Liliane Weissberg – författare

Edgar Allen Poe's strength as a writer lay in fabricating fantisies in settings far removed from his own place and time. This dislocation renders the attitudes embedded in his fiction open to interpretation, and over the years some readers have found Poe to be virulently racist, while others found him morally conflicted, and still others detected a subversion of racism in his works' subtle sympathies for non-white characters. As a nineteenth-century Southerner, Poe was a deeply ambiguous figure, evading race issues while living among them, and traversing the North-South border with little sensitivity to its political implications. In this tightly organized volume, a handful of leading Americanists revisit the Poe issue, re-examining what it means to speak of an author and his work as racist, and where the critic's responsibility lies.

Edgar Allen Poe's strength as a writer lay in fabricating fantisies in settings far removed from his own place and time. This dislocation renders the attitudes embedded in his fiction open to interpretation, and over the years some readers have found Poe to be virulently racist, while others found him morally conflicted, and still others detected a subversion of racism in his works' subtle sympathies for non-white characters. As a nineteenth-century Southerner, Poe was a deeply ambiguous figure, evading race issues while living among them, and traversing the North-South border with little sensitivity to its political implications. In this tightly organized volume, a handful of leading Americanists revisit the Poe issue, re-examining what it means to speak of an author and his work as racist, and where the critic's responsibility lies.

How do we remember persons, objects, and events? This volume explores the dynamics of cultural memory in a variety of contexts. The authors show how memory is shaped, and how it operates in uniting society and creating images, pointing to the relationship between memory and culture.

From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts-and images-when they are brought together.From the mid-nineteenth century to the present, this collection addresses a wide range of genres and media, including graphic novels, children’s books, photo-essays, films, diaries, newspapers, and art installations. Examining the works of Herman Melville, Don DeLillo, Claude McKay, Man Ray, Dare Wright, Guy Debord, Zhang Ailing, and Roland Barthes, among others, the essays trace the relationship between photographs and “reality” and describe the imaginary worlds constructed by both, discussing how this production can turn into testimony of personal and collective history, memory and trauma, gender and sexuality, and ethnicity.Together, these essays help explain how writers and photographers-past and present-have served as powerful creative resources for each other.Contributors: Stuart Burrows, Brown U; Roderick Coover, Temple U; Adrian Daub, Stanford U; Marcy J. Dinius, DePaul U; Marianne Hirsch, Columbia U; Daniel H. Magilow, U of Tennessee, Knoxville; Janine Mileaf; Tyrus Miller, U of California, Santa Cruz; Leah Rosenberg, U of Florida; Xiaojue Wang, U of Pennsylvania.

To what extent are the concepts of fatherhood and family, as proposed by Sigmund Freud, still valid?Psychoanalysis, Fatherhood, and the Modern Family traces the development of Freud’s theory of the Oedipus complex and discusses his ideas in the context of recent psychoanalytic work, new sociological data, and theoretical explorations on gender and diversity. Contributors include representatives from many academic disciplines, as well as practicing psychoanalysts who reflect on their experience with patients. Their exciting essays break new ground in defining who a father is—and what a father may be.

To what extent are the concepts of fatherhood and family, as proposed by Sigmund Freud, still valid?Psychoanalysis, Fatherhood, and the Modern Family traces the development of Freud’s theory of the Oedipus complex and discusses his ideas in the context of recent psychoanalytic work, new sociological data, and theoretical explorations on gender and diversity. Contributors include representatives from many academic disciplines, as well as practicing psychoanalysts who reflect on their experience with patients. Their exciting essays break new ground in defining who a father is—and what a father may be.

Benjamin Veitel Ephraim (1742-1811) war ein wohlhabender Berliner Kaufmann, aber auch der erste jüdische Autor eines Dramas in deutscher Sprache. Er veröffentlichte politische Schriften und eine eindrucksvolle Autobiografie. Während der Französischen Revolution arbeitete er als Geheimagent Preußens in Paris. Das vorliegende Buch bietet eine kommentierte und vollständige Ausgabe seiner Schriften sowie einer Auswahl seiner bisher unveröffentlichten geheimen Dossiers. Eine monografische Einleitung schildert sein abenteuerliches Leben und seine Zeit. Liliane Weissberg entdeckt hier eine schillernde Gestalt des späten achtzehnten Jahrhunderts wieder, dessen Leben und Werk für die preußische und jüdische Geschichte von großer Bedeutung ist.

In Leben und Werk ist Edgar Allan Poe einer der originellsten amerikanischen Schriftsteller des 19. Jahrhunderts. Mit seinen Erzählungen wurde er zum Schöpfer der "short-story" und der modernen Detektivgeschichte. Er prägte die heutige Science-fiction Literatur, schuf neue Formen der Dichtung und arbeitete als Journalist und Kritiker bei zahlreichen Zeitschriften.