Lily Hoang – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

AWARD-WINNING CO-AUTHORSPEN OPEN BOOKS AWARD WINNERPEN USA NONFICTION BOOK AWARD FINALISTTen short stories written by Lily Hoàng and Vi Khi Nào explore a range of styles from love stories to speculative fiction and fairy tales.In this inventive collaboration, Hoàng and Nào blend Vietnamese, English, and Vietlish, creating a fresh, dynamic voice that captures the complexity of the Vietnamese-American experience. Their stories dive into themes of generational trauma, identity, and cultural clash, offering everything from love stories pieced together from memory, to folklore and fantasy, to post-apocalyptic worlds where Vietnamese-American identities are reimagined.Timber and Lụa is playful, moving, and full of surprises. The authors experiment with language and translation, showing how meaning can shift and change between cultures. Released on the fiftieth anniversary of the Fall of Saigon, this collection is both a celebration of diasporic voices and a tribute to the power of storytelling across generations.

AWARD-WINNING CO-AUTHORSPEN OPEN BOOKS AWARD WINNERPEN USA NONFICTION BOOK AWARD FINALISTTen short stories written by Lily Hoàng and Vi Khi Nào explore a range of styles from love stories to speculative fiction and fairy tales.In this inventive collaboration, Hoàng and Nào blend Vietnamese, English, and Vietlish, creating a fresh, dynamic voice that captures the complexity of the Vietnamese-American experience. Their stories dive into themes of generational trauma, identity, and cultural clash, offering everything from love stories pieced together from memory, to folklore and fantasy, to post-apocalyptic worlds where Vietnamese-American identities are reimagined.Timber and Lụa is playful, moving, and full of surprises. The authors experiment with language and translation, showing how meaning can shift and change between cultures. Released on the fiftieth anniversary of the Fall of Saigon, this collection is both a celebration of diasporic voices and a tribute to the power of storytelling across generations.

First there is a door, and it goes knock-knock. Who’s there? Lily HoÀng’s A Knock at the Door peeps through a tiny, distorted keyhole, and on the other side, fairy tales wait—with patience, with malice, with magic.

Over a five-year period, Martha Johnson murders her four children, one by one, in order to punish her husband when they argue, but Martha is no ordinary serial killer. She murders her children by using the bulk of her 250-pound body to suffocate them. Unlike other fictionalized true-crime novels, Underneath neither valorizes nor focuses on the specific acts of violence. Instead, it attempts to understand how feelings of powerlessness, the residue of trauma, and the need to find justice in a world that refuses to give a fat body justice finds its only respite through murder.