Kas Saghafi – författare

In two volumes, Geoffrey Bennington and Kas Saghafi present the majority of Jacques Derrida’s untranslated, and previously uncollected, essays and interviews. Dating mostly from 1992 to 2004, these writings offer a fuller picture of Derrida’s biography, theoretical engagements and the stakes of his social and political investments. In the interviews in Essays, Interviews, and Interventions by Jacques Derrida: Thinking What Comes, Volume 1, Derrida proposes the foundation of a new European political culture, discusses the strengths of Nelson Mandela, and reflects on the archive. He also considers his experience of political life, his relationship to institutions (particularly the Collège international de philosophie), and his views on ‘intellectualism’. Whether writing about public health, Palestine, or the notion of the promise, Derrida is razor-sharp and impassioned. These volumes allow significant insight into his mature thought.

In two volumes, Geoffrey Bennington and Kas Saghafi present the majority of Jacques Derrida’s untranslated, and previously uncollected, essays and interviews. Dating mostly from 1992 to 2004, these writings offer a fuller picture of Derrida’s biography, theoretical engagements and the stakes of his social and political investments. Institutions, Inventions, and Inscriptions by Jacques Derrida: Thinking What Comes, Volume 2 collects Derrida’s writings on friends including Emmanuel Levinas, Alain David, Louis Marin, Marie-Louise Mallet, Safaa Fathy, Mathieu Bénézet and Jos Joliet. It also features interviews that illuminate his experience at school, his writing habits, the relation he saw between philosophical discourse to the ‘poetic’, and his views on the singularity of literature and fiction. Whether writing about racism and anti-Semitism, filiation and fidelity, or hospitality and responsibility, Derrida is razor-sharp and impassioned. These volumes allow significant insight into his mature thought.

The chapters of this book revolve around the notion of the other in Jacques Derrida's work. How does Derrida write of and on the other? Arguing that Derrida offers the most attentive and responsible thinking about "the undeniable experience of the alterity of the other," Apparitions--of Derrida's Other examines exemplary instances of the relation to the other--the relation of Moses to God, Derrida's friendship with Jean-Luc Nancy, Derrida's relation to a recently departed actress caught on video, among others--to demonstrate how Derrida forces us to reconceive who or what the other may be. For Derrida, the singularity of the other, always written in the lower case, includes not only the formal or logical sense of alterity, the otherness of the human other, but also the otherness of the nonliving, the no longer living, or the not yet alive. The book explores welcoming and hospitality, salutation and greeting, "approaching," and mourning as constitutive facets of the relation to these others. Addressing Derrida's readings of Husserl, Levinas, Barthes, Blanchot, and Nancy, among other thinkers, and ranging across a number of disciplines, including art, literature, philosophy, and religion, this book explores the apparitions of the other by attending to the mode of appearing or coming on the scene, the phenomenality and visibility of the other. Analyzing some of Derrida's essays on the visual arts, the book also demonstrates that video and photography display an intimate relation to "spectrality," as well as a structural relation to the absolute singularity of the other.

The chapters of this book revolve around the notion of the other in Jacques Derrida's work. How does Derrida write of and on the other? Arguing that Derrida offers the most attentive and responsible thinking about "the undeniable experience of the alterity of the other," Apparitions--of Derrida's Other examines exemplary instances of the relation to the other--the relation of Moses to God, Derrida's friendship with Jean-Luc Nancy, Derrida's relation to a recently departed actress caught on video, among others--to demonstrate how Derrida forces us to reconceive who or what the other may be. For Derrida, the singularity of the other, always written in the lower case, includes not only the formal or logical sense of alterity, the otherness of the human other, but also the otherness of the nonliving, the no longer living, or the not yet alive. The book explores welcoming and hospitality, salutation and greeting, "approaching," and mourning as constitutive facets of the relation to these others. Addressing Derrida's readings of Husserl, Levinas, Barthes, Blanchot, and Nancy, among other thinkers, and ranging across a number of disciplines, including art, literature, philosophy, and religion, this book explores the apparitions of the other by attending to the mode of appearing or coming on the scene, the phenomenality and visibility of the other. Analyzing some of Derrida's essays on the visual arts, the book also demonstrates that video and photography display an intimate relation to "spectrality," as well as a structural relation to the absolute singularity of the other.

In a very late essay, “Remain(s)—The Master, or the Supplement of Infinity,” authored just two years before his death, Derrida conjoins two registers or fields of research, bringing together his early and his late work. In this complex and illuminating work, an analogy is drawn between two vastly different “cultures”—the Greco-European Onto-theo-phenomenology and the Vedic Brahmanic of India. Commenting on the work of eminent Indianist scholar Charles Malamoud, Derrida argues for the significance of the notion 0f the remainder (reste) as a key word in his deconstructive vocabulary. This volume is devoted to elucidating Derrida’s enigmatic essay and providing much-needed context.

In a very late essay, “Remain(s)—The Master, or the Supplement of Infinity,” authored just two years before his death, Derrida conjoins two registers or fields of research, bringing together his early and his late work. In this complex and illuminating work, an analogy is drawn between two vastly different “cultures”—the Greco-European Onto-theo-phenomenology and the Vedic Brahmanic of India. Commenting on the work of eminent Indianist scholar Charles Malamoud, Derrida argues for the significance of the notion 0f the remainder (reste) as a key word in his deconstructive vocabulary. This volume is devoted to elucidating Derrida’s enigmatic essay and providing much-needed context.

Examines themes of loss and mourning in the late work of Derrida.In this book, Kas Saghafi argues that the notion of "the end the world" in Derrida's late work is not a theological or cosmological matter, but a meditation on mourning and the death of the other. He examines this and several other tightly knit motifs in Derrida's work: mourning, survival, the phantasm, the event, and most significantly, the term salut, which in French means at once greeting and salvation. An underlying concern of The World after the End of the World is whether a discourse on salut (saving, being saved, and salvation) can be dissociated from discourse on religion. Saghafi compares Derrida's thought along these lines with similar concerns of Jean-Luc Nancy's. Combining analysis of these themes with reflections on personal loss, this book maintains that, for Derrida, salutation, greeting, and welcoming is resistant to the economy of salvation. This resistance calls for what Derrida refers to as a "spectro-poetics" devoted to and assigned to the other's singularity.

In a very late essay, Remain(s) The Master, or the Supplement of Infinity, authored just two years before his death, Derrida conjoins two registers or fields of research, bringing together his early and his late work. In this complex and illuminating work, an analogy is drawn between two vastly different cultures the Greco-European Onto-theo-phenomenology and the Vedic Brahmanic of India. Commenting on the work of eminent Indianist scholar Charles Malamoud, Derrida argues for the significance of the notion 0f the remainder (reste) as a key word in his deconstructive vocabulary. This volume is devoted to elucidating Derrida's enigmatic essay and providing much-needed context.

In a very late essay, “Remain(s)—The Master, or the Supplement of Infinity,” authored just two years before his death, Derrida conjoins two registers or fields of research, bringing together his early and his late work. In this complex and illuminating work, an analogy is drawn between two vastly different “cultures”—the Greco-European Onto-theo-phenomenology and the Vedic Brahmanic of India. Commenting on the work of eminent Indianist scholar Charles Malamoud, Derrida argues for the significance of the notion 0f the remainder (reste) as a key word in his deconstructive vocabulary. This volume is devoted to elucidating Derrida’s enigmatic essay and providing much-needed context.