Jeremy Adler – författare

Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.

One of Germany's greatest poets, Johann Christian Friedrich Hölderlin (1770-1843) was also a prose writer of intense feeling, intelligence and perception. This new translation of selected letters and essays traces the life and thoughts of this extraordinary writer. Hölderlin's letters to friends and fellow writers such as Hegel, Schiller and Goethe describe his development as a poet, while those written to his family speak with great passion of his beliefs and aspirations, as well as revealing money worries and, finally, the tragic unravelling of his sanity. These works examine Hölderlin's great preoccupations - the unity of existence, the relationship between art and nature and, above all, the spirit of the writer.

One of Germany's greatest poets, Johann Christian Friedrich Hölderlin (1770-1843) was also a prose writer of intense feeling, intelligence and perception. This new translation of selected letters and essays traces the life and thoughts of this extraordinary writer. Hölderlin's letters to friends and fellow writers such as Hegel, Schiller and Goethe describe his development as a poet, while those written to his family speak with great passion of his beliefs and aspirations, as well as revealing money worries and, finally, the tragic unravelling of his sanity. These works examine Hölderlin's great preoccupations - the unity of existence, the relationship between art and nature and, above all, the spirit of the writer.

Franz Steiner's study of Taboo is internationally recognized as a classic in its field. In a newly researched introductory chapter, based on a thorough study of Steiner's unpublished papers, this edition for the first time places the book in its context and offers a new reading of the text. More than just a critique of existing taboo theories, as it has often been seen, this study offers a profound analysis of danger behavior and pollution in "non-civilized" societies. This provided an important starting-point for Mary Douglas' Purity and Danger. A key aspect of Steiner's achievement lies in his attempt to reconcile detailed, faithful ethnographic analysis with anthropological comparison. His analysis of taboo thus provides a case study with wide-ranging ramifications.This new edition makes a classic text available once again to students and general readers. A major new introduction based on archival research offers, for the first time, a biography and critical study of Franz Steiner; it not only places him in the context of British and European thought but also shows his importance for contemporary debates, among them deconstruction and Orientalism.

Franz Steiner's study of Taboo is internationally recognized as a classic in its field. In a newly researched introductory chapter, based on a thorough study of Steiner's unpublished papers, this edition for the first time places the book in its context and offers a new reading of the text. More than just a critique of existing taboo theories, as it has often been seen, this study offers a profound analysis of danger behavior and pollution in "non-civilized" societies. This provided an important starting-point for Mary Douglas' Purity and Danger. A key aspect of Steiner's achievement lies in his attempt to reconcile detailed, faithful ethnographic analysis with anthropological comparison. His analysis of taboo thus provides a case study with wide-ranging ramifications.This new edition makes a classic text available once again to students and general readers. A major new introduction based on archival research offers, for the first time, a biography and critical study of Franz Steiner; it not only places him in the context of British and European thought but also shows his importance for contemporary debates, among them deconstruction and Orientalism.

This is the first collection of Franz Steiner's keynote papers on comparative economics and the classification of labor,complemented by major unpublished texts on politics, civilization, and cultural criticism. This enables a complete re-evaluation of Steiner's thought. His ideas on truth, value, and civilization are highly critical of Western culture and offer perhaps the earliest critique of Orientalism in British anthropology. Equally significant is the inclusion of Steiner's unpublished lectures on Aristotle and Simmel, the latter probably being the first lecture series devoted to Simmel's ideas by a British-based anthropologist, as well as hitherto unedited political writings.Another side to Steiner's thought is shown by his aphorisms, often caustic texts and newly translated from the German, as well as by verse translations of his poems relevant to his scholarship. These include an extract from his autobiographical poem, "Conquest", that places his anthropological writings into a personal and ultimately religious framework.A detailed introduction, based on new research, provides a thorough study of Steiner's ideas and establishes the wider intellectual context, thus rounding off a most remarkable collection of texts by one of the most remarkable anthropologists of this century.

This is the first collection of Franz Steiner's keynote papers on comparative economics and the classification of labor,complemented by major unpublished texts on politics, civilization, and cultural criticism. This enables a complete re-evaluation of Steiner's thought. His ideas on truth, value, and civilization are highly critical of Western culture and offer perhaps the earliest critique of Orientalism in British anthropology. Equally significant is the inclusion of Steiner's unpublished lectures on Aristotle and Simmel, the latter probably being the first lecture series devoted to Simmel's ideas by a British-based anthropologist, as well as hitherto unedited political writings.Another side to Steiner's thought is shown by his aphorisms, often caustic texts and newly translated from the German, as well as by verse translations of his poems relevant to his scholarship. These include an extract from his autobiographical poem, "Conquest", that places his anthropological writings into a personal and ultimately religious framework.A detailed introduction, based on new research, provides a thorough study of Steiner's ideas and establishes the wider intellectual context, thus rounding off a most remarkable collection of texts by one of the most remarkable anthropologists of this century.

Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years.This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.

H.G. Adler (1910–1988) was one of the founding figures of Holocaust scholarship whose monumental monograph Theresienstadt 1941-1945. The Face of a Coerced Community (1955; 1960) was the first study to present a fully documented account of the Final Solution. This collection gathers together, for the first time in English, some of Adler’s most important scholarly essays on the Shoah and connected themes. Ideas raised for the first time in his book on Theresienstadt are here taken up and developed at greater length, new accents are set, and new themes are explored. Spanning his thought across three decades they focus on the fate of the ‘coerced’ human being and reflect on freedom, enslavement, terror, concentration camps, persecution, the mass society, dread, loneliness, and ideology.

Eine Neuvermessung des Beziehungsnetzes dreier Autoren im Londoner Exil der 1940er und 50er Jahre.Aus Wien und Prag kommend lebten Franz Baermann Steiner (1909-1952), H. G. Adler (1910-1988) und Elias Canetti (1905-1994) in den 1940er und 50er Jahren im Londoner Exil. Alle drei sind ebenso sehr als Dichter wie als Anthropologen hervorgetreten - in einer von der deutschen philosophischen Anthropologie der 1920er Jahre wie auch der Kritischen Theorie deutlich unterschiedenen Tradition. Steiner forschte über Sklaverei sowie zum Verhältnis von gesellschaftlichem Zusammenhalt und Tabu. Adler entwarf in seinem epochemachenden Buch über Theresienstadt (1955) eine soziale Gegenwelt der wachsenden Einschränkung und Expropriation aller Lebenschancen. Canetti zeigte das elementare Verhältnis von Masse und Macht als gesellschaftsbindender Kraft auf. Zugleich dichtete Steiner Hymnen und Langgedichte. Adler schrieb Romane, die an die avanciertesten narrativen Techniken der modernen Erzählkunst anknüpfen, sie gilt es zu entdecken, ebenso wie seine Lyrik. Canetti formte den literarischen Aphorismus zu einem Erkenntnismittel blitzartiger Einsicht um.

Das Dreigestirn H. G. Adler, Elias Canetti und Franz Baermann Steiner gehört zu den interessantesten Exilgruppen der deutschen Nachkriegszeit. Sie schufen eine neue Form engagierter Dichtung, die zwischen Literatur und Politik agierte. Die prekäre Lage des Autors bildete die Basis des Selbstverständnis dieser drei, die es verstanden, trotz der Unterjochung, die sie erfuhren, die Gefahren der modernen Welt zu bannen. Man durchschaute das Grauen der Zeit. Man wehrte sich gegen die Attacken, welche das Jahrhundert mit sich brachte. Man war ausgeliefert. Man litt. Man verlor Identität und Heimat - und doch, man bediente sich der Sprache, um Grenzen auszuloten, Schrecken entgegenzuwirken und die Welt in neuer Form wiederherzustellen.