Lutz P. Koepnick – författare
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2 produkter
2 produkter
135 kr
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Shaping everyday landscapes from cities to factories, the grid - an arrangement of individual elements along perpendicular lines - has been a basic structure of modern life. The matrix, in contrast, pushes the grid into the digital frontier, freeing it from its confinement to two dimensions. Featuring bold new essays by Sabine Eckmann and Lutz Koepnick, curators of the Mildred Lane Kemper Art Museum exhibition that shares its name, "[Grid<>Matrix]" traces the complex relationship of these different yet intertwined methods of organizing the visual world and how we represent it in art. The inaugural volume of the Museum's Screen Arts and New Media Aesthetics series of special exhibitions and publications, "[Grid<>Matrix]" explores the continuities and ruptures between the analog and the digital, and between the organizational principles of older and newer media. It examines the ubiquity of screens in contemporary life and illuminates the impact of the digital on artistic practice and aesthetic experience alike.
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Berlin School Glossary is the first major publication to mark the increasing international importance of a group of contemporary German and Austrian filmmakers initially known by the name the Berlin School: Christian Petzold, Thomas Arslan, Christoph Hochhäusler, Jessica Hausner and others. The study elaborates on the innovative strategies and formal techniques that distinguish these films, specifically questions of movement, space, spectatorship, representation, desire, location and narrative. Abandoning the usual format of essay-length analyses of individual films and directors, the volume is organized as an actual glossary with entries such as bad sex, cars, the cut, endings, familiar places, forests, ghosts, hotels, interiority, landscapes, siblings, surveillance, swimming pools and wind. This unique format combined with an informative introduction will be essential to scholars and fans of the German New Wave.