Jacqueline Rose – författare

Women in Dark Times begins with three remarkable women: revolutionary socialist Rosa Luxemburg; German-Jewish painter Charlotte Salomon; and film icon Marilyn Monroe. The story of these women, bound together by their struggles against iniquity, blazes a trail across some of the defining features of the twentieth century – revolution, totalitarianism and the American dream – and compels us to reckon with the unspeakable. Bringing to the surface the subterranean depths of history and the human mind that dominant political vocabularies cannot bear to face, pioneering critic and public intellectual Jacqueline Rose forges a new language for feminism. Extending her argument into the present, Rose turns her focus to ‘honour’ killings and celebrates contemporary artists whose work grows out of an unflinching engagement with all that is darkest in the modern world. Women in Dark Times, reissued a decade after its original publication, offers a template for a scandalous feminism, one which confronts all that is most recalcitrant and unsettling in the struggle to create a better world.

Counsel was a fundamental element of the theoretical framework and practical workings of medieval and early modern government. Good rule was to be ensured by governors hearing wise advisers. This process of counsel assumed particular importance in England and Scotland between the 14th and 17th centuries because of the close adherence to ideas of the common good, commonwealth, and community in this period.Yet this era saw major changes in who gave counsel and how it operated. This volume identifies both patterns and moments of change while also recognising continuities. It examines counsel in the context of Anglo-Scottish warfare and unions, the Reformations, and early colonising ventures, as well as in the contingent circumstances of individual reigns and long-term evolutions in the nature of government.Depicting counsel as ubiquitous yet archivally elusive, this volume uses government records, pamphlets, plays, poetry, histories, and oaths to establish a new framework for understanding advice. As it shows, a widespread belief in good counsel masked fundamental tensions between accountability and secrecy, inclusive representation and political cohesiveness, and between upholding and restraining sovereign authority.

Before his death from leukemia at the age of 36, Allon White had become known as one of the most important literary and cultural critics of his generation. Carnival, Hysteria, and Writing represents a summation of the work which, as Stuart Hall explains in an extended introduction, transformed cultural studies in the 1980s. Allon White's central concerns - with writing, carnival, the body, hysteria, and memory - recur with differing inflections in the pieces collected here. Wide-ranging in scope, the essays move with fluency from an analysis of the work of Julia Kristeva to a discussion of language and location in Dicken's Bleak House, and from a Thomas Pynchon short story to the 'seriousness' of academic language. Other pieces deal with Gilles Deleuze and Francis Bacon, and with Mikhail Bakhtin, a major influence on Allon White's thinking. Included too is the poignant autobiographical fragment, 'Too Close to the Bone'. An Afterword by Jacqueline Rose deals with the links between theory and autobiography and between the academic and personal writings in the book. A memorial to Allon White's life and work, Carnival, Hysteria, and Writing will be essential reading for all working within literary and cultural studies.

States of Fantasy is Jacqueline Rose's much-praised contribution to the current controversy over the limits of English Studies. Arguing for an expansion of the new boundaries of `English', and for the importance of psychoanalysis to the understanding of our literary and historical lives, Rose looks at Israel/Palestine and South Africa, and their place in the English literary and cultural imagination.Jacqueline Rose's fundamental question is the place of fantasy in public and private identities, and in these pages she pushes her investigation further into what might at first glance seem unlikely places. In September 1993, Israel and the PLO signed their first peace treaty; in April 1994, South Africa held its first non-racial democratic elections. States of Fantasy persuasively puts the case that nowhere demonstrates more clearly than these two arenas of historic conflict the need for a psychoanalytically informed understanding of historical process. In so doing, this book shows how the place of England and its writing in those histories emphasize the unbreakable line that runs between literature and politics. Stretching the limits of the `canon' debate, the author offers the strongest rebuttal to critics who try to sever the links between the study of literature and culture and the making and unmaking of the modern world. The central part of this wide-ranging and lively study was originally delivered as the 1994 Clarendon Lectures in Oxford.

Known for her far-reaching examinations of psychoanalysis, literature, and politics, Jacqueline Rose has in recent years turned her attention to the Israel-Palestine conflict, one of the most enduring and apparently intractable conflicts of our time. In "Proust among the Nations", she takes the development of her thought on this crisis a stage further, revealing it as a distinctly Western problem. In a radical rereading of the Dreyfus affair through the lens of Marcel Proust in dialogue with Freud, Rose offers a fresh and nuanced account of the rise of Jewish nationalism and the subsequent creation of Israel. Following Proust's heirs, Beckett and Genet, and a host of Middle Eastern writers, artists, and filmmakers, Rose traces the shifting dynamic of memory and identity across the crucial and ongoing cultural links between Europe and Palestine. A powerful and elegant analysis of the responsibility of writing, Proust among the Nations makes the case for literature as a unique resource for understanding political struggle and gives us new ways to think creatively about the violence in the Middle East.

Since her suicide in 1963 at the age of 30, Sylvia Plath has become a strange icon. This book addresses why this is the case and what this tells us about the way culture picks out important writers. The author argues that without a concept of fantasy we can understand neither Plath's work nor what she has come to represent. She proposes that no writer demonstrates more forcefully than Plath the importance of inner psychic life for the wider sexual and political world. By the author of Sexuality in the Field of Vision.

Jacques Lacan is arguably the most controversial psychoanalyst of our time.

From one of the most important contemporary thinkers we have, a compelling, forceful tract about women and motherhood that demands immediate attention. Moving commandingly between pop cultural references such as Roald Dahl's 'Matilda' to observations about motherhood in the ancient world, from and thoughts about the stigmatization of single mothers in the UK, Mothers delivers a groundbreaking report into something so prevalent we hardly notice.

A blazingly insightful, provocative study of violence against women from the peerless feminist critic. 'To read Rose is to understand that there is no border between us and the world; it is an invitation to a radical kind of responsibility.'NEW YORK TIMES'It's really hard for me to overestimate how important [Rose's] work has been for me . . . I don't feel like that about very many writers.'MAGGIE NELSON, GRAND JOURNAL'An immense achievement.' JUDE KELLY CBE'Timeless.' HELEN PANKHURST CBEWhy has violence - particularly against women - become exponentially more prominent and visible across the world?Tracking multiple forms of today's violence - ranging through trans rights and #MeToo; the suffragette movement and the sexual harassment faced by migrant women; and the sharp increase in domestic violence over the course of the pandemic - this blazing exploration is an agitation against injustice and a formidable call to action from a world-renowned feminist thinker.'Rose explodes the myth that violence and misogyny only happens to other women.'VAL McDERMID'This book confirms Jacqueline Rose's position as one of the world's foremost public intellectuals.'MARK GEVISSER'A daring thinker, willing to make bold statements and take imaginative leaps.'NEW STATESMAN'Rose's work remains surprising and original . . . Her prose has the feel of spiraling in many directions; it is invigoratingly alive . . . necessary and as well as unique.'NEW YORK REVIEW OF BOOKS'For anyone looking to educate themselves on this essential subject, start here and now.'ESQUIRE

Over the past decade, psychoanalysis has been a focus of continuing controversy for feminism, and at the centre of debates in the humanities about how we read literature and culture. In these essays, Jacqueline Rose continues her engagement with these issues while arguing for a shift of attention - from an emphasis on sexuality as writing to the place of the unconscious in the furthest reaches of or cultural and political lives. With essays on war, capital punishment and the dispute over seduction in relation to Freud, she opens up the field of psychopolitics. Finally in two extended essays on Melanie Klein and her critics, she suggests that it is time for a radical rereading of Klein's work.

Zionism was inspired as a movement--one driven by the search for a homeland for the stateless and persecuted Jewish people. Yet it trampled the rights of the Arabs in Palestine. Today it has become so controversial that it defies understanding and trumps reasoned public debate. So argues prominent British writer Jacqueline Rose, who uses her political and psychoanalytic skills in this book to take an unprecedented look at Zionism--one of the most powerful ideologies of modern times. Rose enters the inner world of the movement and asks a new set of questions. How did Zionism take shape as an identity? And why does it seem so immutable? Analyzing the messianic fervor of Zionism, she argues that it colors Israel's most profound self-image to this day. Rose also explores the message of dissidents, who, while believing themselves the true Zionists, warned at the outset against the dangers of statehood for the Jewish people. She suggests that these dissidents were prescient in their recognition of the legitimate claims of the Palestinian Arabs. In fact, she writes, their thinking holds the knowledge the Jewish state needs today in order to transform itself.In perhaps the most provocative part of her analysis, Rose proposes that the link between the Holocaust and the founding of the Jewish state, so often used to justify Israel's policies, needs to be rethought in terms of the shame felt by the first leaders of the nation toward their own European history. For anyone concerned with the conflict in Israel-Palestine, this timely book offers a unique understanding of Zionism as an unavoidable psychic and historical force.

Peter Pan, Jacqueline Rose contends, forces us to question what it is we are doing in the endless production and dissemination of children's fiction. In a preface, written for this edition, Rose considers some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.

Jacqueline Rose is a world-renowned critic and one of the most influential and provocative scholars working in the humanities today. She is also among the most wide ranging, with books on Zionism, feminism, Sylvia Plath, children’s fiction, and psychoanalysis. During the past decade, through talks and pieces that Rose has contributed to the London Review of Books, the Guardian, and other publications, she has played a vital role in public debate about the policies and human-rights record of Israel in its relation to the Palestinians. Representing the entire spectrum of her writing, The Jacqueline Rose Reader brings together essays, reviews, and book excerpts, as well as an extract from her novel. In the introduction, the editors provide a profound overview of her intellectual trajectory, highlighting themes that unify her diverse work, particularly her commitment to psychoanalytic theory as a uniquely productive way of analyzing literature, culture, politics, and society. Including extensive critical commentary, and a candid interview with Rose, this anthology is an indispensable introduction for those unfamiliar with Jacqueline Rose’s remarkably original work, and an invaluable resource for those well acquainted with her critical acumen.

In this collection of conversations that were conducted in Calcutta, at the London School of Economics, through Jewish Book Week, and on the radical website openDemocracy, internationally renowned Jewish scholar Jacqueline Rose explores the debates that have fueled her writing and thinking over three decades. Drawn out by her interlocutors, Rose discusses the difference between political and sexual identity and inquires whether psychoanalysis can be considered a radical form of thought that can be used fruitfully in dialogue about political struggle. Most significantly—since each of these conversations were sparked by her recent and controversial writing on Zionism, Israel, and Palestine—Rose reflects on the role of Jewish dissent in our time. In these conversations, Rose appears courageous, passionate, ethical, and never afraid to engage politically on issues that are of human concern in the ongoing Middle and Near East crisis.

The position of English monarchs as supreme governors of the Church of England profoundly affected early modern politics and religion. This innovative book explores how tensions in church-state relations created by Henry VIII's Reformation continued to influence relationships between the crown, Parliament and common law during the Restoration, a distinct phase in England's 'long Reformation'. Debates about the powers of kings and parliaments, the treatment of Dissenters and emerging concepts of toleration were viewed through a Reformation prism where legitimacy depended on godly status. This book discusses how the institutional, legal and ideological framework of supremacy perpetuated the language of godly kingship after 1660 and how supremacy was complicated by the ambivalent Tudor legacy. It was manipulated by not only Anglicans, but also tolerant kings and intolerant parliaments, Catholics, Dissenters and radicals like Thomas Hobbes. Invented to uphold the religious and political establishments, supremacy paradoxically ended up subverting them.

The position of English monarchs as supreme governors of the Church of England profoundly affected early modern politics and religion. This innovative book explores how tensions in church-state relations created by Henry VIII's Reformation continued to influence relationships between the crown, Parliament and common law during the Restoration, a distinct phase in England's 'long Reformation'. Debates about the powers of kings and parliaments, the treatment of Dissenters and emerging concepts of toleration were viewed through a Reformation prism where legitimacy depended on godly status. This book discusses how the institutional, legal and ideological framework of supremacy perpetuated the language of godly kingship after 1660 and how supremacy was complicated by the ambivalent Tudor legacy. It was manipulated by not only Anglicans, but also tolerant kings and intolerant parliaments, Catholics, Dissenters and radicals like Thomas Hobbes. Invented to uphold the religious and political establishments, supremacy paradoxically ended up subverting them.

Jacqueline Rose’s new book begins with three remarkable women: revolutionary socialist Rosa Luxemburg; German–Jewish painter Charlotte Salomon, persecuted by family tragedy and Nazism; film icon and consummate performer Marilyn Monroe.Together these women have a shared story to tell, as they blaze a trail across some of the most dramatic events of the last century – revolution, totalitarianism, the American dream. Enraged by injustice, they are each in touch with what is most painful about being human, bound together by their willingness to bring the unspeakable to light.Taking the argument into the present are today’s women, courageous individuals involved in some of the cruellest realities of our times. Grappling with the reality of honour killing – notably through the stories of Shafilea Ahmed, Fadime Sahindal and Heshu Yones – Rose argues that the work of feminism is far from done. In the final three chapters, she celebrates the work of three brilliant contemporary artists – Esther Shalev-Gerz, Yael Bartana and Thérèse Oulton – whose work grows out of an unflinching engagement with all that is darkest in the modern world. Women in Dark Times shows us how these visionary women offer a new template for feminism. Taking their stand against the iniquities of our times, they tread a path between public and private pain, confronting us with what we need most urgently, but also often, cannot bear to see.

In The Last Resistance, Jacqueline Rose explores the power of writing to create and transform our political lives. In particular, she examines the role of literature in the Zionist imagination: here, literature is presented as a unique form of dissidence, with the power to expose the unconscious of nations, and often proposing radical alternatives totheir dominant pathways and beliefs.While Israel-Palestine is the repeated focus, The Last Resistance also turns to post-apartheid South Africa, to American national fantasy post-9/11, and to key moments for the understanding of Jewish culture and memory. Rose also underscores the importance of psychoanalysis, both historically in relation to the unfolding of world events, and as a tool of political understanding.Examining topics ranging from David Grossman, through W.G. Sebald, Freud, Nadine Gordimer, the concept of evil, and suicide bombers, The Last Resistance offers a unique way of responding to the crises of the times.

A pivotal work in the history of feminism and a groundbreaking intervention into film theory, Sexuality in the Field of Vision is a brilliantly original exploration of the interface between feminism, psychoanalysis, semiotics and film theory

What do you do with death and dying when they can no longer be pushed to the outer limits of your lived experience or dismissed from your conscious mind? How do you live with death or rather how do you ‘live death’ when death comes too close, seeming to enter the very air you breathe?The Plague is a collection of essays guiding us from the Covid-19 pandemic through to the war in Ukraine in order to imagine a world in which a radical respect for death might exist alongside a fairer distribution of the earth’s wealth. ‘Living death’ will appear as something of a refrain, a reminder that to think of death as an avoidable intruder into how we order our lives, especially in the West, is an act of defiance that is doomed to fail. In the thought of the philosopher Simone Weil, who plays a key role in the book, only if we admit the limits of the human, will we stop vaunting the brute illusion of earthly power.

In Two Women, Jacqueline Rose fictionalizes and intertwines the lives of two remarkable figures whose stories trace the contours of the twentieth century: Edith Stein, the German-Jewish philosopher, Catholic convert and saint; and Gillian Rose, philosopher of German-Jewish thought, also a convert, and Jacqueline’s sister. Through a luminous weaving of fiction and history, Rose traces the parallels and distances between these women – their intellect, faith, suffering and courage – while also confronting the mysteries of love, loss and belonging that shape every human life. A deeply moving work, Two Women is at once an act of remembrance and a daring work of imagination by one of the most important feminist writers of our time.

The continuing churn of political advisers in Donald Trump's White House serve as a reminder of the salience and relevance of political advice. Political Advice: Past, Present and Future brings several very different voices to bear on the problem of advice and influence; the distinction in so far as it is valid between political and policy advice; the two-way parasitism of adviser and advised; the nature and idioms of political advice literature; the changing (and sometimes unchanging) nature of expertise; the ever-pressing issue of access and exclusion; and how that is controlled.This volume of essays feeds into a contemporary concern, set in a wider historical context. Moreover, the volume treats political advice in an interdisciplinary fashion with contributions from classics and literature as well as from history and politics. The unique practitioners' perspective to the problem of political advice is brought by the contributions of politicians, political advisers and senior civil servants.

Political advice has never seemed more prominent – or more problematic. This volume of essays speaks to a contemporary concern, set in a wider historical context. Political Advice: Past, Present and Future brings several very different voices to bear on the problem of advice and influence, the distinction in so far as it is valid between political and policy advice, the two-way parasitism of adviser and advised, the nature and idioms of political advice literature, the ever-pressing issue of access and exclusion, and the curious history of advisers’ success and failure. With contributions from classics and literature as well as from history and politics, this volume treats political advice in an interdisciplinary fashion. Moreover, a unique practitioners’ perspective on the problem of political advice is provided by the contributions of politicians, political advisers and former senior civil servants.

Esther Shalev-Gerzs art has long been at the forefront of debates regarding participation, citizenship, cultural memory, and the role of the artist in society. Her practice has consistently confronted many of the most profound ethical questions of our time regarding the politics of representation, memorialization, and the narration of our histories. Through the artworks and methods of Esther Shalev-Gerz, this book seeks to provide a platform for a debate on trust and dialogue and to act as a catalyst for reflection on the relativity of these two concepts when characterized by, and as, art. This is the first illustrated anthology to be published on Shalev-Gerzs work. It brings together some of the most significant thinkers, writers, and curators of our time to stimulate debate on notions of trust and dialogue and their interrelations as exemplified through her oeuvre. Edited by Jason E. Bowman Contributing writers: Stefanie Baumann, Jason E. Bowman, George Didi-Huberman, Lisa Le Feuvre, Andrea Phillips, Jacques Rancière, Jacqueline Rose, Esther Shalev-Gerz, Annika Wik, James E. Young