Linda Dalrymple Henderson – författare

This book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order to sample the modes of representation invented or adapted by each field in response to newly developed scientific concepts and models. By placing literary fictions and the plastic arts in relation to the transition from the era of energy to the information age, this collection of essays discovers unexpected resonances among concepts and materials not previously brought into juxtaposition. In particular, it demonstrates the crucial centrality of the theme of energy in modernist discourse. Overall, the volume develops the scientific and technological side of the shift from modernism to postmodernism in terms of the conceptual crossover from energy to information. The contributors are Christoph Asendorf, Ian F. A. Bell, Robert Brain, Bruce Clarke, Charlotte Douglas, N. Katherine Hayes, Linda Dalrymple Henderson, Bruce J. Hunt, Douglas Kahn, Timothy Lenoir, W. J. T. Mitchell, Marcos Novak, Edward Shanken, Richard Shiff, David Tomas, Sha Xin Wei, and Norton Wise.

Hilma af Klint s works have taken the international art world by storm, more than one hundred years after they were created. Around the turn of the 20th century, the new spiritual and social movements of theosophy and later anthroposophy came to inspire the pioneers of modernism and abstract art Kandinsky, Mondrian, Malevich and Hilma af Klint. What was the zeitgeist that inspired such an artistic explosion?  This anthology is based on a seminar held at the Solomon R Guggenheim Museum in New York at the opening of its highly-acclaimed exhibition Hilma af Klint: Paintings for the Future in October 2018.

Hilma af Klints verk har tagit den internationella konstvärlden med storm, mer än hundra år sedan de skapades. Kring det förra sekelskiftet påverkade ockulta religiösa rörelser som teosofi och antroposofi de tidiga modernisterna – Kandinsky, Mondrian, Malevich – och Hilma af Klint. Vilken tidsanda inspirerade en sådan artistisk explosion?Denna antologi baseras på seminariet som hölls när Guggenheimmuseet i New York öppnade sin mycket omtalade och historiskt mest välbesökta utställning Hilma af Klint: Paintings for the Future i oktober 2018.

Hilma af Klint's works have taken the international art world by storm, more than one hundred years after they were created. Around the turn of the 20th century, the new spiritual and social movements of theosophy and later anthroposophy came to inspire the pioneers of modernism and abstract art Kandinsky, Mondrian, Malevich and Hilma af Klint. What was the zeitgeist that inspired such an artistic explosion? This anthology is based on a seminar held at the Solomon R Guggenheim Museum in New York at the opening of its highly-acclaimed exhibition Hilma af Klint: Paintings for the Future in October 2018.