Jørgen Bruhn – författare

Under de senaste åren har ekokritiken vuxit mycket snabbt och många teoretiska positioner har omprövats. Utifrån olika ­perspektiv både anammar och kritiserar ekokritiken traditionella vetenskapliga modeller vilket har lett till en nyskapande ­metodologisk mångfald. I vissa fall utforskar ekokritiken mer natur­vetenskapligt betonade metoder, i andra fall tänjs gränserna för vad som inom humaniora brukar betraktas som vetenskap. Ekokritiska metoder introducerar denna metodologiska flora och är en praktisk ingång till ekokritiken. Den har skrivits av forskare från olika forskningsmiljöer och innehåller en rik uppsättning av olika perspektiv och analysverktyg.Boken lämpar sig väl som grundbok på kurser i litteraturstudier, ekokritik eller kurser där metodologi står i fokus. Boken kan också vara av intresse för dem som vill fördjupa sig i metodfrågor, skaffa sig ­underlag för diskussion eller hitta inspiration till egen forskning.

Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media – including literature, film, music, performance, news and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part I explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to intermedial studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text.

Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media – including literature, film, music, performance, news and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part I explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to intermedial studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text.

This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material – in form and in content – and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.

Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality.

Cinema has often been seen as a form between media. Early cinema borrowed heavily from traditional performing arts, like theatre and tableau vivant; and the narrative forms of literature, particularly the structure of the novel, have played important roles in shaping narrative cinema. The list of influencing forms goes on, and includes music, architecture, and painting. Following the more recent historical advents of technical media like the VCR and the DVD, and digitalisation and its effects, the notion of cinema as a mixed medium has become even more prominent within film theory. So cinema both has been and is intermedial. However, we argue that the acknowledgement of this has not affected the practice of film analysis to any great extent. This book on cinema and intermediality therefore rethinks both cinema as a form and the practice of film analysis, using concepts and analytical tools derived mainly from the fields of media theory and intermediality.

Ecocriticism has grown into one of the most innovative and urgent fields of the humanities, and many useful ecocritical approaches for addressing our environmental crisis have been developed, discussed, and reconsidered during the last decade.From various perspectives, ecocriticism both adopts and criticizes traditional analytical and theoretical models, resulting in an impressive methodological diversity, pushing the boundaries of the humanities. This open access book, Contemporary Ecocritical Methods, exemplifies this methodological variety and serves as a practical entry into the field. Fourteen chapters, written by scholars from various ecocritical sub-fields of environmental humanities, introduce a rich set of perspectives and their analytical tools.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Goethe University Frankfurt am Main.

Intermedial Ecocriticism: The Climate Crisis Through Art and Media provides an extensive understanding of the climate crisis as it is represented in a number of medial forms, including scientific reports, popular science, graphic novels, documentaries, websites, feature films, and advertising. Theoretically, this is the first open access book that combines two important theories from the humanities: ecocriticism and intermedial studies. The book carefully develops Intermedial Ecocriticism as a method of investigating how climate crisis is represented and communicated through diverse media types. The chapters each include a comparative analysis of two or three specific media products and how they mediate the climate crisis.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Linnaeus University; University of Gothenburg.

This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III  then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines.  It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.

The six essays in this work present interpretations and discussions of Bakhtin's essential yet difficult ideas on novelness. The contributions develop the concept of novelness beyond mere exegesis and deliver a wide range of approaches to the perspectives and possibilities of the concept.

Contemporary art and literature are marked by an increased intermedial interest. Perhaps as a result of this there is a growing amount of academic research being done on intermedial grounds, inside and outside the proper interart institutions. It could be argued that contemporary academic inquiries are being pushed forward by the wave of (a renewed) interest in mixing the genres and media in a veritable expression of the dream of the Sister Arts. Or should one argue that contemporary art and literature are striving to, once and for all, bury the dream of the loving relationship between the arts? In Changing Borders. Contemporary Positions in Intermediality, 21 reputable scientists present new reflections in the field of intermediality. They investigate intermedial relations between arts and media in a number of forms, including illustrated books, ekphrastic literature, music-and-word relations, record sleeves, mathematics-and-aesthetics relations, architecture, film-and-literature relations, opera, theatre, and theoretical discussions on intermedia studies. The contributors are: Jens Arvidson, Walter Bernhart, Magnar Breivik, Jørgen Bruhn, Siglind Bruhn, Claus Clüver, Heidrun Führer, Lena Hopsch, Els Jongeneel, Sonia Lagerwall, Eva Lilja, Kathleen Lundeen, Arne Melberg, Stephanie A. Glaser, Sarah J. Paulson, Nils Holger Petersen, Valerie Robillard, Eli Rozik, Bernhard F. Scholz, Johan Stenström, and Ulrich Weisstein.

Innehållsförteckning Malena Janson, ”Introduktion” Jørgen Bruhn ”Intermediala studier – en kort introduktion” Erik Rosales ”Sirqusen som kastade ut clownen ur tältet och in i Instagram-eran” Lena Kåreland ”Med många stämmor. Lennart Hellsing ̶ en återbrukande rimmare” Linda Sternö ”Att hacka sig in i barnens värld - jakten på barns delaktighet” Ingeborg Wasserman Westlin, Katarina Eriksson, Ulrika Goude Westby “Lekfulla litteraturprojekt på Litteraturhuset Trampolin” Kee Lundqvist, Mitt liv i fanfiction ”Den flytande fritiden. Ett samtal om hur barn gör och upplever kultur i dag” (red. Malena Janson) Anna Sofia Rossholm & Elisa Rossholm, Bilden utanför boken – Appropriering av Pippi Långstrump i appar, spel och lek David Cardell och Johanna Sjöberg, ”Gåvor och boxar i bebiskulturen – från moderskapsförpackning till babybox” Susanne Kjällander – Nödvändiga vägvisare bland björntjänster och nättroll – barns kulturella uttryck genom digitalt berättande i förskolan