James Phelan – författare

In Living to Tell about It, James Phelan takes up the challenges offered by diverse narratives including Kathryn Harrison's The Kiss, Ernest Hemingway's "Now I Lay Me," Kazuo Ishiguro's Remains of the Day, Frank McCourt's Angela's Ashes, Vladimir Nabokov's Lolita, and John Edgar Wideman's "Doc's Story." Phelan's compelling readings cover important theoretical ground by introducing a valuable distinction between disclosure functions (communications from the implied author to the authorial audience) and narrator functions (communications from the character narrator to the narratee). Phelan also identifies significant types of character narration (also known as first-person narration), including restricted, suppressed, and mask narrations. In addition, Phelan proposes new understandings of such ingrained concepts of narrative theory as unreliable narration, the implied author, focalization, and lyric narrative.Utilizing what Phelan and Peter J. Rabinowitz have called "theory practice," a critical method that aims to combine theory and interpretation in mutually illuminating ways, Living to Tell about It also makes a major contribution to ethical theory and criticism. Phelan develops the concept of "ethical position" and explores the interactions among the ethical positions of characters, narrators, authors, and audiences. This approach emphasizes not only the close connections between narrative technique and ethics but also the important interactions between the ethical positions of the authorial audience and the flesh-and-blood reader.

For the past forty years The Nature of Narrative has been a seminal work for literary students, teachers, writers, and scholars. Countering the tendency to view the novel as the paradigm case of literary narrative, authors Robert Scholes and Robert Kellogg in the original edition offered a compelling history of the genre narrative from antiquity to the twentieth-century, even as they carried out their main task of describing and analyzing the nature of narrative's main elements: meaning, character, plot, and point of view. Their history emphasized the broad sweep of literary narrative from ancient times to the contemporary period, and it included a chapter on the oral heritage of written narrative and an appendix on the interior monologue in ancient texts.The fortieth anniversary edition of this groundbreaking work has been revised and expanded to include a new preface and a lengthy chapter on developments in narrative theory since 1966 by James Phelan. This chapter describes the principles and practices of structuralist, cognitive, feminist, and rhetorical approaches to narrative, paying special attention to their work on plot, character, and narrative discourse. A continued leader in the field of narrative studies, The Nature of Narrative offers unique and invaluable histories of both narrative and narrative theory.

For the past forty years The Nature of Narrative has been a seminal work for literary students, teachers, writers, and scholars. Countering the tendency to view the novel as the paradigm case of literary narrative, authors Robert Scholes and Robert Kellogg in the original edition offered a compelling history of the genre narrative from antiquity to the twentieth-century, even as they carried out their main task of describing and analyzing the nature of narrative's main elements: meaning, character, plot, and point of view. Their history emphasized the broad sweep of literary narrative from ancient times to the contemporary period, and it included a chapter on the oral heritage of written narrative and an appendix on the interior monologue in ancient texts.The fortieth anniversary edition of this groundbreaking work has been revised and expanded to include a new preface and a lengthy chapter on developments in narrative theory since 1966 by James Phelan. This chapter describes the principles and practices of structuralist, cognitive, feminist, and rhetorical approaches to narrative, paying special attention to their work on plot, character, and narrative discourse.A continued leader in the field of narrative studies, The Nature of Narrative offers unique and invaluable histories of both narrative and narrative theory.

Narrative Medicine: A Rhetorical Rx rests on the principles that storytelling is central to medical encounters between caregivers and patients and that narrative competence enhances medical competence. Thus, the book's goal is to develop the narrative competence of its reader. Grounded in the rhetorical theory of narrative that Phelan has been constructing over the course of his career, this volume utilizes a three-step method: Offering a jargon-free explication of core concepts of narrative such as character, progression, perspective, time, and space. Demonstrating how to use those concepts to interpret a diverse group of medical narratives, including two graphic memoirs. Pointing to the relevance of those demonstrations for caregiver-patient interactions. Narrative Medicine: A Rhetorical Rx is the ideal volume for undergraduate students interested in pursuing careers in healthcare, students in medical and allied health professional schools, and graduate students in the health humanities and social sciences.

Narrative Medicine: A Rhetorical Rx rests on the principles that storytelling is central to medical encounters between caregivers and patients and that narrative competence enhances medical competence. Thus, the book's goal is to develop the narrative competence of its reader. Grounded in the rhetorical theory of narrative that Phelan has been constructing over the course of his career, this volume utilizes a three-step method: Offering a jargon-free explication of core concepts of narrative such as character, progression, perspective, time, and space. Demonstrating how to use those concepts to interpret a diverse group of medical narratives, including two graphic memoirs. Pointing to the relevance of those demonstrations for caregiver-patient interactions. Narrative Medicine: A Rhetorical Rx is the ideal volume for undergraduate students interested in pursuing careers in healthcare, students in medical and allied health professional schools, and graduate students in the health humanities and social sciences.

This astute guide to the literary achievements of American novelists in the twentieth century places their work in its historical context and offers detailed analyses of landmark novels based on a clearly laid out set of tools for analyzing narrative form. Includes a valuable overview of twentieth- and early twenty-first century American literary historyProvides analyses of numerous core texts including The Great Gatsby, Invisible Man, The Sound and the Fury, The Crying of Lot 49 and FreedomRelates these individual novels to the broader artistic movements of modernism and postmodernismExplains and applies key principles of rhetorical readingIncludes numerous cross-novel comparisons and contrasts

In Living to Tell about It, James Phelan takes up the challenges offered by diverse narratives including Kathryn Harrison's The Kiss, Ernest Hemingway's "Now I Lay Me," Kazuo Ishiguro's Remains of the Day, Frank McCourt's Angela's Ashes, Vladimir Nabokov's Lolita, and John Edgar Wideman's "Doc's Story." Phelan's compelling readings cover important theoretical ground by introducing a valuable distinction between disclosure functions (communications from the implied author to the authorial audience) and narrator functions (communications from the character narrator to the narratee). Phelan also identifies significant types of character narration (also known as first-person narration), including restricted, suppressed, and mask narrations. In addition, Phelan proposes new understandings of such ingrained concepts of narrative theory as unreliable narration, the implied author, focalization, and lyric narrative.Utilizing what Phelan and Peter J. Rabinowitz have called "theory practice," a critical method that aims to combine theory and interpretation in mutually illuminating ways, Living to Tell about It also makes a major contribution to ethical theory and criticism. Phelan develops the concept of "ethical position" and explores the interactions among the ethical positions of characters, narrators, authors, and audiences. This approach emphasizes not only the close connections between narrative technique and ethics but also the important interactions between the ethical positions of the authorial audience and the flesh-and-blood reader.

Black Women’s Stories of Everyday Racism puts literary narrative theory to work on an urgent real-world problem. The book calls attention to African American women’s everyday experiences with systemic racism and demonstrates how four types of narrative theory can help generate strategies to explain and dismantle that racism. This volume presents fifteen stories told by eight midwestern African American women about their own experiences with casual and structural racism, followed by four detailed narratological analyses of the stories, each representing a different approach to narrative interpretation. The book makes a case for the need to hear the personal stories of these women and others like them as part of a larger effort to counter the systemic racism that prevails in the United States today.Readers will find that the women’s stories offer powerful evidence that African Americans experience racism as an inescapable part of their day-to-day lives—and sometimes as a force that radically changes their lives. The stories provide experience-based demonstrations of how pervasive systemic racism is and how it perpetuates power differentials that are baked into institutions such as schools, law enforcement, the health care system, and business. Containing countless signs of the stress and trauma that accompany and follow from experiences of racism, the stories reveal evidence of the women’s resilience as well as their unending need for it, as they continue to feel the negative effects of experiences that occurred many years ago. The four interpretive chapters note the complex skill involved in the women’s storytelling. The analyses also point to the overall value of telling these stories: how they are sometimes cathartic for the tellers; how they highlight the importance of listening—and the likelihood of misunderstanding—and how, if they and other stories like them were heard more often, they would be a force to counteract the structural racism they so graphically expose.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.

Black Women’s Stories of Everyday Racism puts literary narrative theory to work on an urgent real-world problem. The book calls attention to African American women’s everyday experiences with systemic racism and demonstrates how four types of narrative theory can help generate strategies to explain and dismantle that racism. This volume presents fifteen stories told by eight midwestern African American women about their own experiences with casual and structural racism, followed by four detailed narratological analyses of the stories, each representing a different approach to narrative interpretation. The book makes a case for the need to hear the personal stories of these women and others like them as part of a larger effort to counter the systemic racism that prevails in the United States today.Readers will find that the women’s stories offer powerful evidence that African Americans experience racism as an inescapable part of their day-to-day lives—and sometimes as a force that radically changes their lives. The stories provide experience-based demonstrations of how pervasive systemic racism is and how it perpetuates power differentials that are baked into institutions such as schools, law enforcement, the health care system, and business. Containing countless signs of the stress and trauma that accompany and follow from experiences of racism, the stories reveal evidence of the women’s resilience as well as their unending need for it, as they continue to feel the negative effects of experiences that occurred many years ago. The four interpretive chapters note the complex skill involved in the women’s storytelling. The analyses also point to the overall value of telling these stories: how they are sometimes cathartic for the tellers; how they highlight the importance of listening—and the likelihood of misunderstanding—and how, if they and other stories like them were heard more often, they would be a force to counteract the structural racism they so graphically expose.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.

The 35 original essays in A Companion to Narrative Theory constitute the best available introduction to this vital and contested field of humanistic enquiry. Comprises 35 original essays written by leading figures in the fieldIncludes contributions from pioneers in the field such as Wayne C. Booth, Seymour Chatman, J. Hillis Miller and Gerald PrinceRepresents all the major critical approaches to narrative and investigates and debates the relations between themConsiders narratives in different disciplines, such as law and medicineFeatures analyses of a variety of media, including film, music, and paintingDesigned to be of interest to specialists, yet accessible to readers with little prior knowledge of the field

The 35 original essays in A Companion to Narrative Theory constitute the best available introduction to this vital and contested field of humanistic enquiry. Comprises 35 original essays written by leading figures in the fieldIncludes contributions from pioneers in the field such as Wayne C. Booth, Seymour Chatman, J. Hillis Miller and Gerald PrinceRepresents all the major critical approaches to narrative and investigates and debates the relations between themConsiders narratives in different disciplines, such as law and medicineFeatures analyses of a variety of media, including film, music, and paintingDesigned to be of interest to specialists, yet accessible to readers with little prior knowledge of the field

'Jed Walker is right there in Reacher's rear-view mirror.' Lee Child, international bestselling author.Jed Walker is the man you want watching your back.A sinister group - code-named Zodiac - has launched devastating global attacks. Twelve targets across the world, twelve code-named missions.Operating distinct sleeper cells, they are the ultimate terrorist organisation, watching and waiting for a precise attack to activate the next group. It is a frightening and deadly efficient way to stay one step ahead. And cause the most chaos. For ex-CIA operative Jed Walker, chaos is his profession. On the outer, burned by his former agency, he is determined to clear his name. Stopping Zodiac is the only way. Desperate to catch the killers and find the mastermind, he can't afford to lose the next lead, but that means that sometimes the terrorists have to win.Ultimately, it all comes down to Walker: he's the only one who can break the chain and put the group to sleep . . . permanently. It's exactly eighty-one hours until deadline.Praise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word. An espionage novel with grunt.' Sydney Morning Herald

'Jed Walker is right there in Reacher's rear-view mirror.' Lee ChildWhen the hunters become the hunted, ex-CIA agent Jed Walker is the man you need. In 2011, Seal Team Six killed Osama Bin Laden. Now, four years later, someone is eliminating Team Six - one by one they are turning up dead.Jed Walker, ex-CIA, is an outsider back in the game. He's been chasing down a sinister group code-named Zodiac that the big guns - MI5, CIA, the Pentagon - have failed to eradicate. But as Walker follows the trail of bodies, uncovering secrets and making connections he's not supposed to make, he finds the answers are closer to home than he ever imagined.Revenge is the obvious motive, but nothing is ever that simple in love or in war.Can Walker find who's responsible before the body count grows higher?Can he stop another terror attack before more innocent bystanders suffer?When the line between the good and the bad become blurred, when the hunters become the hunted, only one man can save us all.Praise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word. An espionage novel with grunt.' Sydney Morning Herald

'Jed Walker is right there in Reacher's rear-view mirror.' Lee ChildJed Walker has 48 hours to save the world.The countdown has begun ...The world is under cyber attack. The secretive terror outfit, known as Zodiac, are preparing to unleash chaos. The options for the hackers are endless.From massive data breaches, take-downs of critical infrastructure, and commandeering military hardware, nothing networked is safe. Knowing where they will strike is half the battle. The only thing certain is their intent to create a devastating global catastrophe.The US President has the power to enact the Internet Freedom Act - the 'Kill Switch'. Turning off the Net will stop the attacks. But it's not that simple. The US will plummet into pandemonium if electronic communications cease. The rest of the world will follow.One man, ex-CIA operative Jed Walker, has 36 hours to stop the terrorists. But for Jed, Zodiac isn't the only thing he has to worry about. To protect the future he must reconnect with a woman from his past. No matter which way he turns, he has tough choices to make. Not everyone will get out alive. For Walker the countdown starts now . . .Praise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word. An espionage novel with grunt.' Sydney Morning Herald

'Jed Walker is right there in Reacher's rear-view mirror.' Lee ChildIn war-torn Syria, a massacre survivor is pulled from beneath a pile of bodies. She is given one instruction: 'Find Jed Walker.' Walker is ex-CIA - a man who thought he was long out of the game. Discovering a terror outfit is running people-smuggling from the Middle East and into the United States, he is drawn back in to fight their evil trade. At first Walker thinks these human traffickers are driven purely by profit and greed. But it is much worse than that - and it has ties to the highest levels of power.As the body count rises, and deadly enemies stalk from the shadows, Walker uncovers the shocking truth behind an operation intended to bring America to its knees. He must work against time and powerful adversaries to uncover the truth behind the operation and prevent a global catastrophe being unleashed. If he lives, Jed Walker will learn the true cost of life . . . and the knowledge will change him forever.Praise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word. An espionage novel with grunt.' Sydney Morning Herald

'Jed Walker is right there in Reacher's rear-view mirror' Lee Child, international bestselling author-----In the murky world of espionage the rules of war do not apply2005: Jed Walker has just joined the CIA. As a ten-year veteran of Air Force Special Operations, Walker is used to being at the sharp end of things. But normally the front line is much further from home.Sent to New Orleans on the trail of some desperate Russians, he has no choice but to team up with a female British agent. As the body count grows and Hurricane Katrina hits, it's clear to Walker that no game has higher stakes. The winner takes all and he must succeed. From Langley to Louisiana, Washington to Moscow, Jed Walker is going to be pushed to the limit - of what he can do, what he can take, and what he knows is right.-----Praise for James Phelan'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry

'An absolute must-read for fans of Clancy, Ludlum et al' Bookseller & Publisher.An international crisis. An ex-navy hero. Time's running out.It's hard to bury a past. Lachlan Fox is about to discover it's ever harder to dig it back up.While most of the world's intelligence resources have been tied up in Afghanistan and Iraq, the President of Chechnya has been making plans -- and the clock is ticking.A world away, disillusioned ex-navy operative Lachlan Fox is on a diving trip with his best friend. From the moment they lift a mysterious metallic object off the sea floor, the two men set in motion a chain of events that will drag them into the corrupt world of international politics and arms races.From East Timor to Grozny, Washington to New York and Venice to Iran, Lachlan Fox is forced into an adrenaline-fuelled quest to save his friend, himself . . . and the world. 'A rollicking post-Cold War terrorism tale' Sun HeraldThe Lachlan Fox SeriesFox HuntPatriot ActBlood OilLiquid GoldRed IcePraise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word' Sydney Morning Herald