Linda Safran – författare

This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. It underscores the essential unifying role of the Orthodox religion in a vast and fluid empire and clarifies how the experiential aspects of that religion—churches, liturgy, church arts and imagery, religious travel—open a window into Byzantine culture. Throughout the book, the past is made vivid by considering what Byzantine believers heard and said and did, as well as what they saw. The book's chapters are cross-referenced and are complemented both by endnotes that cite primary and secondary sources and by "Suggestions for Further Reading" that include English and foreign-language references. There is no comparable art history text that combines this high-caliber range of current scholarship with more than 250 illustrations, including 16 pages of color plates, to introduce Byzantine culture to a broad readership.Contributors are Joseph Alchermes, Susan A. Boyd, Anna Kartsonis, Henry Maguire, Robert Ousterhout, Eric D. Perl, Nancy Patterson Ševčenko, and Gary Vikan.

Located in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved ­­tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic practices that helped inhabitants construct and maintain personal, group, and regional identities.The Medieval Salento allows the reader to explore the visual and material culture of a people using a database of over three hundred texts and images, indexed by site. Linda Safran draws from art history, archaeology, anthropology, and ethnohistory to reconstruct medieval Salentine customs of naming, language, appearance, and status. She pays particular attention to Jewish and nonelite residents, whose lives in southern Italy have historically received little scholarly attention. This extraordinarily detailed visual analysis reveals how ethnic and religious identities can remain distinct even as they mingle to become a regional culture.

From the very beginning Christianity was a religion of books--a lived, but also a written faith. The essays in this collection focus on the ways in which books were produced, used, treasured, and conceptualized in the early Christian centuries (AD 100--600). During this crucial period, just after the New Testament writings were composed, Christianity grew from the religion of a tiny minority in the eastern Roman Empire to the religion of the empire itself, and beyond. To no small extent, this success was based on the power of its books.Written by experts in the field, the essays in this volume examine the early Christian book from a wide range of disciplines: religion, art history, history, Near Eastern studies, and classics. Topics include theories of the book, book production and use, books as sacred objects, and problems of gender, authorship, and authority.By examining Christian books from multiple perspectives, this book invites readers into the entire ""bookish"" world of early Christianity: a world of writing and reading practices, of copying and exchanging texts, of persuading and debating with books, and of representing holiness and power through codices of the law, the scriptures, and the lives of the saints. Essays cover a wide geographical range and discuss texts written all across the Mediterranean world--in Greek, Latin, Coptic, Syriac, and Hebrew. All ancient texts are translated into English, some for the first time.Intended for general readers, students, and scholars alike--anyone with a serious interest in early Christianity--this work brings together exciting currents of new research. It also opens up fresh questions and lines of inquiry in the study of this perennially important and fascinating subject.An introduction by Philip Rousseau provides a valuable overview, followed by essays written by Daniel Boyarin, Catherine Burris, Catherine Chin, Gillian Clark, Catherine Conybeare, Kim Haines-Eitzen, Caroline Humfress, Chrysi Kotsifou, John Lowden, Claudia Rapp, Daniel Sarefield, and Mark Vessey. A comprehensive consolidated bibliography and index complete the work.

Art and Architecture of the Middle Ages is a panoramic survey that focuses on the arts of medieval Europe, Byzantium, and the Islamicate world. From majestic monuments to exquisite tableware, Jill Caskey, Adam S. Cohen, and Linda Safran deftly guide readers over twelve centuries of art and architecture created by the diverse peoples and religious groups of western Eurasia and North Africa. This textbook, intended for a wide range of courses in the history of medieval art and architecture, uniquely features: • More than 450 color illustrations of fascinating works produced between ca. 250 CE and ca. 1450 CE• Coverage of secular and religious arts, including polytheistic, Zoroastrian, Jewish, Christian, and Islamic traditions • Informational text boxes on key issues and a glossary of terms• Diverse cultures interwoven in a single chronological framework • Five broad interpretive themes—artistic production, status and identity, connection to the past, ideology, and access to the sacredComplemented by a website (artofthemiddleages.com) with additional works, dynamic maps and timelines, podcasts, new primary-source translations, and more, Art and Architecture of the Middle Ages brilliantly expands and recalibrates the story of medieval art history.