Laurence Douny – författare

The Material Subject emphasises how bodily and material cultures combine to make and transform subjects dynamically. The book is based on the French Matière à Penser (MaP) school of thought, which draws upon the ideas of Mauss, Schilder, Foucault and Bourdieu, among others, to enhance the anthropological study of embodiment, practices, techniques, materiality and power. Through theoretical sophistication and empirical field research, case studies from Europe, Africa and Asia bring MaP’s ideas into dialogue with other strands of material culture studies in the English-speaking world. These studies mediate different scales of engagement through a sensori-motor, affective and cognitive focus on practices of making and doing. Examples range from the precarity of professional divers in French public works to the gendered subjectivity of female carpet weavers in Morocco, from the ways Swiss watchmakers transmit craft knowledge to how Hindu devotees in India make efficacious use of altars, and from the enskilment of Paiwan indigenous people in Taiwan to the prestige of women’s wild silk wrappers in Burkina Faso. The chapters are organised according to domains of practice, defined as 'matter of' work and technology, heritage, politics, religion and knowledge. Scholars and students with an interest in material culture will gain valuable access to global research, rooted in a specific intellectual tradition.

This innovative volume challenges contemporary views on material culture by exploring the relationship between wrapping materials and practices and the objects, bodies, and places that define them. Using examples as diverse as baby swaddling, Egyptian mummies, Celtic tombs, lace underwear, textile clothing, and contemporary African silk, the dozen archaeologist and anthropologist contributors show how acts of wrapping and unwrapping are embedded in beliefs and thoughts of a particular time and place. Employing methods of artifact analysis, microscopy, and participant observation, the contributors provide a new lens on material culture and its relationship to cultural meaning.

The Material Subject emphasises how bodily and material cultures combine to make and transform subjects dynamically. The book is based on the French Matière à Penser (MaP) school of thought, which draws upon the ideas of Mauss, Schilder, Foucault and Bourdieu, among others, to enhance the anthropological study of embodiment, practices, techniques, materiality and power. Through theoretical sophistication and empirical field research, case studies from Europe, Africa and Asia bring MaP’s ideas into dialogue with other strands of material culture studies in the English-speaking world. These studies mediate different scales of engagement through a sensori-motor, affective and cognitive focus on practices of making and doing. Examples range from the precarity of professional divers in French public works to the gendered subjectivity of female carpet weavers in Morocco, from the ways Swiss watchmakers transmit craft knowledge to how Hindu devotees in India make efficacious use of altars, and from the enskilment of Paiwan indigenous people in Taiwan to the prestige of women’s wild silk wrappers in Burkina Faso. The chapters are organised according to domains of practice, defined as 'matter of' work and technology, heritage, politics, religion and knowledge. Scholars and students with an interest in material culture will gain valuable access to global research, rooted in a specific intellectual tradition.

This innovative volume challenges contemporary views on material culture by exploring the relationship between wrapping materials and practices and the objects, bodies, and places that define them. Using examples as diverse as baby swaddling, Egyptian mummies, Celtic tombs, lace underwear, textile clothing, and contemporary African silk, the dozen archaeologist and anthropologist contributors show how acts of wrapping and unwrapping are embedded in beliefs and thoughts of a particular time and place. Employing methods of artifact analysis, microscopy, and participant observation, the contributors provide a new lens on material culture and its relationship to cultural meaning.

In her close ethnography of a Dogon village of Mali, Laurence Douny shows how a microcosmology develops from people's embodied daily and ritual practice in a landscape of scarcity. Viewed through the lens of containment practice, she describes how they cope with the shortage of material items central to their lives—water, earth, and millet. Douny’s study is an important addition to ecological anthropology, to the study of West African cultures, to the understanding of material culture, and to anthropological theory.

In her close ethnography of a Dogon village of Mali, Laurence Douny shows how a microcosmology develops from people's embodied daily and ritual practice in a landscape of scarcity. Viewed through the lens of containment practice, she describes how they cope with the shortage of material items central to their lives—water, earth, and millet. Douny’s study is an important addition to ecological anthropology, to the study of West African cultures, to the understanding of material culture, and to anthropological theory.

This beautifully crafted book explores needlework; encompassing sewing, embroidery, weaving, quilting, tattooing and more; as a lens for understanding gendered and marginalised histories and identities. Through case studies from across Africa, it highlights the work of fashion designers, weavers, seamstresses, LGBTQI activists and artists. Their work reveals how needlework shapes and challenges identities, gender roles and social structures, offering a platform for selfexpression and historical storytelling. This collection also shows how embroidery, specifically, has enabled economic agency.Far from trivial, needlework serves as an alternative archive, uncovering voices often sidelined. The book examines how practices like beadwork, tapestry and crochet reflect complex ideas of gender, identity and belonging in African contexts. Each chapter illustrates how these crafts empower makers to tell their stories, blending artistry with cultural and historical significance.With striking visuals, this volume invites readers to see needlework anew; not as mere craft, but as a vital tool for documenting and reimagining history. It challenges assumptions about its importance, showing how these everyday acts of creation amplify marginalised perspectives. Needlework in Africa is an engaging read for those interested in how textiles and craftsmanship weave powerful narratives of identity and resilience.