Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

Elegant, insightful and startlingly modern, the philosophy of Lucretius deeply influenced the course of European thought; here, he provides one of the first accounts of atomic theory, argues that there can be no life of the soul after death, and explores the sickness that we call love.

`Therefore this terror and darkness of the mind Not by the sun''s rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.'' Lucretius'' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man''s place in it. Sir Ronald Melville''s accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius'' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius'' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A scholarly edition of a work by Lucretius. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced.

Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them. Melville translates this poem in a style which is both accurate and poetical, and in language accessible to the modern reader.The Introduction gives full details of the little that is known of Lucretius' life and background in 1st century BCE Rome, and also of the Epicurean philosophy that was his inspiration. It also explores why the issues Lucretius' poem raises about the scientific and poetical views of the world continue to be important. The Explanatory Notes explain all references for the non-classicist, and attempt to situate Lucretius' scientific theories within the thought of his time and subsequent scientific discoveries.

`Therefore this terror and darkness of the mind Not by the sun's rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.' Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man's place in it. Sir Ronald Melville's accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

" . . . [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' —The Classical Review

This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

This elegant new translation at last restores the poetry to one of the greatest and most influential poems in the Western tradition. "De Rerum Natura" is Lucretius' majestic elaboration of Greek Epicurean physics and psychology in an epic that unfolds over the course of six books. This sumptuous account of a secular cosmos argues that the soul is mortal, that pleasure is the object of life, and that humanity has free will, among other ideas. Renowned author, translator, and poet David R. Slavitt has captured Lucretius' elegance as well as his philosophical profundity in this highly readable translation of a poem that is crucial to the history of ancient thought.

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it’s easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the world—from the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writers—the original doomscrollers—show how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its “creative fire” and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it's easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the worldfrom the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writersthe original doomscrollersshow how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its ';creative fire' and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it's easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the worldfrom the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writersthe original doomscrollersshow how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its ';creative fire' and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

Titus Lucretius Carus was probably born in the early first century B.C., and died in the year 55. Little is known of his life, although two tantalizing bits of gossip were passed on by St. Jerome: that he was poisoned by a madness-inducing aphrodisiac given him by his wife, and that his great poem On the Nature of Things was posthumously edited by Cicero. For the latter assertion, writes Anthony Esolen in his introduction to the present volume, there is little evidence, and none whatsoever for the former. What does survive is a masterful poetic work that stands as the greatest exposition of Epicurean philosophy. Writing in the waning days of the Roman Republic-as Rome's politics grew individualistic and treacherous, its high-life wanton, its piety introspective and morbid-Lucretius sets forth a rational and materialistic view of the world which offers a retreat into a quiet community of wisdom and friendship. Even to modern readers, the sweep of Lucretius's observations is remarkable.A careful observer of nature, he writes with an innocent curiosity into how things are put together-from the oceans, lands, and stars to a mound of poppy seeds, from the "applause" of a rooster's wings to the human mind and soul. Yet Lucretius is no romantic. Nature is what it is-fascinating,purposeless, beautiful, deadly. Once we understand this, we free ourselves of superstitious fears, becoming as human and as godlike as we can be. The poem, then, is about the universe and how human beings ought to live in it. Epicurean physics and morality converge. Until now, there has been no adequate English verse translation of Lucretius's work. Anthony Esolen fills that gap with a version that reproduces-with remarkable faithfulness-the meaning, pace, and tone of the original Latin. Here is a book that will introduce a new generation of readers to a thinker whose powers of observation and depth of insight remain fresh to the present day. "Esolen has the rare gift of being both a fine poet and a lover of languages. His diction is poetic and natural; he has a fine ear for sound, and the translation benefits greatly from being read aloud-as Latin poetry was meant to be.This translation is clear and forceful. It can, and will, be read."-Kenneth J. Reckford, University of North Carolina, Chapel Hill

Martin Ferguson Smith's work on Lucretius is both well known and highly regarded. However, his 1969 translation of De Rerum Natura--long out of print--is virtually unknown. Readers will share our excitement in the discovery of this accurate and fluent prose rendering. For this edition, Professor Smith provides a revised translation, new Introduction, headnotes and bibliography.

This text is a translation of Lucretius’ poem which adheres faithfully to the text, yet with poetic force, accuracy, and humanitas and includes introduction, notes, and a glossary of philosophical terms cross-referenced to use throughout the poem.

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

Originally published in 1937, this book contains an English translation of Lucretius' De rerum natura by R. C. Trevelyan. The text is accompanied by critical notes and footnotes explaining certain Classical references. This book will be of value to anyone with an interest in the history of Classical education and the reception of Classical texts.

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. The first volume contains all six books of Lucretius' poem in Latin with an English translation.

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. Volume 2 contains Munro's explanatory notes and the index.

Lucretius' didactic poem On the Nature of Things is one of the great works of Latin literature, and Lachmann's edition of the work from 1850 is often considered the beginning of modern textual criticism. The poem is divided into six books and leans heavily on Epicurean philosophy. All that exists in the world, even the soul, is composed of atoms that unite and dissipate with time; Lucretius does not believe in an afterlife or in any of the Roman gods. Lachmann defines the editorial principle that agreement in error implies identity of origin, and on this basis he creates a stemma for the manuscripts of Lucretius, and demonstrates how the three main manuscripts all derive from one archetype. His commentary is divided into two parts: the recensio (creation of a family tree for the manuscripts of the work) and a lengthy emendatio (correction of the errors in the text).

The third book of Lucretius'' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus'' dictum that death does not matter, ''is nothing to us''. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

The third book of Lucretius'' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus'' dictum that death does not matter, ''is nothing to us''. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks.Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

Elegant, insightful and startlingly modern, the philosophy of Lucretius deeply influenced the course of European thought; here, he provides one of the first accounts of atomic theory, argues that there can be no life of the soul after death, and explores the sickness that we call love.

`Therefore this terror and darkness of the mind Not by the sun''s rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.'' Lucretius'' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man''s place in it. Sir Ronald Melville''s accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius'' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius'' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A scholarly edition of a work by Lucretius. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced.

Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them. Melville translates this poem in a style which is both accurate and poetical, and in language accessible to the modern reader.The Introduction gives full details of the little that is known of Lucretius' life and background in 1st century BCE Rome, and also of the Epicurean philosophy that was his inspiration. It also explores why the issues Lucretius' poem raises about the scientific and poetical views of the world continue to be important. The Explanatory Notes explain all references for the non-classicist, and attempt to situate Lucretius' scientific theories within the thought of his time and subsequent scientific discoveries.

`Therefore this terror and darkness of the mind Not by the sun's rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.' Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man's place in it. Sir Ronald Melville's accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

" . . . [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' —The Classical Review

This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

This elegant new translation at last restores the poetry to one of the greatest and most influential poems in the Western tradition. "De Rerum Natura" is Lucretius' majestic elaboration of Greek Epicurean physics and psychology in an epic that unfolds over the course of six books. This sumptuous account of a secular cosmos argues that the soul is mortal, that pleasure is the object of life, and that humanity has free will, among other ideas. Renowned author, translator, and poet David R. Slavitt has captured Lucretius' elegance as well as his philosophical profundity in this highly readable translation of a poem that is crucial to the history of ancient thought.

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it’s easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the world—from the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writers—the original doomscrollers—show how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its “creative fire” and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it's easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the worldfrom the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writersthe original doomscrollersshow how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its ';creative fire' and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

A grimly entertaining anthology of ancient Greek and Roman writings about how to fearlessly prepare for the end of the world and other disastersA remarkable percentage of people believe we are living in the end times, according to pollsters. Between the climate crisis, nuclear weapons, AI, and other existential threats, it's easy to see why. How should we think about the apocalypse? How can we mentally prepare for doomsday and other disasters? This anthology presents ancient Greek and Roman writings about the end of the worldfrom the poet Hesiod and his prediction that Zeus will destroy humanity to philosophers such as Plato, Lucretius, Seneca, and Epictetus, who viewed the end of the world as an inevitable and regular process of nature and the cosmos. These writersthe original doomscrollersshow how thinking about the annihilation of civilization or the planet can be instructive and healthy, and they seek to teach readers how to face catastrophe without fear.Featuring fresh new translations and an introduction, as well as the original Greek and Latin texts on facing pages, this collection presents stories and ideas that are both familiar and unfamiliar. Here, Plato invents the tale of Atlantis to illustrate the idea that civilization is periodically wiped out by natural disasters, the Epicureans envision total planetary destruction in a universe guided by natural laws, the Stoics theorize that the cosmos is repeatedly consumed by its ';creative fire' and then reborn, and much more.Along the way, we discover the ancient roots of modern doomsday prepping and postapocalyptic fiction. But most of all, we learn how thinking about the end of the world can be oddly reassuring and improve how we live today.

Titus Lucretius Carus was probably born in the early first century B.C., and died in the year 55. Little is known of his life, although two tantalizing bits of gossip were passed on by St. Jerome: that he was poisoned by a madness-inducing aphrodisiac given him by his wife, and that his great poem On the Nature of Things was posthumously edited by Cicero. For the latter assertion, writes Anthony Esolen in his introduction to the present volume, there is little evidence, and none whatsoever for the former. What does survive is a masterful poetic work that stands as the greatest exposition of Epicurean philosophy. Writing in the waning days of the Roman Republic-as Rome's politics grew individualistic and treacherous, its high-life wanton, its piety introspective and morbid-Lucretius sets forth a rational and materialistic view of the world which offers a retreat into a quiet community of wisdom and friendship. Even to modern readers, the sweep of Lucretius's observations is remarkable.A careful observer of nature, he writes with an innocent curiosity into how things are put together-from the oceans, lands, and stars to a mound of poppy seeds, from the "applause" of a rooster's wings to the human mind and soul. Yet Lucretius is no romantic. Nature is what it is-fascinating,purposeless, beautiful, deadly. Once we understand this, we free ourselves of superstitious fears, becoming as human and as godlike as we can be. The poem, then, is about the universe and how human beings ought to live in it. Epicurean physics and morality converge. Until now, there has been no adequate English verse translation of Lucretius's work. Anthony Esolen fills that gap with a version that reproduces-with remarkable faithfulness-the meaning, pace, and tone of the original Latin. Here is a book that will introduce a new generation of readers to a thinker whose powers of observation and depth of insight remain fresh to the present day. "Esolen has the rare gift of being both a fine poet and a lover of languages. His diction is poetic and natural; he has a fine ear for sound, and the translation benefits greatly from being read aloud-as Latin poetry was meant to be.This translation is clear and forceful. It can, and will, be read."-Kenneth J. Reckford, University of North Carolina, Chapel Hill

Martin Ferguson Smith's work on Lucretius is both well known and highly regarded. However, his 1969 translation of De Rerum Natura--long out of print--is virtually unknown. Readers will share our excitement in the discovery of this accurate and fluent prose rendering. For this edition, Professor Smith provides a revised translation, new Introduction, headnotes and bibliography.

This text is a translation of Lucretius’ poem which adheres faithfully to the text, yet with poetic force, accuracy, and humanitas and includes introduction, notes, and a glossary of philosophical terms cross-referenced to use throughout the poem.

The third book of Lucretius' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus' dictum that death does not matter, 'is nothing to us'. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

Originally published in 1937, this book contains an English translation of Lucretius' De rerum natura by R. C. Trevelyan. The text is accompanied by critical notes and footnotes explaining certain Classical references. This book will be of value to anyone with an interest in the history of Classical education and the reception of Classical texts.

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. The first volume contains all six books of Lucretius' poem in Latin with an English translation.

Published in Cambridge in 1864, H. A. J. Munro's two-volume critical edition of the Roman poet Lucretius' De Rerum Natura ('On the Nature of the Universe'), represents one of the finest contributions to classical scholarship of the nineteenth century. Lucretius' didactic poem, written in hexameters, is divided into six books and explains Epicurean cosmology. Munro's edition was conceived in response to that of the German philologist Karl Lachmann, who had published an edition of Lucretius in 1850. Munro began working on Lucretius in 1849 at which time he collated a range of manuscripts from European libraries. His first edition of the poem appeared in 1860. This revised edition followed in 1864 complete with an introduction, translation, and commentary. Volume 2 contains Munro's explanatory notes and the index.

Lucretius' didactic poem On the Nature of Things is one of the great works of Latin literature, and Lachmann's edition of the work from 1850 is often considered the beginning of modern textual criticism. The poem is divided into six books and leans heavily on Epicurean philosophy. All that exists in the world, even the soul, is composed of atoms that unite and dissipate with time; Lucretius does not believe in an afterlife or in any of the Roman gods. Lachmann defines the editorial principle that agreement in error implies identity of origin, and on this basis he creates a stemma for the manuscripts of Lucretius, and demonstrates how the three main manuscripts all derive from one archetype. His commentary is divided into two parts: the recensio (creation of a family tree for the manuscripts of the work) and a lengthy emendatio (correction of the errors in the text).

The third book of Lucretius'' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus'' dictum that death does not matter, ''is nothing to us''. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.

The third book of Lucretius'' great poem on the workings of the universe is devoted entirely to expounding the implications of Epicurus'' dictum that death does not matter, ''is nothing to us''. The soul is not immortal: it no more exists after the dissolution of the body than it had done before its birth. Only if this fact is accepted can men rid themselves of irrational fears and achieve the state of ataraxia, freedom from mental disturbance, on which the Epicurean definition of pleasure was based. To present this case Lucretius deploys the full range of poetic and rhetorical registers, soberly prohibitive, artfully decorative or passionately emotive as best suits his argument, reinforcing it with vivid and compelling imagery. This new edition has been completely revised, with a considerably enlarged Commentary and a new supplementary introduction taking account of the great amount of new scholarship of the last forty years.