James Nagel – författare

This is an anthology of the American short story between the Civil War and World War I, containing 47 stories by 30 writers. Realist writers, represented by Mark Twain, Henry James, Stephen Crane, Kate Chopin and Willa Cather among others, sought to paint "life as it is, human feelings in their true proportions and relations". There are introductory essays on the historical and literary context of the Age of Realism, a chronology, critical headnotes and minibiographies.

Basic Introduction to Bioelectromagnetics, Third Edition, is a primary source for medical technologists and life scientists seeking to understand how electromagnetic fields interact with the body, and how they are used in medical applications. Instead of the complex math commonly used when analyzing electromagnetics, this book uses graphical methods and simple equations. The third edition is updated with color graphics that show the fields in bright, clear colors. Each concept is presented with an associated discussion and application, including MRI, NMR, hyperthermia, neural stimulation, ultrasound, and cardiac pacing/defibrillation.

Offering a simplified explanation of a very complex subject, this third edition provides an accessible introduction for life scientists and medical technologist on how EM fields work, what controls them, and the factors important to experimental setups and medical applications.

This qualitative and illustrative book:

Covers the entire frequency spectrum from direct current (DC) up through optical frequencies.

Includes more than 200 illustrations, 65 in color, and 40 medical applications.

Incorporates examples from real-world applications to explain concepts.

Concentrates on the qualitative explanation of the key concepts, fundamental principles, and characteristic behaviors of EM fields, without complicated mathematics.

Offers practical rules of thumb to understand real situations.

Requires only a background in algebra, in contrast to typical EM books that require vector calculus and differential equations.

Basic Introduction to Bioelectromagnetics, Third Edition, is a primary source for medical technologists and life scientists seeking to understand how electromagnetic fields interact with the body, and how they are used in medical applications. Instead of the complex math commonly used when analyzing electromagnetics, this book uses graphical methods and simple equations. The third edition is updated with color graphics that show the fields in bright, clear colors. Each concept is presented with an associated discussion and application, including MRI, NMR, hyperthermia, neural stimulation, ultrasound, and cardiac pacing/defibrillation.

Offering a simplified explanation of a very complex subject, this third edition provides an accessible introduction for life scientists and medical technologist on how EM fields work, what controls them, and the factors important to experimental setups and medical applications.

This qualitative and illustrative book:

Covers the entire frequency spectrum from direct current (DC) up through optical frequencies.

Includes more than 200 illustrations, 65 in color, and 40 medical applications.

Incorporates examples from real-world applications to explain concepts.

Concentrates on the qualitative explanation of the key concepts, fundamental principles, and characteristic behaviors of EM fields, without complicated mathematics.

Offers practical rules of thumb to understand real situations.

Requires only a background in algebra, in contrast to typical EM books that require vector calculus and differential equations.

This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin’s “The Speech of Miss Polly Baker” in 1747 to “The Joy Luck Club”. Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O’BrienAddresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genreWritten in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last centuryIncludes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study

This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin’s “The Speech of Miss Polly Baker” in 1747 to “The Joy Luck Club”. Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O’BrienAddresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genreWritten in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last centuryIncludes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study

James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.

Race and Culture in New Orleans Stories posits that the Crescent City and the surrounding Louisiana bayous were a logical setting for the literary exploration of crucial social problems in America. Race and Culture in New Orleans Stories is a study of four volumes of interrelated short stories set in New Orleans and the surrounding Louisiana bayous: Kate Chopin’s Bayou Folk; George Washington Cable’s Old Creole Days; Grace King’s Balcony Stories; and Alice Dunbar-Nelson’s The Goodness of St. Rocque and Other Stories. James Nagel argues that the conflicts and themes in these stories cannot be understood without a knowledge of the unique historical context of the founding of Louisiana, its four decades of rule by the Spanish, the Louisiana Purchase and the resulting cultural transformations across the region, Napoleonic law, the Code Noir, the plaçage tradition, the immigration of various ethnic and natural groups into the city, and the effects of the Civil War and Reconstruction. All of these historical factors energise and enrich the fiction of this important region. The literary context of these volumes is also central to understanding their place in literary history. They are short-story cycles—collections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the “local colour” tradition in fiction, a movement that has been much misunderstood. Nagel maintains that regional literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature. Finally, Nagel shows that New Orleans provided a profoundly rich and complex setting for the literary exploration of some of the most crucial social problems in America, including racial stratification, social caste, economic exploitation, and gender roles, all of which were undergoing rapid transformation at the end of the nineteenth century and the beginning of the twentieth.

Race and Culture in New Orleans Storiesposits that the Crescent City and the surrounding Louisiana bayous were a logical setting for the literary exploration of crucial social problems in America. Race and Culture in New Orleans Stories is a study of four volumes of interrelated short stories set in New Orleans and the surrounding Louisiana bayous: Kate Chopin’s Bayou Folk; George Washington Cable’s Old Creole Days; Grace King’s Balcony Stories; and Alice Dunbar-Nelson’s The Goodness of St. Rocque and Other Stories. James Nagel argues that the conflicts and themes in these stories cannot be understood without a knowledge of the unique historical context of the founding of Louisiana, its four decades of rule by the Spanish, the Louisiana Purchase and the resulting cultural transformations across the region, Napoleonic law, the Code Noir, the plaçage tradition, the immigration of various ethnic and natural groups into the city, and the effects of the Civil War and Reconstruction. All of these historical factors energize and enrich the fiction of this important region. The literary context of these volumes is also central to understanding their place in literary history. They are short-story cycles—collections of short fiction that contain unifying settings, recurring characters or character types, and central themes and motifs. They are also examples of the “local color” tradition in fiction, a movement that has been much misunderstood. Nagel maintains that regional literature was meant to be the highest form of American writing, not the lowest, and its objective was to capture the locations, folkways, values, dialects, conflicts, and ways of life in the various regions of the country in order to show that the lives of common citizens were sufficiently important to be the subject of serious literature. Finally, Nagel shows that New Orleans provided a profoundly rich and complex setting for the literary exploration of some of the most crucial social problems in America, including racial stratification, social caste, economic exploitation, and gender roles, all of which were undergoing rapid transformation at the end of the nineteenth century and the beginning of the twentieth.

Ernest Hemingway: The Oak Park Legacy is the first extensive examination of the relationship of Hemingway to his hometown, Oak Park, Illinois, and the influence its people, places, and underlying values had on his early work. In this volume, 11 leading Hemingway scholars explore various aspects of these issues, from the migration of the Hemingway family from Connecticut to Illinois in the 1850s, to Hemingway''s high-school stories and the dramatic breakthrough of In Our Time and The Sun Also Rises. With these books, Hemingway suddenly became one of the most influential writers of the 20th century. The essays in this collection explore the social and family background that provided the material and sensibility for these literary masterpieces.

In these essays, James Nagel provides the first account ever published of the move of the Hemingway family from Connecticut to Illinois. Writing his account after the discovery of a lost diary by one of Hemingway''s ancestors, Nagel explores dates and places, the motivation for the move to the Midwest, and the tragedies that awaited the family there, including the death of two young men in the Civil War. Michael Reynolds, the premiere biographer of Ernest Hemingway, describes the culture of the village of Oak Park at the turn of the century, and Larry E. Grimes presents an important new assessment of the religious training the Hemingway children received. David Marut discusses the short stories Hemingway published while still a highschool student, and Carlos Azevedo, Mary Anne O''Neal, Abby H. P. Werlock, and George Monteiro examine the early stories about Nick Adams. In an insightful afterword, Morris Buske, the Historian of the Ernest Hemingway Foundation of Oak Park, reflects on the differing values of Ernest Hemingway''s parents, the artistic, cultured Hall family as opposed to the scientific, more practical Hemingways, charting the influence the two traditions had on the young Ernest.

During the pivotal period of America?s international emergence, between the Civil War and WWI, the aligned literary movements of Realism and Naturalism not only shaped the national literature of the age, but also left an indelible and far-reaching influence on twentieth-century American and world literature. Seeking to strip narrative from pious sentimentalities, and, according to William Dean Howells, to ?Apaint? life as it is, and human feelings in their true proportion and relation,? Realism is best represented by this volume?s masterly pieces by Twain, Henry James, Stephen Crane, Kate Chopin, and Willa Cather among others. The joining of Realist methods with the theories of Marx, Darwin, and Spencer to reveal the larger forces (biological, evolutionary, historical) which move humankind, are exemplified here in the fiction of such writers as Jack London, Frank Norris, and Theodore Dreiser.

This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin’s “The Speech of Miss Polly Baker” in 1747 to “The Joy Luck Club”.

Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O’Brien Addresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genre Written in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last century Includes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study

This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin’s “The Speech of Miss Polly Baker” in 1747 to “The Joy Luck Club”.

Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O’Brien Addresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genre Written in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last century Includes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study

A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.

A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, Kate Chopin, and Charles Chesnutt at the end of the nineteenth century.   In the twentieth the focus is on such important Modern writers as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright before moving into the contemporary period with essays on Raymond Carver, Saul Bellow, and Denise Chávez.   Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. All the essays set the short story in context, focusing on the interaction of cultural forces and aesthetic principles.

The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.

Basic Introduction to Bioelectromagnetics, Third Edition, is a primary source for medical technologists and life scientists seeking to understand how electromagnetic fields interact with the body, and how they are used in medical applications. Instead of the complex math commonly used when analyzing electromagnetics, this book uses graphical methods and simple equations. The third edition is updated with color graphics that show the fields in bright, clear colors. Each concept is presented with an associated discussion and application, including MRI, NMR, hyperthermia, neural stimulation, ultrasound, and cardiac pacing/defibrillation. Offering a simplified explanation of a very complex subject, this third edition provides an accessible introduction for life scientists and medical technologist on how EM fields work, what controls them, and the factors important to experimental setups and medical applications.This qualitative and illustrative book: Covers the entire frequency spectrum from direct current (DC) up through optical frequencies. Includes more than 200 illustrations, 65 in color, and 40 medical applications. Incorporates examples from real-world applications to explain concepts. Concentrates on the qualitative explanation of the key concepts, fundamental principles, and characteristic behaviors of EM fields, without complicated mathematics. Offers practical rules of thumb to understand real situations. Requires only a background in algebra, in contrast to typical EM books that require vector calculus and differential equations.