Judith Keller – författare

From its independence in 1810 until the economic crisis of 2001, Argentina has been seen, in the national and international collective imaginary, as a modern country with a powerful economic system, a massive European immigrant population, an especially strong middle class, and an almost nonexistent indigenous culture. In some ways, the early history of Argentina strongly resembles that of the United States, with its march to the prairies and frontier ideology, the image of the cowboy as a national symbol (equivalent to the Argentine gaucho), the importance of the immigrant population, and the advanced and liberal ideas of the founding fathers. But did Argentine history truly follow a linear path toward modernization? How did photography help shape or deconstruct notions associated with Argentina?Photography in Argentina examines the complexitiesof this country's history, stressing the heterogeneity of itsrealities, and especially the power of constructedphotographic images-that is, the practice of altering realityfor artistic expression, an important vein in Argentinephotography-in the configuration of a national imaginary.Influential specialists from Argentina have contributed essays on various topics, such as the shaping of national myths; the adaptation of gesture as related to the "disappeared" during the dictatorship period; the role of contemporary photography in the context of recent sociopolitical events; and the reinterpreting of traditional notions of documentary photography in Argentina and the rest of Latin America.A well- researched and beautifully laid out chronology provides an overall view that will be useful for general readers and specialists alike.

A brilliant collection of micro-fiction, reflecting our fragmented times.  With quirky humor and wry insight, Swiss author Judith Keller’s micro-fictions unravel the fabric of daily life. She delves into the aporia of language by taking idiomatic expressions literally, unpacking the multiple meanings of words, and confounding expectations. Seven Zurich tram stops provide the framework for these familiar yet absurd portraits of passers-by, fellow passengers on the tram, the unemployed and the overemployed, the innocent and the suspicious, young mothers and confused elderly. The reader is taken on a journey through the city and offered glimpses of people going more or less successfully about their lives. These deceptively banal glimpses, however, show us more than we expect—they turn the lens back on us, puncture our complacency and ask, "Who are you to judge?"The characters are hapless and far-fetched, trying to find their footing on shifting ground and grateful for what happiness they can find. In just a sentence or two, Keller unlocks metaphysical trapdoors. The Questionable Ones offers a collection of snapshots that reveal the extraordinary lurking inside the ordinary and the ordinary at the core of the extraordinary.

This book aims to draw careful distinctions between the various forms of housing insecurity and personal circumstances research participants experience. While the urgency of the housing crisis in the US has produced a lot of scholarly work on housing, it often fails to recount the real life struggles that the housing crisis is causing.

This book aims to draw careful distinctions between the various forms of housing insecurity and personal circumstances research participants experience. While the urgency of the housing crisis in the US has produced a lot of scholarly work on housing, it often fails to recount the real life struggles that the housing crisis is causing.