John Jennings – författare

"Thoroughly entertaining, beautifully illustrated ... An utterly enchanting trip back in time."-- Booklist "This tribute is a wonderfully rich volume on [the canoe's] history in North America ... Adeptly written and wonderfully illustrated with over 400 photographs and maps."-- Library Journal The canoe was essential to the early exploration of North America. Today, it is a vital link to the natural environment and vast wilderness, still widely used for recreation, transportation and sport. The Canoe is the definitive history of the construction and use of the canoe, kayak, dugout and umiak in North America. The book covers the canoe's origins among Native peoples, its quick adoption by European settlers, its development from a working vessel to a recreational craft. Rare archival images, maps, artwork and stunning photographs of vintage canoes are included. Produced with the support and collaboration of scholars and museums throughout the world, The Canoe also features: High-tech sport canoes and kayaks used in contemporary Olympic Games400 beautiful images of canoe craftsmanshipStep-by-step photos and explanations for building a traditional bark canoeProfile of the famous model-builder, Tappan AdneyDetailed maps, glossary, source list and index.

"This handsomely illustrated work presents a clear and succinct review of the talented, driven, and irascible [Adney]... Recommended."-- ChoiceThe bark canoe was the method of water travel for centuries, by native people in North America. The canoe made possible hunting, trade, and communication between native groups. Edwin Tappan Adney singlehandedly preserved the fading history of Indigenous bark canoe construction in North America, building 110 historically accurate canoe models, many based on canoes that were the last remaining example of their type. Adney calculated that his canoe models consumed over 20,000 hours of detailed drawing, research and building.Bark Canoes profiles Adney's life and life's work. Born in the United States in 1868, he lived much of his adult life in Canada. His last years were spent almost penniless in a small bungalow in New Brunswick. Canoe research and model building were only one of the passions that drove this extraordinary man. Respected by scholars for his work with canoes, ethnography and Native languages, he struggled against enormous odds to create and preserve his models and papers.Now owned by the Mariners' Museum in Newport News, Virginia, 110 of his beloved canoe models have been photographed and are presented here in splendid color. This book is a great resource for anyone interested in the history of North American Indigenous people and how they lived. The Mariners' Museum holds the largest international collection of maritime artifacts in North America, including ship models, paintings and hundreds of thousands of vintage photographs.

Winner of the 2016 Will Eisner Comic Industry Award for Best Academic/Scholarly WorkWinner of the 2016 Ray and Pat Browne Award for Best Edited Collection in Popular Culture and American Culture by the Popular Culture Association/American Culture AssociationWinner of the 2016 PEN Oakland-Josephine Miles Award for Excellence in LiteratureWhen many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

Winner of the 2016 Will Eisner Comic Industry Award for Best Academic/Scholarly WorkWinner of the 2016 Ray and Pat Browne Award for Best Edited Collection in Popular Culture and American Culture by the Popular Culture Association/American Culture AssociationWinner of the 2016 PEN Oakland-Josephine Miles Award for Excellence in LiteratureWhen many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as "Half Dead" attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.

Realistic patient cases to help sharpen clinical decision-making skillsA Doody's Core Title for 2022! The 60 cases in Case Files Obstetrics & Gynecology feature realistic clinical scenarios designed to help you enhance and hone your clinical decision-making skills. Each case includes an easy-to-understand discussion correlated to key concepts, definitions of key terms, clinical pearls, and Board-style review questions to reinforce learning. The format allows you to review a patient vignette and then explore/examine the case in a contextual, application-based manner. The book is ideal for both quick-access and slow and careful study.

The first-ever middle-grade anthology from Marvel Comics, featuring all-new comics stories by 15 all-star cartoonistsWelcome to the Marvel Universe and the World Outside Your Window! The first volume in a brand-new middle-grade anthology series with Marvel Comics, edited by John Jennings. All of your favorite Marvel super heroes are here in all-new six page stories written and illustrated by some of the biggest names in comics for young readers. These mighty team-ups include— Black Panther: Jerry Craft (New Kid), Wiccan: Mike Curato (Flamer), Miles Morales Spider-Man: C. G. Esperanza (Soul Food Sunday), Iron Man: John Gallagher (Max Meow), Shang-Chi: Gale Galligan (The Baby-Sitters Club), the Hulk: Chris Giarrusso (G-Man), Spider-Man: Nathan Hale (Nathan Hale’s Hazardous Tales), Captain America: Michael Lee Harris (Choco Leche), Hawkeye: Ben Hatke (Zita the Spacegirl), Ms. Marvel: Priya Huq (Piece by Piece: The Story of Nisrin’s Hijab), Daredevil: John Jennings (Kindred: The Graphic Novel Adaptation), Thor and Loki: George O’Connor (The Olympians), Namor: Lincoln Peirce (Big Nate), Squirrel Girl: Maria Scrivan (Nat Enough), and Ghost Spider: Jessi Zabarsky (Witchlight). This renowned roster takes a fun, fresh look at Marvel’s greatest super heroes, delivering all-new comics for fans of all ages.

The second volume of the first-ever middle-grade anthology series, featuring all-new Marvel comics stories by 15 all-star cartoonistsThe second volume in a brand-new middle-grade anthology series with Marvel Comics, edited by John Jennings. Featuring 15 all-new six-page stories written and illustrated by some of the biggest names in comics for young readers, this all-star lineup features original stand-alone stories featuring Spider-Man, Captain America, The Avengers, Guardians of the Galaxy, the Incredible Hulk, Doctor Strange, Silver Surfer, Thor, Moon Knight, Silk, Spider-Man 2099, the Fantastic Four, Black Panther, Ant-Man, and Hawkeye. This all-star roster takes a fun, fresh look at everyone’s favorite Marvel super heroes, delivering delightful stories that will introduce them to first-time fans for a whole new generation of readers.Contributors in Book Two: Ethan M. Aldridge (Estranged): Doctor Strange; Ryan Andrews (This Was Our Pact): Silver Surfer; Mike Cavallaro (Nico Bravo): Thor; Chan Chau (The Baby-Sitters Club): Moon Knight; Gabriela Epstein (Invisible: A Graphic Novel): Silk; Tim Fielder (Matty’s Rocket): Spider-Man 2099; Brian Fies (The Last Mechanical Monster); The AvengersDean Haspiel (Mo and Jo Fighting Together Forever): Fantastic Four; John Jennings (Kindred: A Graphic Novel Adaptation): Black Panther; Jarrett Krosoczka (the Lunch Lady series): Spider-Man; Kat Leyh (Snapdragon): Guardians of the Galaxy; Jamar Nicholas (Leon the Extraordinary): Hulk; Amber Padilla (The Secret Garden on 81st Street): Ant-Man; Carlisle Robinson (Deafverse) Hawkeye; Judd Winick (Hilo): Captain America

The cowboy, as perhaps no other figure, has captured the imagination of North Americans for over a century. Before Owen Wister's publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel - a rough, violent, one-dimensional drifter, or the stage cowboy variety found in Buffalo Bill Cody's Wild West show. Wister's novel was to transform, almost overnight, this image of the cowboy. Soon after its publication, Wister sent a copy, inscribed ""To the hero from the author"", to Everett Johnson, a cowboy from Virginia who had been a friend of Wister's in Wyoming in the 1880s. Johnson had migrated to Alberta by the 1890s, eventually settling in the Calgary area. Before his death in 1946, his daughter-in-law, Jean Johnson, transcribed Everett's stories of the old west and collected them into a manuscript, now on deposit in the Glenbow Archives.In The Cowboy Legend, John Jennings, building on Jean Johnson's work, details the evidence that Everett Johnson was the initial and prime inspiration for Wister's cowboy, and in the process shows that Johnson led a fascinating life in his own right. His memories of both the Wyoming and Alberta cattle frontiers provide insight into ranch life on both sides of the border, and the compelling parallel biographies of Johnson and Wister feature vignettes of legendary period figures such as Buffalo Bill Cody, Wild Bill Hickok, Wyatt Earp, and Butch Cassidy, not to mention the best man at Johnson's wedding, Henry Longabaugh, a.k.a. the Sundance Kid. With an impressive range of scholarship and archival research, Jennings melds this realistic study of the cowboy frontier with an intriguing account of Wister's subsequent creation of the cowboy mystique, aided by two close friends and perhaps somewhat unexpected collaborators, Frederic Remington and Theodore Roosevelt. As compulsively readable as it is informative, this unique contribution to western history and literature will be welcomed by fans and scholars alike.

#1 New York Times bestselling author John Jennings and acclaimed producer Angélique Roché illuminate some of the most important Black creators and characters through Marvel Comics history.From the introduction of Black Panther in the 1960s and publisher Stan Lee’s early efforts at addressing systemic racism, to the groundbreaking work of creators like Billy Graham, Christopher Priest, Reggie Hudlin, and Ta-Nehisi Coates, My Super Hero Is Black offers a rich examination, celebration, and historical overview of Marvel’s Black characters and creators. It also includes accounts from prominent Black creators and luminaries about their personal relationships with Marvel superheroes. Presented by John Jennings—the notable comics scholar, illustrator, editor, writer, teacher, publisher, and #1 New York Times bestselling author—and Angélique Roché—the acclaimed content creator, producer, and the popular host of Marvel Entertainment’s Marvel’s Voices podcast—this milestone work is destined to become a classic and will speak to generations of comics fans and storytellers.

The Legend of Lion Man Lives AgainIn 1947, Orrin C. Evans created one of the world's first Black superheroes--Lion Man! Appearing in the only issue of All Negro Comics, superhero history was forever changed. And now Lion Man is back!Readapted and remixed for modern times, the award-winning visionary team of John Jennings and David Brame (After the Rain) create a mind-blowing Afrofuturistic tale of cosmic splendor while Bill Campbell (The Day the Klan Came to Town) and up-and-coming Zimbabwean writer, Yvette Lisa Ndlovu (Drinking from Graveyard Wells) deliver a Bondian African spy thriller full of plot twists, conspiracy thriillers, and political intrigue.In The Adventures of Lion Man, our hero steps bravely out of the past into a bold new future.