Jinhua Chen – författare

The study of the Chinese Buddhist Canon—the basic literature of Buddhism—does not have an eminent place in study either in China or in the Western World. For the contributors to this volume, their chapters are the result of decades of dedication to academic research, and they reveal many facets of the Buddhist Canon that were previously unstudied. This book originated in the first and second International Conferences on Chinese Buddhist Canon, and focuses on the communication of the Chinese Buddhist Canon through the medium of print. It enhances our knowledge of how the canon was collated, proofread and printed. This book was originally published as a special issue of Studies in Chinese Religions.

The study of the Chinese Buddhist Canon—the basic literature of Buddhism—does not have an eminent place in study either in China or in the Western World. For the contributors to this volume, their chapters are the result of decades of dedication to academic research, and they reveal many facets of the Buddhist Canon that were previously unstudied. This book originated in the first and second International Conferences on Chinese Buddhist Canon, and focuses on the communication of the Chinese Buddhist Canon through the medium of print. It enhances our knowledge of how the canon was collated, proofread and printed. This book was originally published as a special issue of Studies in Chinese Religions.

The chapters in this book explore the transcultural, multi-ethnic, and cross-regional contexts and connections between the Buddhāvataṃsaka-sūtra, Mount Wutai and the veneration of Mañjuśrī that contributed to the establishment and successive transformations of the cult centered on Mount Wutai – and reduplications elsewhere. The contributions reflect on the literature, architecture, iconography, medicine, society, philosophy and several other aspects of the Wutai cult and its significant influence across several Asian cultures, such as Chinese, Japanese, Tibetan, Mongolian and Korean.

This book is a significant new contribution to the study of the Wutai cult, and will be a great resource for academics, researchers, and advanced students of Religion, Philosophy, History, Architecture, Literature and Art.

The chapters in this book were originally published in the journal Studies in Chinese Religions.

The chapters in this book explore the transcultural, multi-ethnic, and cross-regional contexts and connections between the Buddhāvataṃsaka-sūtra, Mount Wutai and the veneration of Mañjuśrī that contributed to the establishment and successive transformations of the cult centered on Mount Wutai – and reduplications elsewhere. The contributions reflect on the literature, architecture, iconography, medicine, society, philosophy and several other aspects of the Wutai cult and its significant influence across several Asian cultures, such as Chinese, Japanese, Tibetan, Mongolian and Korean.

This book is a significant new contribution to the study of the Wutai cult, and will be a great resource for academics, researchers, and advanced students of Religion, Philosophy, History, Architecture, Literature and Art.

The chapters in this book were originally published in the journal Studies in Chinese Religions.

This book explores trans-cultural and cross-border transmission and transformation of Esoteric Buddhism in East Asia, focusing on its manuscript culture and the transborder transmission of Esoteric Buddhist texts.

In East Asia, Esoteric Buddhism’s influences can be seen across all levels of society: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. The influence was not confined to the religious sphere: scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, one can always recognise the profound connection between art and Esoteric Buddhism. Esoteric Iifluences also abound in East Asian literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China but also advanced knowledge in astronomy, calendarial calculations and mathematical theories.

The chapters in this volume focus on two major aspects of textual Esoteric Buddhism—its manuscript culture and transborder transmission. This book will be beneficial to advanced students and researchers interested in Religious Studies, History and Buddhist studies. It was originally published as a special issue of Studies in Chinese Religions.

This book explores trans-cultural and cross-border transmission and transformation of Esoteric Buddhism in East Asia, focusing on its manuscript culture and the transborder transmission of Esoteric Buddhist texts.

In East Asia, Esoteric Buddhism’s influences can be seen across all levels of society: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. The influence was not confined to the religious sphere: scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, one can always recognise the profound connection between art and Esoteric Buddhism. Esoteric Iifluences also abound in East Asian literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China but also advanced knowledge in astronomy, calendarial calculations and mathematical theories.

The chapters in this volume focus on two major aspects of textual Esoteric Buddhism—its manuscript culture and transborder transmission. This book will be beneficial to advanced students and researchers interested in Religious Studies, History and Buddhist studies. It was originally published as a special issue of Studies in Chinese Religions.