John R. Davis – författare

The German comparative philologist Friedrich Max Müller (1823-1900) was one of the most influential scholars in Victorian Britain. Müller travelled to Britain in 1846 in order to prepare a translation of the Rig Veda. This research visit would turn into a lifelong stay after Müller was appointed as Taylor Professor of Modern Languages at Oxford in 1854. Müller’s activities in this position would exert a profound influence on British intellectual life during the second half of the nineteenth-century: his book-length essay on Comparative Mythology (1856) inspired evolutionist thinkers such as Herbert Spencer and Edward Burnett Tylor and made philology into one of the master sciences at mid-century; his debates with Charles Darwin and his followers on the origin of language constituted a significant component of religiously informed reactions to Darwin’s ideas about human descent; his arguments concerning the interdependence of language and thought influenced fields such as psychology, neurology, paediatrics and education until the end of the nineteenth century; his theories concerning an ‘Aryan’ language that purportedly predated Sanskrit and ancient Greek led to controversial debates on the relations between language, religion and race in the Indian subcontinent and beyond; and his monumental 50-volume edition of the Sacred Books of the East helped to lay the foundations for the study of comparative religion. Müller’s interlocutors and readers included people as various as Alexander von Humboldt, Darwin, George Eliot, Matthew Arnold, Friedrich Nietzsche, Ferdinand de Saussure, Ernst Cassirer, Mohandas K. Gandhi and Jarwaharlal Nehru.This volume offers the most comprehensive and interdisciplinary assessment of Müller's career to date. Arising from a conference held at the German Historical Institute in London in 2015, it brings together papers by an international group of experts in German studies, German and British history, linguistics, philosophy, English literary studies, and religious studies in order to examine the many facets of Müller’s scholarship. This book was originally published as a special issue of the Publications of the English Goethe Society.

The German comparative philologist Friedrich Max Müller (1823-1900) was one of the most influential scholars in Victorian Britain. Müller travelled to Britain in 1846 in order to prepare a translation of the Rig Veda. This research visit would turn into a lifelong stay after Müller was appointed as Taylor Professor of Modern Languages at Oxford in 1854. Müller’s activities in this position would exert a profound influence on British intellectual life during the second half of the nineteenth-century: his book-length essay on Comparative Mythology (1856) inspired evolutionist thinkers such as Herbert Spencer and Edward Burnett Tylor and made philology into one of the master sciences at mid-century; his debates with Charles Darwin and his followers on the origin of language constituted a significant component of religiously informed reactions to Darwin’s ideas about human descent; his arguments concerning the interdependence of language and thought influenced fields such as psychology, neurology, paediatrics and education until the end of the nineteenth century; his theories concerning an ‘Aryan’ language that purportedly predated Sanskrit and ancient Greek led to controversial debates on the relations between language, religion and race in the Indian subcontinent and beyond; and his monumental 50-volume edition of the Sacred Books of the East helped to lay the foundations for the study of comparative religion. Müller’s interlocutors and readers included people as various as Alexander von Humboldt, Darwin, George Eliot, Matthew Arnold, Friedrich Nietzsche, Ferdinand de Saussure, Ernst Cassirer, Mohandas K. Gandhi and Jarwaharlal Nehru.This volume offers the most comprehensive and interdisciplinary assessment of Müller's career to date. Arising from a conference held at the German Historical Institute in London in 2015, it brings together papers by an international group of experts in German studies, German and British history, linguistics, philosophy, English literary studies, and religious studies in order to examine the many facets of Müller’s scholarship. This book was originally published as a special issue of the Publications of the English Goethe Society.

Using a wide range of German and British sources this study shows how Britain, blindfolded by doctrinaire Free Trade and institutional inadequacy, failed to grasp the connotations of its own actions in the German states and how misinterpretation began to sour Anglo-German relations.

The first history of the fanzines that emerged from Washington, DC's highly influential punk communityDIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the "fanzines" that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. More than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world.In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities.For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive.

The Great Exhibition of 1851 was the world's first international exposition of manufactured goods, inventions, works of art and artefacts from many cultures. A showcase of British manufacturing supremacy, an educational extravaganza, a lesson to foreigners and a deep source of public fascination, the Exhibition was closely connected with Queen Victoria's consort, Prince Albert, who put much effort into having it sited in Hyde Park against stiff opposition.Protesters feared the disappearance of the park under tons of bricks and mortar, but when the great structure was eventually chosen and built, it silenced dissenters and became the most famous new building in the world. Designed by Joseph Paxton, it was a vast cathedral of glass, prefabricated off-site. Measuring 1851 feet in length and covering 26 acres, the building was viewed by its detractors as a "giant cucumber frame" and by Punch magazine as the "Crystal Palace" — a name which stuck.The Great Exhibition ran from May to October 1851 and in that time the 100,000 exhibits were seen by over six million people who came to celebrate Britain's industrial ascendancy and a renewed confidence in the possibilities of peaceful social progress.Financially, the Exhibition was a greater success than anyone dared hope, and the profit was invested in the advancement of education in art, industry and science at a new "Albertopolis" in London — containing eventually the South Kensington museums, the Albert Hall, Royal College of Music and Imperial College of Science and Technology.This volume provides an accessible history of the way the Exhibition was organized and took place. It also delves into its wider significance and the historical debates surrounding it. New insight is provided into the event's part in the Victorian construction of the modern world and in particular to its relevance to the millennium and the new "Great Exhibition" at Greenwich.

Band 25 der Reihe dokumentiert die Beiträge der Tagung „Geteilter Nachlass - Gemeinsames Erbe. Eine Dynastie und ihre Sammlungen in Windsor und Coburg“, die 2006 in Coburg stattfand.

No detailed description available for "Richard Cobden's German Diaries".