Kathryn Babayan - Böcker

Focusing on idealists and visionaries who believed that Justice could reign in our world, this book explores the desire to experience utopia on earth.Reluctant to await another existence—another form, or eternal life following death and resurrection—individuals with ghuluww, or exaggeration, emerged at the advent of Islam, expecting to attain the apocalyptic horizon of Truth. In their minds, Muhammad’s prophecy represented one such cosmic moment of transformation. Even in the early modern period, some denizens of Islamdom continued to hope for a utopia despite aborted promises and expectations. In a moment of enthusiasm, one group called the Qizilbash (Red Heads) took up arms at the turn of the sixteenth century to fight for Shaykh Ismaʿil Safavi, their divinely inspired leader. The Safavis succeeded in establishing an empire, but their revolutionary sensibilities were exposed to erasures and expulsion into the realms of heresy.The social settings in which such beliefs were performed in early modern Iran are highlighted in order to tease out the relationship between discourse and practice, narrating the ways in which a Persianate ethos uncovered new Islamic identities (Alid and Sufi). Mystics, Monarchs, and Messiahs explores these belief systems within a dialogue between Semitic, Indo-Iranian, and Hellenic cultures that continued to resist the monotheist impulse to delay the meeting of the holy with the human until the end of time.

Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves.Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.

Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves.Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.

The Safavid dynasty represented the pinnacle of Iran's power and influence in its early modern history. The evidence of this - the creation of a nation state, military expansion and success, economic dynamism and the exquisite art and architecture of the period is well-known. What is less understood is the extent to which the Safavid success depended on an elite originating from outside Iran: the slaves of Caucasian descent and the Armenian merchants of Isfahan. This book describes how these elites, following their conversion to Islam, helped to transform Isfahan's urban, artistic and social landscape.

This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history.