John T. Sanders - Böcker

Gyorgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukacs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukacs wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukacs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukacsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition.They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

Gyorgy Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukacs laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukacs wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukacs's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukacsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition.They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

Do we still need philosophical discourse as part of communication within our culture? Is philosophical endeavor still valid? This book offers the views of some of the most popular, distinguished contemporary philosophers who have placed their mark on philosophy. Durgen Habermas, Richard Rorty, Leszek Kolakowski, and Ernest Gellner bring their ideas into confrontation in a unique debate devoted to the present state of philosophy.Habermas begins with a comprehensive account of contextualism. According to him, contextualism is a new form of historicism. What are the merits of an approach that takes into account both a historical and a cultural context? Is the pragmatism promoted by Richard Rorty an acceptable criticism of our platonic heritage? If so, does this mean the end of rationality as a regulative ideal of the human universe? Rorty's answer is Yes. This world-renowned American thinker recommends putting a full stop at the end of a narrative which was useful in pursuit of our ancestors' purposes but is no longer useful for ours. Leszek Ko^D/lakowski attempts to undermine the alleged pragmatic merits of pragmatism from the position of an analytic philosopher who continues to value classical elements of philosophical tradition. Ernest Gellner also turns against Rorty's pragmatism, which he denounces as a product of the Enlightenment roots of American culture and its centuries of political and economic stability. The future of Western culture may depend on the answers to the questions asked by these authors.