Jason Bahbak Mohaghegh – författare

Does a philosopher have an ‘identity’? What kind of ‘identity’ is mobilized when the work of a philosopher becomes a major reference for certain schools of thought, as in the case of Gilles Deleuze and postcolonial theory? Have the promoters of a generalized Deleuzeanism taken care their usage of his specialized work does him justice?Few exponents of postcolonial and subaltern theories now dispute the influence that Deleuze’s work exerted on the intellectuals and theorists who developed those theories. However, this book contends that postcolonial and subaltern theorists have engaged with Deleuzean thought in ways that have perhaps produced a long series of misunderstandings – for which Deleuze himself is not responsible. By engaging with recent innovations in North African culture and by examining the dissemination of Deleuze’s identities across a broad range of postcolonial theory, Réda Bensmaïa shows that the ‘encounter’ between Deleuze and the postcolonial movement can only be understood through the idea of a ‘transcendental’ field, in which Deleuze and his postcolonial followers find themselves captured.

Does a philosopher have an ‘identity’? What kind of ‘identity’ is mobilized when the work of a philosopher becomes a major reference for certain schools of thought, as in the case of Gilles Deleuze and postcolonial theory? Have the promoters of a generalized Deleuzeanism taken care their usage of his specialized work does him justice?Few exponents of postcolonial and subaltern theories now dispute the influence that Deleuze’s work exerted on the intellectuals and theorists who developed those theories. However, this book contends that postcolonial and subaltern theorists have engaged with Deleuzean thought in ways that have perhaps produced a long series of misunderstandings – for which Deleuze himself is not responsible. By engaging with recent innovations in North African culture and by examining the dissemination of Deleuze’s identities across a broad range of postcolonial theory, Réda Bensmaïa shows that the ‘encounter’ between Deleuze and the postcolonial movement can only be understood through the idea of a ‘transcendental’ field, in which Deleuze and his postcolonial followers find themselves captured.

In this significant new work in African philosophy, Christopher Wise explores deconstruction’s historical indebtedness to Egypto-African civilization and its relevance in Islamicate Africa today. He does so by comparing deconstructive and African thought on the spoken utterance, nothingness, conjuration, the oath or vow, occult sorcery, blood election, violence, circumcision, totemic inscription practices, animal metamorphosis and sacrifice, the Abrahamic, fratricide, and jihad. Situated against the backdrop of the Ansar Dine’s recent jihad in Northern Mali, Sorcery, Totem and Jihad in African Philosophy examines the root causes of the conflict and offers insight into the Sahel’s ancient, complex, and vibrant civilization. This book also demonstrates the relevance of deconstructive thought in the African setting, especially the writing of the Franco-Algerian philosopher Jacques Derrida.

A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.

Positioning race front and centre, this book theorizes that political violence, in the form of a socio-political process that differentiates between human and less-than-human populations, is used by the state of Israel in racializing and ruling the citizens of occupied Palestine.Lentin argues that Israel’s rule over Palestine is an example of Agamben’s state of exception, Goldberg’s racial state and Wolfe’s settler colony; the Israeli racial settler colony employs its laws to rule besieged Palestine, while excluding itself and its Jewish citizen-colonists from legal instruments and governmental technologies. Governing through emergency legislation and through practices of exception, emergency, necessity and security, Israel positions itself outside domestic and international law.Deconstructing Agamben’s Eurocentric theoretical position Lentin shows that it occludes colonialism, settler colonialism and anti-colonialism and fails to specifically foreground race; instead she combines the work of Wolfe, who proposes race as a trace of settler colonialism, and Weheliye, who argues that Agamben’s western-centric understanding of exception fail to speak from explicitly racialized and gendered standpoints. Employing existing media, activist, and academic accounts of racialization this book deliberately breaks from white, Western theorizations of biopolitics, exception, and bare life, and instead foregrounds race and gender in analysing settler colonial conditions in Israel.

Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant interpretations of Said's work have a tendency to present Orientalism as an essentialist practice and instead offers an alternative manifestation in which the Oriental is perceived as the mutable product of cultural forces.The relationship between missionaries and imperialism has long been a contentious issue with many scholars highlighting their apparent ambiguity. This study reveals how Protestant missionaries can be identified as anti-imperialist in their rhetoric of ecumenical independence; yet through their preconceptions of Oriental inferiority, they contributed to a more subtle undermining of local forms of knowledge and identity. Wilcox argues that this apparent ambiguity is in part a consequence of the ways in which the term imperialism is frequently used to allude to diverse and even contradictory meanings; therefore it is not so much the missionaries who are ambiguous, as the ways in which they are judged by today’s multivalent standards. The analysis also makes clear the complex discursive processes which can undermine the actions of altruistic individuals. By drawing threads from this 19th century example into the current geopolitical foreground of Middle East-West relations, this book not only sheds light upon a little-known historical case study but also illuminates larger questions of the present and future encouraging a more vigorous examination of contemporary Orientalist prejudices.

Gender and sexuality in modern Iran is frequently examined through the prism of nationalist symbols and religious discourse from the late nineteenth and early twentieth centuries. In this book, Kristin Soraya Batmanghelichi takes a different approach, by interrogating how normative ideas of women’s bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources —a popular cultural women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran - this work argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic.Expanding upon existing philosophical theory, technological research and scholarship on gender and sexuality in Iran, this book focuses much needed attention on under-studied, marginalized communities, such as widows living with HIV. This work interrogates how bodily technologies are constructed discursively and socially in Iran and the values and perspectives which are incorporated in them.

Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.

Abdelkebir Khatibi (1938-2009) was among the most renowned North African literary critics and authors of the past century whose unique treatments of subjects as vast as orientalism, otherness, coloniality, aesthetics, linguistics, sexuality, and the nature of contemporary critique have inspired major figures in postcolonial theory, deconstruction, and beyond. At once a philosophical visionary and provocative writer, Khatibi's impressive contributions have been well-established throughout French and continental literary circles for several decades. As such, this English translation of one of his masterworks, Maghreb Pluriel (1983), marks a pivotal turn in the opportunity to wrest some of Khatibi's most profound meditations to the forefront of a more global audience. Including such highly significant pieces as "Other-Thought," "Double Critique," "Bilingualism and Literature," and "Disoriented Orientalism," the ambition behind this volume is to showcase the true experimental complexity and conceptual depth of Khatibi's thinking. Engaging the cultural-intellectual urgencies of a colonial frontier (in this case, the so-called Middle East/North Africa) this book expands our contemplative boundaries to render a globally-dynamic commentary that traverses the East-West divide.

From Sartre to Levinas, continental philosophers have looked to the example of the Jew as the paradigmatic object of and model for ethical inquiry. Levinas, for example, powerfully dedicates his 1974 book Otherwise than Being to the victims of the Holocaust, and turns attention to the state of philosophy after Auschwitz. Such an ethics radically challenges prior notions of autonomy and comprehension—two key ideas for traditional ethical theory and, more generally, the Greek tradition. It seeks to respect the opacity of the other and avoid the dangers of hermeneutic violence. But how does such an ethics of the other translate into real, everyday life? What is at stake in thinking the other as Jew? Is the alterity of the Jew simply a counter to Greek universalism? Is a rhetoric of exceptionalism, with its unavoidable ontological residue, at odds with shifting political realities? Within this paradigm, what then becomes of the Arab or Muslim, the other of the Jew, the other of the other, so to speak? This line of ethical thought—in its desire to bear witness to past suffering and come to terms with subjectivity after Auschwitz—arguably brackets from analysis present operations of power. Would, then, a more sensitive historical approach expose the Palestinian as the other of the Israeli? Here, Zahi Zalloua offers a challenging intervention into how we configure the contemporary.

In The Qur’an and Modern Arabic Literary Criticism, Mohammad Salama navigates the labyrinthine semantics that underlie this sacred text and inform contemporary scholarship. The book presents reflections on Quranic exegesis by explaining - and distinguishing between - interpretation and explication. While the book focuses on Quranic and literary scholarship in twentieth-century Egypt from Taha Husayn to Nasr Hamid Abu Zayd, it also engages with an immense tradition of scholarship from the classical period to the present, including authors such as Abu ‘Ubayda, Ibn ‘Abbas, al-Razi, and al-Tabari.Salama argues that, over the centuries, the Arabic language experienced semantic and phonological shifts, creating a lacuna in understanding the Qur’an and bringing contemporary readers under the spell of hermeneutical and parochial interpretations. He demonstrates that while this lacuna explains much of the intellectual poverty of traditionalist approaches to Quranic exegesis, the work of the modern Egyptian school of academics marks a sharp departure from the programmed conservatism of Islamist and Salafi exegetics. Through analyses of the writings of these intellectuals, the author shows that a fresh look at the sources and a revolutionary attempt to approach the Qur’an could render tradition itself an impetus for an alternative aesthetics—contextual, open, and unfolding.

Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant interpretations of Said's work have a tendency to present Orientalism as an essentialist practice and instead offers an alternative manifestation in which the Oriental is perceived as the mutable product of cultural forces.The relationship between missionaries and imperialism has long been a contentious issue with many scholars highlighting their apparent ambiguity. This study reveals how Protestant missionaries can be identified as anti-imperialist in their rhetoric of ecumenical independence; yet through their preconceptions of Oriental inferiority, they contributed to a more subtle undermining of local forms of knowledge and identity. Wilcox argues that this apparent ambiguity is in part a consequence of the ways in which the term imperialism is frequently used to allude to diverse and even contradictory meanings; therefore it is not so much the missionaries who are ambiguous, as the ways in which they are judged by today’s multivalent standards. The analysis also makes clear the complex discursive processes which can undermine the actions of altruistic individuals. By drawing threads from this 19th century example into the current geopolitical foreground of Middle East-West relations, this book not only sheds light upon a little-known historical case study but also illuminates larger questions of the present and future encouraging a more vigorous examination of contemporary Orientalist prejudices.

The current political standoffs of the 'War on Terror' illustrate that the interaction within and between the so-called Western and Middle Eastern civilizations is constantly in flux. A recurring theme however is how Islam and Muslims signify the 'Enemy' in the Western socio-cultural imagination and have become the 'Other' against which the West identifies itself. In a unique and insightful blend of critical race, feminist and post-colonial theory, Sunera Thobani examines how Islam is foundational to the formation of Western identity at critical points in its history, including the Crusades, the Reconquista and the colonial period. More specifically, she explores how masculinity and femininity are formed at such pivotal junctures and what role feminism has played in the wars against 'radical' Islam. Exposing these symbiotic relationships, Thobani explores how the return of 'religion' is reworking the racial, gender and sexual politics by which Western society defines itself, and more specifically, defines itself against Islam.Contesting Islam, Constructing Race and Sexuality unpacks conventional as well as unconventional orthodoxies to open up new spaces in how we think about sexual and racial identity in the West and the crucial role that Islam has had and continues to have in its development.

Positioning race front and centre, this book theorizes that political violence, in the form of a socio-political process that differentiates between human and less-than-human populations, is used by the state of Israel in racializing and ruling the citizens of occupied Palestine.Lentin argues that Israel’s rule over Palestine is an example of Agamben’s state of exception, Goldberg’s racial state and Wolfe’s settler colony; the Israeli racial settler colony employs its laws to rule besieged Palestine, while excluding itself and its Jewish citizen-colonists from legal instruments and governmental technologies. Governing through emergency legislation and through practices of exception, emergency, necessity and security, Israel positions itself outside domestic and international law.Deconstructing Agamben’s Eurocentric theoretical position Lentin shows that it occludes colonialism, settler colonialism and anti-colonialism and fails to specifically foreground race; instead she combines the work of Wolfe, who proposes race as a trace of settler colonialism, and Weheliye, who argues that Agamben’s western-centric understanding of exception fail to speak from explicitly racialized and gendered standpoints. Employing existing media, activist, and academic accounts of racialization this book deliberately breaks from white, Western theorizations of biopolitics, exception, and bare life, and instead foregrounds race and gender in analysing settler colonial conditions in Israel.

Gender and sexuality in modern Iran is frequently examined through the prism of nationalist symbols and religious discourse from the late nineteenth and early twentieth centuries. In this book, Kristin Soraya Batmanghelichi takes a different approach, by interrogating how normative ideas of women’s bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources —a popular cultural women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran - this work argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic.Expanding upon existing philosophical theory, technological research and scholarship on gender and sexuality in Iran, this book focuses much needed attention on under-studied, marginalized communities, such as widows living with HIV. This work interrogates how bodily technologies are constructed discursively and socially in Iran and the values and perspectives which are incorporated in them.

The current political standoffs of the 'War on Terror' illustrate that the interaction within and between the so-called Western and Middle Eastern civilizations is constantly in flux. A recurring theme however is how Islam and Muslims signify the 'Enemy' in the Western socio-cultural imagination and have become the 'Other' against which the West identifies itself. In a unique and insightful blend of critical race, feminist and post-colonial theory, Sunera Thobani examines how Islam is foundational to the formation of Western identity at critical points in its history, including the Crusades, the Reconquista and the colonial period. More specifically, she explores how masculinity and femininity are formed at such pivotal junctures and what role feminism has played in the wars against 'radical' Islam. Exposing these symbiotic relationships, Thobani explores how the return of 'religion' is reworking the racial, gender and sexual politics by which Western society defines itself, and more specifically, defines itself against Islam.Contesting Islam, Constructing Race and Sexuality unpacks conventional as well as unconventional orthodoxies to open up new spaces in how we think about sexual and racial identity in the West and the crucial role that Islam has had and continues to have in its development.

In Fundamentalism and Secularization, Egyptian philosopher Mourad Wahba traces the historical origins of fundamentalism and secularization as ideas and practices in order to theorize their symbiotic relationship, and how it is impacted by global capitalism and, more recently, postmodernism. This gives voice to an argument from within the Islamic world that is very different to that given platform in the mainstream, showing that fundamentalism does not arise normally and naturally from Islam but is a complex phenomenon linked to modernization and the development of capitalism in dependent countries, that is, tied to imperialism. Wahba's central argument concerns the organic relationship between fundamentalism and parasitic capitalism. Wahba is equally critical of religious fundamentalism and global capitalism, which for him are obstructions to secularization and democracy. While the three Abrahamic religions are examined when it comes to fundamentalism, Wahba deconstructs Islamic fundamentalism in particular and in the process reconstructs an Islamic humanism.Including a new preface by the author and translator, Fundamentalism and Secularism provides invaluable insights into how Middle Eastern philosophies open up new lines of thought in thinking through contemporary crises.

In Fundamentalism and Secularization, Egyptian philosopher Mourad Wahba traces the historical origins of fundamentalism and secularization as ideas and practices in order to theorize their symbiotic relationship, and how it is impacted by global capitalism and, more recently, postmodernism. This gives voice to an argument from within the Islamic world that is very different to that given platform in the mainstream, showing that fundamentalism does not arise normally and naturally from Islam but is a complex phenomenon linked to modernization and the development of capitalism in dependent countries, that is, tied to imperialism. Wahba's central argument concerns the organic relationship between fundamentalism and parasitic capitalism. Wahba is equally critical of religious fundamentalism and global capitalism, which for him are obstructions to secularization and democracy. While the three Abrahamic religions are examined when it comes to fundamentalism, Wahba deconstructs Islamic fundamentalism in particular and in the process reconstructs an Islamic humanism.Including a new preface by the author and translator, Fundamentalism and Secularism provides invaluable insights into how Middle Eastern philosophies open up new lines of thought in thinking through contemporary crises.

What are the most radical transformations on the horizon of our world? And how are they irreversibly altering our experience of time, movement, language, mind, body, virtuality, power, and nature?Cloaked in relative obscurity, future eras compel the invention of new techniques of visionary speculation. Future’s Theory provides many, shining a light on the infinity of possible futurities from multiple astonishing perspectives. Exploring how we imagine new ages in the 21st century, the book examines how alternate future dimensions will affect everything from our culture to our politics, our bodies to our minds.Filled with original work from over 20 prominent thinkers in the domains of literature, philosophy, visual art, architecture, design, media studies, ecology, anthropology, it features immersive entries on phenomena including artificial intelligence, virtual reality, mass migration, speed, climate, geo-engineering, and automation. Contemplating the variables that will expand and distort these fields, Future’s Theory opens up a new atmosphere for thought itself in the epochs to come.

What are the most radical transformations on the horizon of our world? And how are they irreversibly altering our experience of time, movement, language, mind, body, virtuality, power, and nature?Cloaked in relative obscurity, future eras compel the invention of new techniques of visionary speculation. Future’s Theory provides many, shining a light on the infinity of possible futurities from multiple astonishing perspectives. Exploring how we imagine new ages in the 21st century, the book examines how alternate future dimensions will affect everything from our culture to our politics, our bodies to our minds.Filled with original work from over 20 prominent thinkers in the domains of literature, philosophy, visual art, architecture, design, media studies, ecology, anthropology, it features immersive entries on phenomena including artificial intelligence, virtual reality, mass migration, speed, climate, geo-engineering, and automation. Contemplating the variables that will expand and distort these fields, Future’s Theory opens up a new atmosphere for thought itself in the epochs to come.

A compendium of lost ideas and secret theories, Secret Philosophies is a strikingly original history of ideas from the Middle East.The book traverses hidden archives and forgotten movements that have been lost to time, exploring their philosophies of rumour and conspiracy through a revolving collection of ancient, medieval, and futuristic sects in the Middle East. Taking a new approach to the production of knowledge, Jason Mohaghegh unfolds a labyrinth of texts from vanished libraries, underground circles and the authors of enigmatic codes and ciphers. Each chapter features the intersection of two near-identical words separated only by a single letter in the Persian or Arabic alphabet. These mirror terms – A for Intigham/Intighal (vengeance/transmission), B for Bazakh/Barzakh (sound/limbo), T for Takassur/Takassul (brokenness/fatigue) – form a double-gate that swings between conceptual universes, and yet share a single object of fascination. These traversals between phonetic dimensions – however episodic, rogue, or fragmentary in nature – accumulate invaluable insights into the logic of secrecy at the heart of thought itself.Each micro-section is its own looking glass into the rarest traditions of secrecy in both writing and thought: from the oldest Babylonian tablet of apocalyptic warnings to a prophet's last words in a cave of delirium; from books of sleep to books of plague; and exiled tongues to forbidden alphabets. The main body chapters are composed as a sequence of encounters with the Palestinian artist and writer Dana Dawud, who curatorially opens each instalment like a subterranean gallery full of codes, prompts, and questions, and the renowned Iranian visual artist Raha Raissnia has offered original calligraphic drawings that stand like portals before each chapter of the book.

A compendium of lost ideas and secret theories, Secret Philosophies is a strikingly original history of ideas from the Middle East.The book traverses hidden archives and forgotten movements that have been lost to time, exploring their philosophies of rumour and conspiracy through a revolving collection of ancient, medieval, and futuristic sects in the Middle East. Taking a new approach to the production of knowledge, Jason Mohaghegh unfolds a labyrinth of texts from vanished libraries, underground circles and the authors of enigmatic codes and ciphers. Each chapter features the intersection of two near-identical words separated only by a single letter in the Persian or Arabic alphabet. These mirror terms – A for Intigham/Intighal (vengeance/transmission), B for Bazakh/Barzakh (sound/limbo), T for Takassur/Takassul (brokenness/fatigue) – form a double-gate that swings between conceptual universes, and yet share a single object of fascination. These traversals between phonetic dimensions – however episodic, rogue, or fragmentary in nature – accumulate invaluable insights into the logic of secrecy at the heart of thought itself.Each micro-section is its own looking glass into the rarest traditions of secrecy in both writing and thought: from the oldest Babylonian tablet of apocalyptic warnings to a prophet's last words in a cave of delirium; from books of sleep to books of plague; and exiled tongues to forbidden alphabets. The main body chapters are composed as a sequence of encounters with the Palestinian artist and writer Dana Dawud, who curatorially opens each instalment like a subterranean gallery full of codes, prompts, and questions, and the renowned Iranian visual artist Raha Raissnia has offered original calligraphic drawings that stand like portals before each chapter of the book.

In an age of rising holograms, virtual realities, metaverses, and artificial intelligence, it has become increasingly essential to trace the long-winding, multi-dimensional histories of illusion that have emerged over time across the world.Illusion Chamber studies seventeen iterations of illusion: dream, nightmare, mirage, hallucination, fantasy, figment, spell, simulation, story, vision, rumor, superstition, miracle, game, lie, conspiracy, and multiverse. In each chamber, over forty authors coalesce their insights into our experience of the unreal and the imaginary in far-ranging passages that cover subjects from the manuals of ancient alchemical circles to the prophetic episodes of medieval mystics, narcotized poets to horror filmmakers, and documented instances of mass hysteria to the folklore of shape-shifting.The diverse thinkers who have contributed to this edited volume – collaborating from across Latin America, East Asia, South Asia, Africa, Europe, and the Middle East – form the control room at the epicenter of a question: What is the future of the illusion, and do we need a new philosophy of the impossible? The examples and case studies used to solve this riddle are drawn from the outer boundaries of different eras, geocultural landscapes, genres, and mediums: mythology, literature, philosophy, psychoanalysis, anthropology, film, visual art, music, theater, dance, architecture, design, technological devices, video games, underground movements, urban legends, strange objects, ecological phenomena, biogenetic innovations, and experiments with the nature of consciousness.

In an age of rising holograms, virtual realities, metaverses, and artificial intelligence, it has become increasingly essential to trace the long-winding, multi-dimensional histories of illusion that have emerged over time across the world.Illusion Chamber studies seventeen iterations of illusion: dream, nightmare, mirage, hallucination, fantasy, figment, spell, simulation, story, vision, rumor, superstition, miracle, game, lie, conspiracy, and multiverse. In each chamber, over forty authors coalesce their insights into our experience of the unreal and the imaginary in far-ranging passages that cover subjects from the manuals of ancient alchemical circles to the prophetic episodes of medieval mystics, narcotized poets to horror filmmakers, and documented instances of mass hysteria to the folklore of shape-shifting.The diverse thinkers who have contributed to this edited volume – collaborating from across Latin America, East Asia, South Asia, Africa, Europe, and the Middle East – form the control room at the epicenter of a question: What is the future of the illusion, and do we need a new philosophy of the impossible? The examples and case studies used to solve this riddle are drawn from the outer boundaries of different eras, geocultural landscapes, genres, and mediums: mythology, literature, philosophy, psychoanalysis, anthropology, film, visual art, music, theater, dance, architecture, design, technological devices, video games, underground movements, urban legends, strange objects, ecological phenomena, biogenetic innovations, and experiments with the nature of consciousness.

Discusses how contemporary Iranian and Middle Eastern thinkers and artists are forging a new postmodern vision.The insurgent, the poet, the mystic, the sectarian: these are four modes of subjectivity that have emerged amid Middle Eastern thought's attempt to reverse, dethrone, or supersede modernity. Providing a theoretical overview of each of these existential stances, Jason Bahbak Mohaghegh engages the views of thinkers and artists of the last several decades, primarily from Iran, but also from Arab, Turkish, North African, Armenian, Afghani, Chechen, and Kurdish backgrounds. He explores various dimensions of the Middle Eastern experience at the threshold of the postmodern moment, including revolutionary ideology, avant-garde literature, new-wave cinema, and radical-extremist thought. The profound reinvention of concepts characteristic of such work-fatalism, insurrection, disappearance, siege-provide unique interpretations and confrontations with the modern period and its relationship to those who presumably fall outside its boundaries of self-consciousness. Expanding the conversation, Mohaghegh contrasts the impressions of the Middle Eastern figures considered with those of the most incisive Western thinkers of modernity, such as Nietzsche, Heidegger, and Baudrillard, to offer an original global vision that crosses the East-West divide.

Discusses how contemporary Iranian and Middle Eastern thinkers and artists are forging a new postmodern vision.The insurgent, the poet, the mystic, the sectarian: these are four modes of subjectivity that have emerged amid Middle Eastern thought's attempt to reverse, dethrone, or supersede modernity. Providing a theoretical overview of each of these existential stances, Jason Bahbak Mohaghegh engages the views of thinkers and artists of the last several decades, primarily from Iran, but also from Arab, Turkish, North African, Armenian, Afghani, Chechen, and Kurdish backgrounds. He explores various dimensions of the Middle Eastern experience at the threshold of the postmodern moment, including revolutionary ideology, avant-garde literature, new-wave cinema, and radical-extremist thought. The profound reinvention of concepts characteristic of such work-fatalism, insurrection, disappearance, siege-provide unique interpretations and confrontations with the modern period and its relationship to those who presumably fall outside its boundaries of self-consciousness. Expanding the conversation, Mohaghegh contrasts the impressions of the Middle Eastern figures considered with those of the most incisive Western thinkers of modernity, such as Nietzsche, Heidegger, and Baudrillard, to offer an original global vision that crosses the East-West divide.

Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.

The Politics of Writing Islam provides a much-needed critique of existing forms of studying, writing and representing Islam in the West. Through critiquing ethnographic, literary, critical, psychoanalytic and theological discourses, the author reveals the problematic underlying cultural and theoretical presuppositions. Mutman demonstrates how their approach reflects the socially, politically and economically unequal relationship between the West and Islam. While offering a critical insight into concepts such as writing, power, post-colonialism, difference and otherness on a theoretical level, Mutman reveals a different perspective on Islam by emphasizing its living, everyday and embodied aspects in dynamic relation with the outside world - in contrast to the stereotyped authoritarian and backward religion characterized by an omnipotent God. Throughout, Mutman develops an approach to culture as an embodied, everyday, living and ever changing practice. He argues that Islam should be perceived precisely in this way, that is, as an open, heterogeneous, interpretive, multiple and worldly belief system within the Abrahamic tradition of ethical monotheism, and as one that is contested within as well as outside its 'own' culture.