Kate Bernheimer – författare

Despite the availability of several eloquent gender studies of fairy tales, a popular reference on men and fairy tales has so far been nonexistent. ""Brothers and Beasts"" offers a new perspective by allowing twenty-three male writers the chance to explore their artistic and emotional relationship to their favorite fairy-tale stories. In their personal essays, the contributors - who include genre, literary, mainstream, and visual media writers - offer new insight into men's reception of fairy tales. ""Brothers and Beasts"", the follow-up to Kate Bernheimer's influential ""Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales"", offers new avenues for research in fairy-tale studies.Bernheimer has invited many well-known writers to contribute to this volume, from Gregory Maguire, whose acclaimed titles include ""Wicked"", ""Confessions of an Ugly Stepsister"", and ""Son of a Witch"", to Robert Coover, one of the premier authors of postmodern fiction, to Neil Gaiman, a well-known fantasy fiction writer and author of graphic novels. With a foreword by Maria Tatar and an afterword by Jack Zipes, the intimate and contemplative essays are framed by insight from two leading fairy-tale studies scholars.""Brothers and Beasts"" proves that men are deeply influenced by the childhood reading of fairy tales, despite the fact that these fantastic and memorable tales are often mistakenly considered to be the domain of women readers and writers. Students and teachers of fairy-tale and gender studies along with readers of contemporary literature will enjoy this accessible and intriguing volume.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

Elegant and brutal, the stories in Kate Bernheimer's latest collection occupy a heightened landscape, where the familiar cedes to the grotesque and nonsense just as often devolves into terror. These are fairy tales out of time, renewing classic stories we think we know, like one of Bernheimer's girls, whose hands of steel turn to flowers, leaving her beautiful but alone. Kate Bernheimer is the author of the short story collection Horse, Flower, Bird and the editor of My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales and the journal Fairy Tale Review.

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This Side of the Divide: New Lore of the American West is the second entry in the Divide anthology series attempting to capture the newness, vastness, territoriality, and sense of transience alive in the American West. In this collection legends, myths, tales, omens, folk horror, and science fiction explore the fantastical, the apocalyptic, the bizarre, the unknown, and the apocryphal origins and conclusions of life on the occidental side of the Continental Divide. In this collection, after the ‘what is’ comes the ‘what will be’, as acclaimed authors and emerging voices weave tales thatpush the boundaries of imagination: Ken Liu takes us to the frontiers of America and China in a stark tale of perseverance; Kate Bernheimer immerses us in the fairytale lands of modern celebrity; Benjamin Percy takes us hunting for deer and connection in eastern Oregon; Yuri Herrera grants us insight on our future overlords; Tessa Fontaine places us in-between with a monster and a question; Dominique Dickey chases familiar ghosts; and Willy Vlautin takes us on the wild ride that is a winning streak. Accompanied by a foreword from This Side of the Divide alum, and author of The Forbidden City, Vanessa Hua, these twenty-five pieces of new lore excavate the beauty, the uncertainty, the longing, the bitter interactions and stark truths; the strong people and vivid places that have shaped, and will continue to shape the West until the end of days.