James Green – författare

Revised for its third edition, Brazil: Five Centuries of Change vividly traces the development of Brazil over the last 500 years.

Modern Latin America is a vivid interpretive history an authoritative text in the field. Featuring stimulating, anecdotal boxes, the book uses case studies to discuss the primary countries and themes of the region over the past 200 years. For each country, Peter H. Smith, and James N. Green continue the impeccable scholarship of Thomas Skidmore, who passed away in 2016. They examine such central themes as the Iberian-New World interaction, racial prejudices and policy, military developments, and U.S. interventionism in Latin America.

So striking were the replies of Joshu (778-897 CE) to students' questions, that it was said that his "lips emitted light." His saysing were extremely influential throughout the Zen tradition and are included in many koan anthologies. Now here is the first full English translation of his sayings, lectures, dialogues, poems, and records from his pilgimages. The translation aims for readability rather than literalness; helpful notes illustrate features from the Chinese that might not be evident in English. A historical introudction by the translator a short biography of Joshu, and a useful glossary make The Recorded Sayings of Zen Master Joshu an invaluable text for any student of Zen Buddhism.

The first publication on the Yorùbá master sculptor Moshood Olúṣọmọ BámigbóyèBámigbóyè: A Master Sculptor of the Yorùbá Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olúṣọmọ Bámigbóyè (ca. 1885–1975). One of the most important Yorùbá sculptors of the twentieth century, Bámigbóyè is best known for the spectacular masks that he carved for religious festivals known locally as Ẹpa. Weighing up to 80 pounds and measuring over 4 feet tall, with intricate superstructures that could feature dozens of finely carved individual figures, these masks represent some of the most complex and elaborate works of Yorùbá art ever made. With 190 illustrations, this sumptuous volume presents masterpieces from Bámigbóyè’s workshop now housed in collections in America, Europe, and Nigeria. Essays situate Bámigbóyè’s work as part of Africa’s oldest and most dynamic art traditions and consider his sculpture in relation to contemporary Yorùbá art, culture, politics, and religion. With new and archival photographs and incorporating oral histories conducted with the artist’s family and community, this catalogue fills a critical void in African art-historical scholarship.Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery(September 9, 2022–January 8, 2023)

A compelling introduction to the art of the Nguni diaspora—a pivotal chapter of African history that reshaped societies across southeast Africa and continues to resonate today.In the early nineteenth century, a period of warfare and political upheaval—triggered in part by the expansion of the Zulu kingdom—compelled many Nguni communities to leave their homeland in what is now KwaZulu-Natal, South Africa. As these groups migrated, some as far as present-day Malawi, Mozambique, Tanzania, Zambia, and Zimbabwe, their artistic traditions evolved in response to new environments. Highlighting the central role of art within these communities, Nguni: Migrant Nations of Southeast Africa shows how the battlefield, the domestic sphere, and the body became key sites for making and sustaining identity during a time of profound transformation. In this portrait of a people in movement, equal weight is given to scholarly inquiry and the knowledge held by custodians of Nguni oral tradition. Essays on Nguni origins, history, and art are enriched by testimonies developed in collaboration with the descendants of four historic rulers—Shaka, Mzilikazi, Zwangendaba, and Langalibalele I—whose family lines are traced in a genealogical map designed by Nontsikelelo Mutiti. The publication explores a wide range of nineteenth-century objects, from shields, spears, and staffs to headrests, beadwork, and baskets, many of which are published here for the first time. A series of photographs by South African photographer Jabulani Dhlamini, documenting the revival of historic Nguni cultural practices, brings these historic artworks into dialogue with the present.Distributed for the Yale University Art GalleryExhibition schedule:Yale University Art Gallery(September 11, 2026–June 20, 2027)

The author of this book, James Green (1859-1936), was a frequent contributor to early issues of Scripture Truth in the early part of the twentieth century. By profession he was an artist and lithographer, notable for his illustrations in Arthur Mee's I See All and subsequent Children's Encyclopaedia.As he explains in the preface, his artistic talents were put to considerable use with a commission in 1917 to create a series of pictures to illustrate the Tabernacle in the wilderness described in the book of Exodus. While many models had been made, in using them for lecture purposes (in a pre-digital age) it was recognised there was great difficulty in a large audience seeing the details of small items easily. It was thought that large diagrams in colour would serve the purpose better. He completed the commission the following year. The original set of pictures were used on several occasions in lectures by A J Pollock, author of The Tabernacle's Typical Teaching, and by the author.In the summer of 1929, a new set was painted on lighter canvas to ease portability; a useful feature as the ageing author continued delivering lectures around the UK. Photographs of the set illustrate this volume.The author found that his lifetime of study of the detail of the Tabernacle had, "under the hand of the God, resulted in a much fuller apprehension of the glories of Christ, conveyed in the patterns of things in the heavens". In his latter years, with the encouragement of many, he set down the impressions he had received, that others may profit by them. The present volume was completed shortly before his death in 1936 and has remained unpublished until now. The publishers are pleased to bring this book into print at last, assured that it will provide as much spiritual refreshment today as when the author first shared his appreciation of its great Subject.For those who wonder why so much of the book of Exodus is taken up with a detailed description of an elaborate tent and its contents, this book provides an excellent explanation. For those who want to understand how such a description is evidence of the presence of "Christ in all the Scriptures", the author explores this theme enthusiastically in detail.

A fresh set of concerns face the twenty-first century British novelist. In this study of the four key novelists Zadie Smith, Nadeem Aslam, Hari Kunzru and David Mitchell, the the changes in narrative approaches and critical directions of a new post-1989 fiction are explored. Close readings of the writers are informed by a range of contemporary theorists, critics and commentators to reveal the emphases of twenty-first century fiction. Terror, fear, consumerism, multinationalism, and corporatism: the terms circulating in culture and social networks are evident in Smith's faith in ethical living, Aslam's consideration of multiculturalism, the novels Kunzru builds around the politics of identity and in the importance Mitchell places on the interconnectedness of human life. By putting the emergence of a new British literary dynamic in the context of ethical as well as global contexts, this study analyzes the transformed fictional perceptions of a world no longer defined by the stand off of super powers.

A fresh set of concerns face the twenty-first century British novelist. In this study of the four key novelists Zadie Smith, Nadeem Aslam, Hari Kunzru and David Mitchell, the the changes in narrative approaches and critical directions of a new post-1989 fiction are explored. Close readings of the writers are informed by a range of contemporary theorists, critics and commentators to reveal the emphases of twenty-first century fiction. Terror, fear, consumerism, multinationalism, and corporatism: the terms circulating in culture and social networks are evident in Smith's faith in ethical living, Aslam's consideration of multiculturalism, the novels Kunzru builds around the politics of identity and in the importance Mitchell places on the interconnectedness of human life. By putting the emergence of a new British literary dynamic in the context of ethical as well as global contexts, this study analyzes the transformed fictional perceptions of a world no longer defined by the stand off of super powers.

Blending autobiography and history, James Green reflects on 30 years as an activist, educator and historian. He recounts how he became immersed in political process and in recovering and preserving the history of progressive social movements, demonstrating how the two are linked.

Follow three very different teachers through the process of creating a reflective teacher portfolio. This book covers all the basics of portfolios. Chapters cover each of the standard parts of a portfolio—Introduction, Influences, Instruction, Individualization, and Integration—and explore how the teachers apply the principles to their classrooms and styles. Teachers, peer mentors and administrators alike will appreciate this detailed approach to the evaluation process. With this book, you can turn your portfolio into a powerful tool of self-assessment as well as a tangible demonstration of your teaching capabilities.