James Morwood – författare

Since its publication in 1990, Athenaze: An Introduction to Ancient Greek has helped tens of thousands of students learn classical Greek. Building on the bestselling tradition of previous editions, the long-awaited third edition combines the best features of traditional and modern teaching methods. It provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. James Morwood, editor of the Oxford Grammar of Classical Greek and the Pocket Oxford Classical Greek Dictionary, brings his expertise and years of teaching experience to this revision. Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also woven throughout.

Combining the best features of traditional and modern methods, Athenaze: An Introduction to Ancient Greek, Revised Third Edition, provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. This student workbook includes self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings for the material covered by Athenaze, Book I, Revised Third Edition.

This edition of the Pocket Oxford Latin Dictionary offers essential coverage of Latin words and grammar, as well as extra information on Roman history and culture. It takes account of the latest research into Latin, and is designed specifically to fit the needs of today's student. It covers over 45,000 words and phrases, including additions from the writings of Plautus and Terence, and from the study of Silver Latin. Common irregular verb parts are given as headwords for greater clarity, and boxed notes provide help with language usage, and with difficult words and constructions.There are appendices on historical, mythological, and geographical names; money, dates, times, weights and measures; plus poetic metre and medieval Latin. With a timeline of important dates, and biographies on Roman writers, this edition is packed with interesting and essential information on Roman history and culture.Also with pronunciation help and a guide to Latin grammar, this compact and affordable dictionary is a necessity for all students and adult learners of Latin.

Since its publication in 1990, Athenaze: An Introduction to Ancient Greek has helped tens of thousands of students learn classical Greek. Building on the bestselling tradition of previous editions, the long-awaited third edition combines the best features of traditional and modern teaching methods. It provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. James Morwood, editor of the Oxford Grammar of Classical Greek and the Pocket Oxford Classical Greek Dictionary, brings his expertise and years of teaching experience to this revision. Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also woven throughout.

Combining the best features of traditional and modern methods, Athenaze: An Introduction to Ancient Greek, Revised Third Edition, provides a unique course of instruction that allows students to read connected Greek narrative right from the beginning and guides them to the point where they can begin reading complete classical texts. This student workbook includes self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings for the material covered by Athenaze, Book II, Revised Third Edition.

This second edition of the Oxford Latin Course combines the best features of both modern and traditional methods of Latin teaching from first stages to GCSE. Completely revised and restructured in the light of a nationwide survey of Classics teachers, it provides an exciting, stimulating approach to Latin based on the reading of original texts. Parts I-III are built around a narrative detailing the life of Horace, based closely on historical sources, which helps students to develop an understanding of the times of Cicero and Augustus.

In this new translation of the most profound tragedies of Euripides, one of the trio of the supreme Greek tragedians of the fifth century BC, James Morwood brings harshly to life the pressure of the intolerable circumstances under which Euripides places his characters. His dark and cheerless world, one where the gods prove malevolent, importent, or simply absent, reveals men, to use his own words, `as they are'. His clear-eyed yet sympathetic analysis of characters such as Medea, Hippolytus and Phaedra, and Electra and Clytemnestra - and the supremacy of women is not accidental - is conducted with extraordinary psychological insight through the fearful symmetry of his plot construction. Medea, Hippolytus, and Electra give dramatic articulacy to their creator's howl of protest against the world in which we still live today. His Helen shows him working in a different vein. The themes remain deeply serious; the analysis is still proving and acute. Yet the happy ending, however equivocal, typifies a humour and warmth of spirit that offer, like Shakespeare's last plays, a fragile but genuine hope of redemption. There is a substantial general introduction and select bibliography by Edith Hall, and full explanatory notes accompany the translation.

This is the final in a series of three volumes of a new prose translation of Euripides' most popular plays. In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of the poets. Yet the new battle-ground of the aftermath of war is one in which the women of Troy evince an overwhelming greatness of spirit. We weep for the aged Hecuba in her name play and in the Trojan Women, yet we respond with an at times appalled admiration to her resilience amid unrelieved suffering. And in her name play Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a Stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war.

This book is the second of three volumes of a new prose translation, with introduction and notes, of Euripides' most popular plays. The first three tragedies translated in this volume illustrate Euripides' extraordinary dramatic range. Iphigenia among the Taurians, set on the Black Sea at the edge of the known world, is much more than an exciting story of escape. It is remarkable for its sensitive delineation of character as it weighs Greek against barbarian civilization. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, so vastly different as to highlight the playwright's Protean invention, centres on the ultimate dysfunctional family, that of Agamemnon, as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Rhesus, probably the work of another playwright, deals with a grisly event in the Trojan War. Like Iphigenia at Aulis, its `subject is war and the pity of war', but it is also an exciting, action-packed theatrical Iliad in miniature.

A Dictionary of Latin Words and Phrases is a handy reference for all kinds of writing, as well as an absorbing collection of phrases, mottoes, proverbs and sayings. This new dictionary offers a fresh look at a language which has retained its influence and colour. Thematic indexA comprehensive index will take you to all the words and phrases relating to a particular subject, covering everything from ambition, beauty, and courage to war and wisdom. More than just words and phrasesAlong with clear translations and pronunciation guidance, sources from literature and history are annotated with fascinating descriptions and explanations that place the phrases in context. Mottoes of countries and famous people and institutionsThe American dollar, Henry VIII, Oxford University and Metro-Goldwyn-Mayer are just a few of the inspiring and sometimes ironic mottoes. ProverbsFamiliar and amusing proverbs are included and easily found in a separate index. Includes literary examplesAn A-Z listing of all Latin authors cited includes outlines of their lives and works.

This is the first dedicated grammar of Classical Greek for students for almost a century. It provides exceptional clarity, helpfulness, and ease of use for GCSE and A level students, as well as anyone with an interest in Ancient Greek. Generous help with grammatical terms, pronunciation, and difficult idioms is provided. Practice exercises, example sentences, and helpful tips throughout make this the perfect study companion.

The Pocket Oxford Classical Greek Dictionary is an elementary level dictionary ideal for learners of Classical Greek at school and university level. It covers over 20,000 Greek words and phrases in clear, user-friendly translations, and over 4,000 English words in common usage. The dictionary also offers help with Greek to English sentence construction and prose composition, and provides tables of irregular verbs. Additional information includes detailed lists of numerals and proper names, a guide to pronunciation, and a map of Greece.

This concise volume provides brief original reading matter to illustrate key features of Greek grammar and syntax. Each chapter begins with an account of the grammatical issue in question; this is then followed by a selection of passages from Greek literature, some shorter, some longer, covering a wide range of authors, and of considerable intrinsic interest.

`the most tragic of the poets' Aristotle Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. In the ethically shocking Medea, the first known child-killing mother in Greek myth to perform the deed in cold blood manipulates her world in order to wreak vengeance on her treacherous husband. Hippolytus sees Phaedra's confession of her passion for her stepson herald disaster, while Electra's heroine helps her brother murder their mother in an act that mingles justice and sin. Lastly, lighter in tone, the satyr drama, Helen, is an exploration of the impossibility of certitude as brilliantly paradoxical as the three famous tragedies. This new translation does full justice to Euripides's range of tone and gift for narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Iphigenia among the Taurians Bacchae Iphigenia at Aulis Rhesus The four plays newly translated in this volume are among Euripides' most exciting works. Iphigenia among the Taurians is a story of escape and contrasting Greek and barbarian civilization, set on the Black Sea at the edge of the known world. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, centres on the ultimate dysfunctional family as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Lastly, Rhesus, probably the work of another playwright, is a thrilling, action-packed Iliad in miniature, dealing with a grisly event in the Trojan War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.

This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.

A comprehensive overview of the teaching of classics. The Teaching of Classics outlines how teaching of the subject has developed and arrived at its present situation and suggests strategies for the future. It addresses the teaching of the subject at primary, secondary and tertiary levels. The authors also communicate the sense of innovatory excitement that surrounds current initiative, celebrate the successes in the two major growth areas - primary and adult education - and confront the dangers that face the subject with clear-eyed realism.

An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts. Virgil is to Latin literature what Homer is to Greek and Shakespeare to English. He is both the supreme poet of Rome's greatness and its most profound exponent of the suffering involved in human experience. This book enables students to explore the issues at the heart of his work. It is built around substantial excerpts from his three great poems: the Eclogues, his highly original pastoral collection; the Georgics, his work about farming described by Dryden as 'the best Poem of the best poet'; and the Aeneid, the supreme Roman epic.

Charts the historial spread of the classical languages throughout the English-speaking world and uncovers the central part they play in giving English its current shape. Latin and Greek are often called 'dead' languages. Our Greek and Latin Roots takes readers on a journey of exploration through their own language, helping them to uncover just how central a part Greek and Latin play in giving English the shape it has today. Full of fascinating information and stimulating exercises, this book is entirely accessible to teachers and students with little or no knowledge of classical languages.

A group of Argive women has come to Eleusis to ask King Theseus and his city of Athens to bring about the burial of their sons who are being denied it by their Theban conquerors. Theseus is confronted with a challenge which at first he declines to take up, but then does so magnificently. The range of the play's debate is astonishing. It contains one of the Ur-texts of political theory. It explores social and religious themes. It deals with the concept of a just war, with the family, and with the role and behaviour of women. Above all it sets before us the education of Theseus, showing us movingly how this great hero is transformed into a great man. Greek text with facing translation, introduction and commentary.

Over the past decades there has been something of a revolution in the way we view classical drama generally and Euripides in particular. This book, updated in a second edition, reflects that revolution and aims to show how Euripides was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving 19 plays. Between general introduction and final summary, Morwood's chapters identify the themes that underlie the plays and concentrate, above all, on demonstrating the extraordinary diversity of this great dramatist. New to this edition, which is updated throughout, are further details on the individual plays and extra suggestions for background reading.The volume is a companion to The Plays of Sophocles and The Plays of Aeschylus (both by Alex Garvie) also available in second editions from Bloomsbury. A further essential guide to the themes and context of ancient Greek tragedy may be found in Laura Swift's new introductory volume, Greek Tragedy.

The Roman emperor Hadrian, who lived from 76 to 138 AD was a hugely influential figure whose architectural legacy is obvious even today. However, he was also contradictory and mysterious: he was a Spaniard who became emperor at Rome; he was a popular, successful soldier who aimed to be a man of peace. He dabbled in black magic, and he courted scandal: as well as his bitterly unhappy marriage, he had a very public love affair with Greek boy, who died in mysterious circumstances surrounded by rumours of human sacrifice.This title explores these contradictions and complexities, and pieces together the picture of a man, his life, times and influence. It presents a rounded picture written in a lively and accessible style.Looking in detail at key themes and topics of Hadrian’s life, the title explores his Spanish background, his military service and initiatives of peace, his architectural legacy such as the Pantheon, his villa at Tivoli, his love of Athens and Athenian culture, his relationship with Antinous, and how he dealt with Christians and Jews. In addition to this, the title covers social aspects of life in the Roman empire in the second century: slavery, Roman baths and hygiene, the public spectacles of circus races, gladiatorial fights and animal hunts.

A completely new guide to writing Latin from scratch, this user-friendly book includes key features such as: broad coverage - all the major grammatical constructions of the Latin language are covered, reinforcing what students have learnt from reading Latin; thorough accessible explanations - no previous experience of writing in Latin assumed; hundreds of examples - clear accurate illustrations of the constructions described, all with full translations; over six hundred practice sentences - graduated exercises leading students through three levels of difficulty from elementary to advanced level; introduction to Latin word order - a brief guide to some of the most important principles; and, longer passages for practising continuous prose composition - more challenging passages to stretch the most able students.It also includes features such as: commentaries on examples of Latin prose style - passages from great Latin prose writers focus attention on imitating real Latin usage; and, complete list of vocabulary - all the words needed for the exercises and a valuable reference for English-Latin work in general.

"Advanced Latin" offers a range of material to help students build and develop the knowledge and skills needed for A2 and Pre-U Latin. There are 24 translation/comprehension exercises, based on passages taken predominantly from Livy, Caesar and Ovid. These match exactly the requirements of A2, but the passages work equally well as unseens for those working towards Pre-U. Six further passages are offered for unseen translation only, and are designed to stretch the most able. There are then 12 passages of continuous prose for translation into Latin, each supported by notes to help the student; and an appendix that contains a comprehensive English-Latin vocabulary. To support the study of A2 and Pre-U literature, there are short commentaries on sample passages from each of the prescribed authors, demonstrating a variety of interpretative approaches. In addition, for each author there is an annotated bibliography, to guide both teacher and student to the most useful secondary literature available. A separate section focuses on the Pre-U unseen literary criticism option and offers six practice passages.

"Key to Advanced Latin" provides answers to the exercises that form a substantial part of our new Latin language textbook, "Advanced Latin: Materials for A2 and Pre-U", which is being published simultaneously (ISBN 9781853997297). These exercises consist of: 24 translation/comprehension exercises, based on passages taken predominantly from Livy, Caesar and Ovid. These match exactly the requirements of A2, but the passages work equally well as unseen for those working towards Pre-U. Six further passages are offered for unseen translation only, and finally there are 12 passages of continuous prose for translation into Latin.

In the story of the reception of Greek tragedy throughout the English-speaking world, Murray is a figure of immense importance. He unlocked the gates of commercial theatre to its performance - and its performance in verse - on both sides of the Atlantic, bringing to the project his enormous personal prestige, especially after his election to the Regius Chair of Greek at Oxford (1908).His Oxford Classical Text of all the complete plays of Euripides lent scholarly weight to his theatrical enterprise; for, passionate though he was about communicating Greek culture to the widest possible public (by the 1920s over a quarter of a million copies of the translations had been sold), he could never be written off as a mere popularizer. Most significant of all, he laid down in the early years of the twentieth century the terms on which scholar and public alike have viewed Greek drama throughout its course and into the twenty-first. It was Murray who insisted, from the pulpit of the popular stage, on the political nature of Greek tragedy (first connecting Troades with the fate of Melos); on its historical resonances (Troades chiming with his own distaste for British conduct of the Boer War); on its social urgency (his support for women's suffrage informing his Medea); on the religious and anthropological assumptions that permeate it (his introduction to Bacchae acknowledging his debt to Jane Harrison); and on the remarkable psychological truth in its delineation of character (emphasized in his notes on Electra). And on all this he insisted as a man with a keen instinct for the theatre, who was deferred to alike by actors (Sibyl Thorndike), by directors (Granville Barker) and by fellow playwrights (George Bernard Shaw). His was the voice which had something wonderful to communicate and which could not be ignored.