Heung Wah Wong - Böcker

This book explores censorship, particularly film and video censorship, in Japan in modern times. It shows how most censorship has been the film and video industry exercising self-censorship and how this system has been problematic in that it has allowed dominant players in the industry to impose their own standards and exclude independent filmmakers. It outlines notable obscenity cases and discusses how industry self-censorship bodies have been undermined both by industry outsiders setting up their own alternative regimes and by the industry self-censorship bodies themselves being prosecuted for obscenity. The book also examines the conflict between the obscenity law, introduced in Meiji times when Japan was importing Western models, and the freedom of speech law, which was put in place by the US occupation administration after World War II. The book concludes by assessing the current state of censorship in Japan and likely future developments.

Unlike many other books on pornography which concentrate on arguments about restricting or not restricting pornography, this book focuses on the production of adult videos. It outlines and examines the industrial dynamics of the industry, its strategies, technological capabilities and organisational structure. It discusses the socialisation of those who participate in the industry, the role of censorship, the nature of markets and the wider cultural impact of the industry.

It has been customary in the appraisal of the different approaches to the study of Japan anthropology to invoke an East-West dichotomy positing hegemonic ‘Western’ systems of thought against a more authentic ‘Eastern’ alternative. Top scholars in the field of Japan anthropology examine, challenge and attempt to move beyond the notion of an East-West divide in the study of Japan anthropology. They discuss specific fieldwork and ethnographic issues, the place of the person within the context of the dichotomy, and regional perspectives on the issue. Articulating the influence of the East-West divide in other disciplines, including museum studies, religion, business and social ecology, the book attempts to look towards a new anthropology that transcends the limitations of a simplistic East-West opposition, taking into account the wealth of regional and global perspectives that are exhibited by contemporary scholarship on Japan anthropology. In concluding if the progress achieved in anthropological work on Japan can provide a model for good practice beyond this regional specialization, this timely and important book provides a valuable examination of the current state of the academic study of Japan anthropology.

It has been customary in the appraisal of the different approaches to the study of Japan anthropology to invoke an East-West dichotomy positing hegemonic ‘Western’ systems of thought against a more authentic ‘Eastern’ alternative. Top scholars in the field of Japan anthropology examine, challenge and attempt to move beyond the notion of an East-West divide in the study of Japan anthropology. They discuss specific fieldwork and ethnographic issues, the place of the person within the context of the dichotomy, and regional perspectives on the issue. Articulating the influence of the East-West divide in other disciplines, including museum studies, religion, business and social ecology, the book attempts to look towards a new anthropology that transcends the limitations of a simplistic East-West opposition, taking into account the wealth of regional and global perspectives that are exhibited by contemporary scholarship on Japan anthropology. In concluding if the progress achieved in anthropological work on Japan can provide a model for good practice beyond this regional specialization, this timely and important book provides a valuable examination of the current state of the academic study of Japan anthropology.

Unlike many other books on pornography which concentrate on arguments about restricting or not restricting pornography, this book focuses on the production of adult videos. It outlines and examines the industrial dynamics of the industry, its strategies, technological capabilities and organisational structure. It discusses the socialisation of those who participate in the industry, the role of censorship, the nature of markets and the wider cultural impact of the industry.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

If the philosophers of the Enlightenment had hoped to establish, once and for all, that reason is the primary source of human orientation, twentieth century philosophy has demonstrated all too clearly that reason is far from having clear boundaries. In this respect, Immanuel Kant’s contemporaries and critics, Johann Georg Hamann and Friedrich Heinrich Jacobi, look surprisingly modern. Faith is now increasingly recognized as intrinsic to social identity and thus no more capable of taking a permanently subordinate role to reason—whatever that may be—than reason is capable of an existence free from social embodiment. This collection of thirteen essays focuses upon major philosophical and theological debates from the past three hundred years. Written by leading international scholars, this remarkable text takes the reader through major transitions in the modern understanding of faith and reason. It thus provides an invaluable guide to the history of modern philosophical theology whilst informing readers why the relationship between faith and reason remains an issue of major social and philosophical importance.

Family businesses have been an important part of the economy in Hong Kong, Taiwan, Singapore, and in the Chinese diaspora, and, since the reforms, in mainland China itself. Some people have argued that the success of Chinese family businesses occurs because of the special characteristics and approach of such businesses. This book examines the nature of Chinese family business and the key issues involved by exploring in detail the case of a leading Hong Kong jewellery company which was established in the early 1960s and which has grown to become one of the biggest jewellery manufacturers, exporters, and retailers in post-war Hong Kong. The book considers the motivations of Chinese people to set up their own businesses, outlining the strategies adopted, including the strategies for raising capital, and the qualities of successful Chinese entrepreneurs. It discusses the management of the company, including relations between family members, profit sharing and succession planning, and assesses how conflict and crises are coped with and overcome. It charts the evolution of the company, looking at how it has been transformed into a listed corporation. The book concludes by arguing for the importance of studying Chinese family businesses culturally.

This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.

This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.

This book explores censorship, particularly film and video censorship, in Japan in modern times. It shows how most censorship has been the film and video industry exercising self-censorship and how this system has been problematic in that it has allowed dominant players in the industry to impose their own standards and exclude independent filmmakers. It outlines notable obscenity cases and discusses how industry self-censorship bodies have been undermined both by industry outsiders setting up their own alternative regimes and by the industry self-censorship bodies themselves being prosecuted for obscenity. The book also examines the conflict between the obscenity law, introduced in Meiji times when Japan was importing Western models, and the freedom of speech law, which was put in place by the US occupation administration after World War II. The book concludes by assessing the current state of censorship in Japan and likely future developments.

This book explores the debate between those who argue that globalisation is leading to worldwide cultural homogeneity, with American cultural good predominating, and those who argue that cultural goods are always adapted and contextualised in the particular setting in which they are used. Based on extensive original research on how Japanese adult videos are consumed in Taiwan, it presents a rich picture of how Japanese adult videos are transformed into something Taiwanese, and how they are incorporated into both male and female Taiwanese sexual culture.

Family businesses have been an important part of the economy in Hong Kong, Taiwan, Singapore, and in the Chinese diaspora, and, since the reforms, in mainland China itself. Some people have argued that the success of Chinese family businesses occurs because of the special characteristics and approach of such businesses. This book examines the nature of Chinese family business and the key issues involved by exploring in detail the case of a leading Hong Kong jewellery company which was established in the early 1960s and which has grown to become one of the biggest jewellery manufacturers, exporters, and retailers in post-war Hong Kong. The book considers the motivations of Chinese people to set up their own businesses, outlining the strategies adopted, including the strategies for raising capital, and the qualities of successful Chinese entrepreneurs. It discusses the management of the company, including relations between family members, profit sharing and succession planning, and assesses how conflict and crises are coped with and overcome. It charts the evolution of the company, looking at how it has been transformed into a listed corporation. The book concludes by arguing for the importance of studying Chinese family businesses culturally.

This book explores censorship, particularly film and video censorship, in Japan in modern times. It shows how most censorship has been the film and video industry exercising self-censorship, but how this system has been problematic in that it has allowed dominant players in the industry to impose their own standards and exclude independent film makers. It outlines notable obscenity cases, and discusses how industry self-censorship bodies have been undermined both by industry outsiders setting up their own alternative regimes, and by the industry self-censorship bodies themselves being prosecuted for obscenity. The book also examines the conflict between the obscenity law, introduced in Meiji times when Japan was importing Western models, and the freedom of speech law, which was put in place by the American Occupation administration after the Second World War. The book concludes by assessing the current state of censorship in Japan and likely future developments.

These original essays debate two ways of theorizing social life. One way is the integrative or holistic model of thought typified in the writings of Confucius. The other, the revolutionary tradition, is suspicious of holism and harmony as principles of social thought because harmony is seen as something that can genuinely occur only when a society has rectified deeply ingrained injustice. This volume evaluates the alternative priorities of order and revolt, harmony and spontaneity, in social life.

This collection of original essays interrogates the nature of intercultural and intra-cultural encounters through anthropological case studies of Asia, Africa, and the Pacific Islands. The chapters show that parties involved in intercultural or intra-cultural encounters, each equipped with their own means and motivated by their own ends, reciprocally engage each other in a dynamic, emergent relationship. Through detailed empirical research, this volume seeks to advance the open question of how we may theorize the cultural interface.

This volume of original essays critically examines the intriguing interplay among major actors and venues of creative practices in contemporary East Asian cities. Its chapters closely investigate manifestations of the political and aesthetic decisions made, or not made, in the construction and representation of creative cities. The contributors give Tokyo, Seoul, Hong Kong, Taipei, and Shanghai special consideration.