Lois Presser – författare

The Oxford Handbook of Contemporary Critical and Cultural Criminological Theory is a crucial scholarly resource for contemporary theorizing about crime, harm, and justice. Departing from earlier etiological or structural approaches, this volume highlights the rich and evolving field of theorizing in criminology by bringing together critical and cultural criminologies as conjoined subfields.This Handbook draws together a wide body of empirical work examining institutional processes and cultural practices in relation to crime and the criminal justice system. With this lens of inquiry, traditional binaries—including that between "meaning" and "material arrangement"—are no longer sustainable. Across thirty-one chapters, the volume provides in-depth and accessible reviews of the main critical/cultural approaches to research in criminology and foregrounds key international debates. It promotes the recognition that political orders are founded on narratives of crime, systems of surveillance, and punishment, and that meaning is tied to their regulation. Critical criminology and cultural theories share a mutual debt because society, power, and culture do.The Handbook offers insights into the history and status of the contemporary theoretical field, areas for possible theoretical advancement, the relationship between theory and politics/(in)justice, and indications of how different theories can inform empirical research. This volume will help students, scholars, activists, and practitioners better understand the inescapable importance of theoretical frameworks for understanding criminal justice institutions, crime, and associated social harms.

In this groundbreaking work, Lois Presser investigates the life stories of men who have perpetrated violence. She applies insights from across the academy to in-depth interviews with men who shared their accounts of how they became the people we most fear--those who rape, murder, assault, and rob, often repeatedly. Been a Heavy Life provides the discipline of criminology with two crucial frameworks: one for critically evaluating the construction of offenders’ own stories, and one for grasping the cultural meta-narratives that legitimize violence. For social scientists generally, this book offers a vivid demonstration of just how dynamic and contingent self-narratives are.

In this groundbreaking work, Lois Presser investigates the life stories of men who have perpetrated violence. She applies insights from across the academy to in-depth interviews with men who shared their accounts of how they became the people we most fear--those who rape, murder, assault, and rob, often repeatedly. Been a Heavy Life provides the discipline of criminology with two crucial frameworks: one for critically evaluating the construction of offenders’ own stories, and one for grasping the cultural meta-narratives that legitimize violence. For social scientists generally, this book offers a vivid demonstration of just how dynamic and contingent self-narratives are.

Stories have persuasive powers: they can influence how a person thinks and acts. Inside Story explores the capacity of stories to direct our thinking, heighten our emotions, and thereby motivate people to do harm to others and to tolerate harm done by others. From terrorist violence to “mere” complacency with institutionalized harm, the book weds case study to cross-disciplinary theory. It builds upon timely work in the field of narrative criminology and provides a thorough analysis of how stories can promote or inhibit harmful action. By offering a sociological analysis of the emotional yet intersubjective experience of dangerous stories, the book fleshes out the perplexing mechanics of cultural influence on crime and other forms of harm.

Stories have persuasive powers: they can influence how a person thinks and acts. Inside Story explores the capacity of stories to direct our thinking, heighten our emotions, and thereby motivate people to do harm to others and to tolerate harm done by others. From terrorist violence to “mere” complacency with institutionalized harm, the book weds case study to cross-disciplinary theory. It builds upon timely work in the field of narrative criminology and provides a thorough analysis of how stories can promote or inhibit harmful action. By offering a sociological analysis of the emotional yet intersubjective experience of dangerous stories, the book fleshes out the perplexing mechanics of cultural influence on crime and other forms of harm.

Harm takes shape in and through what is suppressed, left out, or taken for granted. This book is a guide to understanding and uncovering what is left unsaid—whether concealed or silenced, presupposed or excluded. Drawing on a variety of real-world examples, narrative criminologist Lois Presser outlines how to determine what or who is excluded from textual materials. With strategies that can be added to the tool kits of social researchers and activists alike, Unsaid provides a richly layered approach to analyzing and dismantling the power structures that both create and arise from what goes without saying.

Harm takes shape in and through what is suppressed, left out, or taken for granted. This book is a guide to understanding and uncovering what is left unsaid—whether concealed or silenced, presupposed or excluded. Drawing on a variety of real-world examples, narrative criminologist Lois Presser outlines how to determine what or who is excluded from textual materials. With strategies that can be added to the tool kits of social researchers and activists alike, Unsaid provides a richly layered approach to analyzing and dismantling the power structures that both create and arise from what goes without saying.

Harm takes shape in and through what is suppressed, left out, or taken for granted. This book is a guide to understanding and uncovering what is left unsaid—whether concealed or silenced, presupposed or excluded. Drawing on a variety of real-world examples, narrative criminologist Lois Presser outlines how to determine what or who is excluded from textual materials. With strategies that can be added to the tool kits of social researchers and activists alike, Unsaid provides a richly layered approach to analyzing and dismantling the power structures that both create and arise from what goes without saying.

Stories have persuasive powers: they can influence how a person thinks and acts. Inside Story explores the capacity of stories to direct our thinking, heighten our emotions, and thereby motivate people to do harm to others and to tolerate harm done by others. From terrorist violence to “mere” complacency with institutionalized harm, the book weds case study to cross-disciplinary theory. It builds upon timely work in the field of narrative criminology and provides a thorough analysis of how stories can promote or inhibit harmful action. By offering a sociological analysis of the emotional yet intersubjective experience of dangerous stories, the book fleshes out the perplexing mechanics of cultural influence on crime and other forms of harm.

2014 Choice Outstanding Academic TitleCriminologists are primarily concerned with the analysis of actions that violate existing laws. But a growing number have begun analyzing crimes as actions that inflict harm, regardless of the applicability of legal sanctions. Even as they question standard definitions of crime as law-breaking, scholars of crime have few theoretical frameworks with which to understand the etiology of harmful action.In Why We Harm, Lois Presser scrutinizes accounts of acts as diverse as genocide, environmental degradation, war, torture, terrorism, homicide, rape, and meat-eating in order to develop an original theoretical framework with which to consider harmful actions and their causes. In doing so, this timely book presents a general theory of harm, revealing the commonalities between actions that impose suffering and cause destruction.Harm is built on stories in which the targets of harm are reduced to one-dimensional characters-sometimes a dangerous foe, sometimes much more benign, but still a projection of our own concerns and interests. In our stories of harm, we are licensed to do the harmful deed and, at the same time, are powerless to act differently. Chapter by chapter, Presser examines statements made by perpetrators of a wide variety of harmful actions. Appearing vastly different from one another at first glance, Presser identifies the logics they share that motivate, legitimize, and sustain them. From that point, she maps out strategies for reducing harm.

2014 Choice Outstanding Academic TitleCriminologists are primarily concerned with the analysis of actions that violate existing laws. But a growing number have begun analyzing crimes as actions that inflict harm, regardless of the applicability of legal sanctions. Even as they question standard definitions of crime as law-breaking, scholars of crime have few theoretical frameworks with which to understand the etiology of harmful action.In Why We Harm, Lois Presser scrutinizes accounts of acts as diverse as genocide, environmental degradation, war, torture, terrorism, homicide, rape, and meat-eating in order to develop an original theoretical framework with which to consider harmful actions and their causes. In doing so, this timely book presents a general theory of harm, revealing the commonalities between actions that impose suffering and cause destruction.Harm is built on stories in which the targets of harm are reduced to one-dimensional characters-sometimes a dangerous foe, sometimes much more benign, but still a projection of our own concerns and interests. In our stories of harm, we are licensed to do the harmful deed and, at the same time, are powerless to act differently. Chapter by chapter, Presser examines statements made by perpetrators of a wide variety of harmful actions. Appearing vastly different from one another at first glance, Presser identifies the logics they share that motivate, legitimize, and sustain them. From that point, she maps out strategies for reducing harm.

Explores the role of stories in criminal culture and justice systems around the world Stories are much more than a means of communication—stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm.

The power of storytelling in troubling timesViolence, pain and punishment dominate portrayals of social problems but the reality is more complex. In the world of actual people and experience, other, more hopeful stories are told in relation to crime and harm: narratives of justice, cooperation, kindness, and redemption. Narrating Justice and Hope examines the rich potential for narratives to do good in the context of interpersonal harm and the devastating social conditions of the present moment–including climate crisis, political polarization, and interconnected systems of inequality. Featuring a stellar list of contributors from across the globe, this volume asks: How do people produce good stories in the context of these harms? What types of narratives will create lasting social change? What does it take to tell good stories?Each chapter examines subjects ranging from the success stories of formerly incarcerated people, women speaking out about sexual violence, and young climate activists. Throughout Narrating Justice and Hope, stories and storytelling thwart trouble, foster healing and connection, and envision better futures. The collection also grapples with critical issues including the nature of good, the performative nature of storytelling, and the hazards of exploiting subjugated people's stories. With chapters from a number of well-known scholars, this volume will be an important contribution for sociology, criminology, and legal scholars.

The power of storytelling in troubling timesViolence, pain and punishment dominate portrayals of social problems but the reality is more complex. In the world of actual people and experience, other, more hopeful stories are told in relation to crime and harm: narratives of justice, cooperation, kindness, and redemption. Narrating Justice and Hope examines the rich potential for narratives to do good in the context of interpersonal harm and the devastating social conditions of the present moment–including climate crisis, political polarization, and interconnected systems of inequality. Featuring a stellar list of contributors from across the globe, this volume asks: How do people produce good stories in the context of these harms? What types of narratives will create lasting social change? What does it take to tell good stories?Each chapter examines subjects ranging from the success stories of formerly incarcerated people, women speaking out about sexual violence, and young climate activists. Throughout Narrating Justice and Hope, stories and storytelling thwart trouble, foster healing and connection, and envision better futures. The collection also grapples with critical issues including the nature of good, the performative nature of storytelling, and the hazards of exploiting subjugated people's stories. With chapters from a number of well-known scholars, this volume will be an important contribution for sociology, criminology, and legal scholars.

Explores the role of stories in criminal culture and justice systems around the world Stories are much more than a means of communication—stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm.

Winner of the American Society of Criminology Division on Feminist Criminology's Best Book Award 2025.Generativity or ‘giving back’ is regarded as a common life stage, occurring for many around middle age. For the first time, this book offers qualitative research on the lives and social relationships of older imprisoned women. In-depth interviews with 29 female prisoners in the south-eastern United States show that older women both engage in generative behaviours in prison and also wish to do so upon their release.As prisoners continue to age, the US finds itself at a crossroads on prison reform, with potential decarceration beginning with older prisoners. The COVID-19 pandemic has led many to consider how to thrive under difficult circumstances and in stressing the resilience of older incarcerated women, this book envisions what this could look like.

Winner of the American Society of Criminology Division on Feminist Criminology's Best Book Award 2025.Generativity or ‘giving back’ is regarded as a common life stage, occurring for many around middle age. For the first time, this book offers qualitative research on the lives and social relationships of older imprisoned women. In-depth interviews with 29 female prisoners in the south-eastern United States show that older women both engage in generative behaviours in prison and also wish to do so upon their release.As prisoners continue to age, the US finds itself at a crossroads on prison reform, with potential decarceration beginning with older prisoners. The COVID-19 pandemic has led many to consider how to thrive under difficult circumstances and in stressing the resilience of older incarcerated women, this book envisions what this could look like.

Narrative criminology is an approach to studying crime and other harm that puts stories first. It investigates how such stories are composed, when and why they are told and what their effects are. This edited collection explores the methodological challenges of analysing offenders'' stories, but pushes the boundaries of the field to consider the narratives of victims, bystanders and criminal justice professionals. This Handbook reflects the diversity of methodological approaches employed in narrative criminology. Chapters discuss the practicalities of listening to and observing narratives through ethnographic and observational research, and offer accessible guides to using diverse methodological approaches for listening to and interpreting narrative data. With contributions from established and emerging scholars from all over the world, and from diverse fields including politics, psychology, sociology and criminology, the Handbook reflects the cutting edge of narrative methodologies for understanding crime, control and victimisation and is an essential resource for academics studying and teaching on narrative criminology.

Narrative criminology is an approach to studying crime and other harm that puts stories first. It investigates how such stories are composed, when and why they are told and what their effects are. This edited collection explores the methodological challenges of analysing offenders' stories, but pushes the boundaries of the field to consider the narratives of victims, bystanders and criminal justice professionals.This Handbook reflects the diversity of methodological approaches employed in narrative criminology. Chapters discuss the practicalities of listening to and observing narratives through ethnographic and observational research, and offer accessible guides to using diverse methodological approaches for listening to and interpreting narrative data.With contributions from established and emerging scholars from all over the world, and from diverse fields including politics, psychology, sociology and criminology, the Handbook reflects the cutting edge of narrative methodologies for understanding crime, control and victimisation and is an essential resource for academics studying and teaching on narrative criminology.

Narrative criminology is an approach to studying crime and other harm that puts stories first. It investigates how such stories are composed, when and why they are told and what their effects are. This edited collection explores the methodological challenges of analysing offenders'' stories, but pushes the boundaries of the field to consider the narratives of victims, bystanders and criminal justice professionals. This Handbook reflects the diversity of methodological approaches employed in narrative criminology. Chapters discuss the practicalities of listening to and observing narratives through ethnographic and observational research, and offer accessible guides to using diverse methodological approaches for listening to and interpreting narrative data. With contributions from established and emerging scholars from all over the world, and from diverse fields including politics, psychology, sociology and criminology, the Handbook reflects the cutting edge of narrative methodologies for understanding crime, control and victimisation and is an essential resource for academics studying and teaching on narrative criminology.