Jan Dumolyn – författare

Flemish painter Jan Van Eyck (c. 1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge and unparalleled powers of observation, Van Eyck lifted oil painting to previously unseen heights and helped determine the course of Western art. In 2020 the Museum of Fine Arts Ghent will host the largest ever exhibition of Van Eyck’s work. An Optical Revolution includes artworks by Van Eyck, several pieces from his studio and international masterpieces from the late Middle Ages, which makes the world of Van Eyck more tangible than ever. This tie-in exhibition catalogue unravels some of the myths that surround Van Eyck and his technique while showing his complete oeuvre and his influence in a new perspective. Central to the exhibition are the eight restored exterior panels of the Adoration of the Mystic Lamb, a highly exceptional loan from St Bavo’s Cathedral in Ghent. After the exhibition the panels will return to their original place in the cathedral and never again be shown elsewhere. Including essays by leading experts from around the world, this book will be an indispensable resource for Van Eyck fans and scholars alike.

Bruges was undoubtedly one of the most important cities in medieval Europe. Bringing together specialists from both archaeology and history, this 'total' history presents an integrated view of the city's history from its very beginnings, tracing its astonishing expansion through to its subsequent decline in the sixteenth century. The authors' analysis of its commercial growth, industrial production, socio-political changes, and cultural creativity is grounded in an understanding of the city's structure, its landscape and its built environment. More than just a biography of a city, this book places Bruges within a wider network of urban and rural development and its history in a comparative framework, thereby offering new insights into the nature of a metropolis.

In Communes and Conflict, Jan Dumolyn and Jelle Haemers explore the urban rebellions that regularly erupted in Flanders between the thirteenth and sixteenth centuries. They analyse not only how these rebellions were sparked and repressed, but also how they shaped the culture and identity of Flemish townspeople. Drawing from a wide range of theoretical methods and concepts, including those of discourse analysis, semiotics, speech acts, collective memory and material cultural studies, the authors return to key Marxist questions on ideology, labour and class interest to map the perspectives of the rebels, the urban patriciate and the Flemish and Burgundian nobility.

The rediscovery of an architectural gem in the heart of Bruges, this book highlights the extraordinary dynasty and legacy of the Adornes family.

A visually stunning exploration of Bruges as a global crossroads: where art, trade, and culture shaped a world city. Connected Worlds of Bruges (900-1550) reveals the city’s long-standing place at the crossroads of global history. Far from being an isolated medieval town, Bruges has always thrived within a vast network of trade routes, cultural exchange, and political ties that stretched far beyond its borders.Through a carefully curated selection of remarkable objects, each a testament to historical encounters across continents, this book tells a rich, mosaic-like story of interconnectedness. It invites readers to explore Bruges from fresh and unexpected angles, shedding light on how local and global dynamics have shaped the city’s evolving identity as a world city.Published to mark the festive opening of the new BRUSK museum in Bruges (Belgium) from 8 May to 6 September 2026.