Ian Angus – författare

The border is the governing metaphor of the book. Angus argues that English Canadian identity revolves around maintaining a border between Canada and the United States, and suggests that the border between countries can also be seen as a border between self and Other, between humanity and nature. Multiculturalism and the ecology movement's rethinking of the relation between humanity and nature suggest that English Canadian social and political philosophy is oriented toward sustaining a border between self and Other, in order to preserve what is one's own while maintaining and respecting the Other. Angus argues that contemporary public discourse is hampered both by the tribalizing devolution of the politics of identity and the globalizing forces of corporate political economy. Addressing this impasse requires a new understanding of the politics of identity in English Canada and the creation of a theory of Canadian social identity as postcolonial, particularist, and pluralist.

In this provocative study of the task of English-Canadian philosophy, Ian Angus contends that English Canada harbours a secret and unofficial dream of self-rule that is revealed through critiques of empire. Looking at the main tensions between local dwelling and the globalized market, Identity and Justice shows how contemporary society's reactions to technological advances and a world market economy have produced increasingly isolated individuals and prevented the emergence of a coherent community based on a universalizing philosophy.Stressing the importance of regionalism and postcolonial understandings, Angus argues that Canada requires a philosophy of independent parts through a conception of universality that subordinates rulership to a negotiation between diverse communities. Through discussion of the work of prominent Canadian thinkers, notably Harold Innis, John Porter, George Grant, and Marshall McLuhan, Angus identifies and explores key themes that define the distinctiveness of English Canada, primarily those related to power and empire, dominant and innovative modes of perception and thought, transportation, communication, community, ethnicity, and collective action.A penetrating examination of some of Canada's national myths and the phenomenology of locality in the twenty-first century, Identity and Justice is a groundbreaking critique and recovery of English Canadian social and political thought.

First published in 1989, Cultural Politics in Contemporary America is a radical attempt to lay out the complex ways in which the American media and American culture is powerfully interlocked. At the end of the 20th century, the media exerted an overwhelming influence on the formation of social identity through the production and consumption of images. The Hollywood Presidency of Ronald Reagan was founded on the skills of the ‘Great Communicator’; Bruce Springsteen’s ‘Born in the USA’ was used by Chrysler Corporation to assure that ‘the pride is back’; feminists and right-wing militants converged to oppose pornography. The media, American culture, and political power were bound together in a gamble, the stakes of which increased daily. ‘Cultural Politics’ incorporates the struggles of race, gender and class; the economy of the commercial media system; the myths of hegemony and imperialism; the crises of privacy and of the intellectual; and such diverse issues as postmodernism, the American automobile, advertising as communication, and television. While political actors have changed and media technology has advanced rapidly, the outcome of this research still holds true for the 21st century and is of importance to students of media studies, cultural studies, postmodernism, postcolonial studies and political science.

First published in 1989, Cultural Politics in Contemporary America is a radical attempt to lay out the complex ways in which the American media and American culture is powerfully interlocked. At the end of the 20th century, the media exerted an overwhelming influence on the formation of social identity through the production and consumption of images. The Hollywood Presidency of Ronald Reagan was founded on the skills of the ‘Great Communicator’; Bruce Springsteen’s ‘Born in the USA’ was used by Chrysler Corporation to assure that ‘the pride is back’; feminists and right-wing militants converged to oppose pornography. The media, American culture, and political power were bound together in a gamble, the stakes of which increased daily. ‘Cultural Politics’ incorporates the struggles of race, gender and class; the economy of the commercial media system; the myths of hegemony and imperialism; the crises of privacy and of the intellectual; and such diverse issues as postmodernism, the American automobile, advertising as communication, and television. While political actors have changed and media technology has advanced rapidly, the outcome of this research still holds true for the 21st century and is of importance to students of media studies, cultural studies, postmodernism, postcolonial studies and political science.

Science tells us that a new and dangerous stage in planetary evolution has begun the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our physical, social, and economic environment. Large parts of Earth will become uninhabitable, and civilization itself will be threatened. Facing the Anthropocene shows what has caused this planetary emergency, and what we must do to meet the challenge.Bridging the gap between Earth System science and ecological Marxism, Ian Angus examines not only the latest scientific findings about the physical causes and consequences of the Anthropocene transition, but also the social and economic trends that underlie the crisis. Cogent and compellingly written, Facing the Anthropocene offers a unique synthesis of natural and social science that illustrates how capitalism's inexorable drive for growth, powered by the rapid burning of fossil fuels that took millions of years to form, has driven our world to the brink of disaster.Survival in the Anthropocene, Angus argues, requires radical social change, replacing fossil capitalism with a new, ecosocialist civilization."

Science tells us that a new and dangerous stage in planetary evolution has begun the Anthropocene, a time of rising temperatures, extreme weather, rising oceans, and mass species extinctions. Humanity faces not just more pollution or warmer weather, but a crisis of the Earth System. If business as usual continues, this century will be marked by rapid deterioration of our physical, social, and economic environment. Large parts of Earth will become uninhabitable, and civilization itself will be threatened. Facing the Anthropocene shows what has caused this planetary emergency, and what we must do to meet the challenge.Bridging the gap between Earth System science and ecological Marxism, Ian Angus examines not only the latest scientific findings about the physical causes and consequences of the Anthropocene transition, but also the social and economic trends that underlie the crisis. Cogent and compellingly written, Facing the Anthropocene offers a unique synthesis of natural and social science that illustrates how capitalism's inexorable drive for growth, powered by the rapid burning of fossil fuels that took millions of years to form, has driven our world to the brink of disaster.Survival in the Anthropocene, Angus argues, requires radical social change, replacing fossil capitalism with a new, ecosocialist civilization."

A socialist response to the looming ecological crisisAs the Anthropocene advances, people across the red-green political spectrum seek to understand and halt our deepening ecological crisis. Environmentalists, scientists, and eco-socialists share concerns about the misuse and overuse of natural resources, but often differ on explanations and solutions. Some blame environmental disasters on overpopulation. Others wonder if Darwin s evolutionary theories disprove Marx s revolutionary views, or if capitalist history contradicts Anthropocene science. Some ask if all this worry about climate change and the ecosystem might lead to a catastrophism that weakens efforts to heal the planet.Ian Angus responds to these concerns inA Redder Shade of Green, with a fresh, insightful clarity, bringing socialist values to science, and scientific rigor to socialism. He challenges not only mainstream green thought, but also radicals who misuse or misrepresent environmental science.Angus s argument that confronting environmental destruction requires both cutting-edge scientific research and a Marxist understanding of capitalism makes this book an essential resource in the fight to prevent environmental destruction in the 21st century."

For more than two centuries, the idea that the world's ills are caused by poor people having too many babies has been remarkably successful at diverting attention from the social causes of poverty and injustice. Once the exclusive preserve of right-wing ideologues, the argument that rising population and immigration is damaging to the environment is increasingly defended in mainstream media and in the environmental movement. This is a clear, well-documented and popularly written refutation of populationist ideology, focusing in particular on the arguments on the environment.

Proposes a new theory of communication called "comparative media theory."Primal Scenes of Communication argues that the materiality of communication media constitute social relations and that social relations should be understood as "technology-identity complexes." This theory is employed to characterize consumer society, and the social movements that criticize consumer society, as a unique epoch of communication.

Proposes a new theory of communication called "comparative media theory."Primal Scenes of Communication argues that the materiality of communication media constitute social relations and that social relations should be understood as "technology-identity complexes." This theory is employed to characterize consumer society, and the social movements that criticize consumer society, as a unique epoch of communication.

There has been, over the last decades, a deep crisis in the models which, for a long time, have been central metaphors governing thought and research in the social sciences. The main symptom in this paradigmatic shift has been the increasing centrality of the 'discourse' approach in social theory. It is Ian Angus's aim here to explore thoroughly the philosophical implications of this shift. He does so by combining serious philosophical reflection with an analysis of the media, which draws on both the phenomenological tradition and the political concerns of the Frankfurt School, post-Marxism and radical democracy. Ranging over the work of Heidegger, Gramsci, Husserl, Levinas, McLuhan and many others, (Dis)figurations is not merely an analytic enterprise however; it is a comprehensive attempt at rethinking the whole project of a critical philosophy.