravaganza” (Washington Post Book World) from an acclaimed voice in twentieth century American literature, Tlooth follows its narrator on a fantastical, globe-trotting quest for revenge.Opening on a baseball game in a Siberian prison camp, Harry Mathews’ second novel is absurdist from the jump, rife with all the arcane puzzles, digressions, and nested stories that would become hallmarks of his oeuvre. Tlooth’s narrator is a three-fingered dental assistant who escapes from Russia to seek revenge on the surgeon who took her other fingers: the criminal Dr. Evelyn Roak. Her pursuit takes her across half the world—from Kabul to Venice to Milan to India to Morocco to Rome to France—as Mathews constructs a labyrinth of language, delighting in each puzzle on the page.