Lynn Hunt – författare

Vi rättfärdigar våra handlingar i nuet genom vår förståelse av det förflutna. Men vi lever i en tid då politiker obesvärat ljuger om historiska fakta och lägger sig i historieböckers innehåll, och då medier ofta återger en och samma händelse på häpnadsväckande olika sätt. Vi lever dessutom i en tid då nya upptäckter tvingar oss att omvärdera allt vi trodde att vi visste om det förflutna.Hur kan vi i dag skaffa oss säker kunskap om historien? Och varför angår den oss? Lynn Hunt beskriver sökandet efter sanning om det förflutna som en kontinuerlig upptäcktsprocess som är livsnödvändig för våra samhällen. Historieskrivning spelar en viktig roll i strävan att ge en hederlig presentation av fakta, men den fram-manar också ödmjukhet inför våra dagsaktuella angelägenheter, en kritisk inställning till nationalism och andra chauvinistiska tendenser samt en öppenhet för andra folk och kulturer. Historien är, enligt Hunt, vårt bästa försvar mot tyranni.

The French Revolution in Global Perspective illuminates the dense connections among the cultural, social, and economic aspects of the French Revolution, revealing how new political forms-at once democratic and imperial, anticolonial and centralizing-were generated in and through continual transnational exchanges and dialogues.Believe iSituating the French Revolution in the context of early modern globalization for the first time, this book offers a new approach to understanding its international origins and worldwide effects. A distinguished group of contributors shows that the political culture of the Revolution emerged out of a long history of global commerce, imperial competition, and the movement of people and ideas in places as far flung as India, Egypt, Guiana, and the Caribbean.This international approach helps to explain how the Revolution fused immense idealism with territorial ambition and combined the drive for human rights with various forms of exclusion. The essays examine topics including the role of smuggling and free trade in the origins of the French Revolution, the entwined nature of feminism and abolitionism, and the influence of the French revolutionary wars on the shape of American empire.

How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.

We justify our actions in the present through our understanding of the past. But we live in a time when politicians lie brazenly about historical facts and meddle with the content of history books, while media differ wildly in their reporting of the same event. Frequently, new discoveries force us to re-evaluate everything we thought we knew about the past.So how can any certainty about history be established, and why does it matter? Lynn Hunt shows why the search for truth about the past, as a continual process of discovery, is vital for our societies. History has an essential role to play in ensuring honest presentation of evidence. In this way, it can foster humility about our present-day concerns, a critical attitude toward chauvinism, and an openness to other peoples and cultures. History, Hunt argues, is our best defense against tyranny.Introducing Polity's Why It Matters series; in these short and lively books, world-leading thinkers make the case for the importance of their subjects and aim to inspire a new generation of students.

Liberty, Equality, Fraternity offers readers an accessible and lively introduction to the French Revolution that is also grounded in the latest and most sophisticated historical scholarship. It does so through two paths—a book and a companion CD-ROM. The book gives a brief but comprehensive narrative of the Revolution. The CD-ROM offers readers an unprecedented multimedia overview of the Revolution through images, primary documents, and song. Together they introduce readers to the fascinating story of the world’s first great revolution. The book, written by Lynn Hunt and Jack Censer, preeminent authorities on the French Revolution, includes selected images and documents from the accompanying CD-ROM, prepared by the authors with the support of the Center for History and New Media at George Mason University and the American Social History Project at City University of New York. Features of the CD-ROM include primary documents (carefully chosen, translated, and placed in their proper historical contexts by a team of historians), songs, maps, and more than 300 images (caricatures, portraits, sculptures, and photographs of artifacts of material culture)—many previously available only to specialists in the field. These hard-to-find images, gathered from repositories in France and the United States, comprise an unparalleled and powerful visual record of the Revolution. Given the centrality of visual artifacts (imagery, symbolism, and print culture) to the history of the Revolution, and the inability of print reproduction to present such images with clarity and detail, the companion CD-ROM will provide an entry into the Revolution unavailable in any other form.

George Orwell wrote that "history is written by the winners". Even if that seems a bit too cut-and-dried, we can say that history is always written from a viewpoint but that viewpoints change, sometimes radically. The history of workers, women and minorities challenged the once unquestioned dominance of the tales of great leaders and military victories. Then cultural studies brought fresh perspectives but those too have run their course. With globalisation emerging as a major economic, cultural and political force, Lynn Hunt examines whether it can reinvigorate the telling of history. In tandem, she proposes a sweeping re-evaluation of individuals’ agency and their place in society as the keys to understanding the way people and ideas interact. Writing History in the Global Era is bound to shake up the discipline and break new ground for historical studies.

This text examines the problem of historical truth. Seeking the roots of contemporary historical study in the Enlightenment, the authors argue that a model of historical research, based on neutrality and objectivity, served historians well until World War II. After that post-modernism suggested history could not reveal the truth about the past and the rise of social history produced a great amount of statistics which effectively swamped the search for historical truth. Accepting that much of history teaching has been flawed, the authors nevertheless argue for an affirmation of historical knowledge against the doubts of the sceptics and the relativists, guiding the reader through the complex areas of political correctness and multiculturalism.

George Orwell wrote that "history is written by the winners". Even if that seems a bit too cut-and-dried, we can say that history is always written from a viewpoint but that viewpoints change, sometimes radically. The history of workers, women and minorities challenged the once unquestioned dominance of the tales of great leaders and military victories. Then cultural studies brought fresh perspectives but those too have run their course. With globalisation emerging as a major economic, cultural and political force, Lynn Hunt examines whether it can reinvigorate the telling of history. In tandem, she proposes a sweeping re-evaluation of individuals’ agency and their place in society as the keys to understanding the way people and ideas interact. Writing History in the Global Era is bound to shake up the discipline and break new ground for historical studies.

This latest work from an author known for her contributions to the new cultural history is a daring, multidisciplinary investigation of the imaginative foundations of modern politics. Hunt uses the term `Family Romance', (coined by Freud to describe the fantasy of being freed from one's family and belonging to one of higher social standing), in a broader sense, to describe the images of the familial order that structured the collective political unconscious. In a wide-ranging account that uses novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that the politics of the French Revolution were experienced through the network of the family romance.

This latest work from an author known for her contributions to the new cultural history is a daring, multidisciplinary investigation of the imaginative foundations of modern politics. Hunt uses the term `Family Romance', (coined by Freud to describe the fantasy of being freed from one's family and belonging to one of higher social standing), in a broader sense, to describe the images of the familial order that structured the collective political unconscious. In a wide-ranging account that uses novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that the politics of the French Revolution were experienced through the network of the family romance.

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical documents in the same way that they previously read 'great' texts. Anthropologists have turned to the history of their own discipline in order to better understand the ways in which disciplinary authority was constructed. As historians have begun to participate in this ferment, they have moved away from their earlier focus on social theoretical models of historical development toward concepts taken from cultural anthropology and literary criticism. Much of the most exciting work in history recently has been affiliated with this wide-ranging effort to write history that is essentially a history of culture. The essays presented here provide an introduction to this movement within the discipline of history.The essays in Part One trace the influence of important models for the new cultural history, models ranging from the path breaking work of the French cultural critic Michel Foucault and the American anthropologist Clifford Geertz to the imaginative efforts of such contemporary historians as Natalie Davis and E. P. Thompson, as well as the more controversial theories of Hayden White and Dominick LaCapra. The essays in Part Two are exemplary of the most challenging and fruitful new work of historians in this genre, with topics as diverse as parades in 19th-century America, 16th-century Spanish texts, English medical writing, and the visual practices implied in Italian Renaissance frescoes. Beneath this diversity, however, it is possible to see the commonalities of the new cultural history as it takes shape. Students, teachers, and general readers interested in the future of history will find these essays stimulating and provocative.

This latest work from an author known for her contributions to the new cultural history is a multidisciplinary investigation of the foundations of modern politics. "Family Romance" was coined by Freud to describe the fantasy of being freed from one's family and joining one of higher social standing. Lynn Hunt uses the term broadly to describe the images of the familial order underlying revolutionary politics. In a wide-ranging account using novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that politics were experienced through the grid of the family romance.

Nothing has generated more controversy in the social sciences than the turn toward culture, variously known as the linguistic turn, culturalism, or postmodernism. This book examines the impact of the cultural turn on two prominent social science disciplines, history and sociology, and proposes new directions in the theory and practice of historical research. The editors provide an introduction analyzing the origins and implications of the cultural turn and its postmodernist critiques of knowledge. Essays by leading historians and historical sociologists reflect on the uses of cultural theories and show both their promise and their limitations. The afterword by Hayden White provides an assessment of the trend toward culturalism by one its most influential proponents. "Beyond the Cultural Turn" offers fresh theoretical readings of the most persistent issues created by the cultural turn and provocative empirical studies focusing on diverse social practices, the uses of narrative, and the body and self as critical junctures where culture and society intersect.

When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical documents in the same way that they previously read "great" texts. Anthropologists have turned to the history of their own discipline in order to better understand the ways in which disciplinary authority was constructed. As historians have begun to participate in this ferment, they have moved away from their earlier focus on social theoretical models of historical development toward concepts taken from cultural anthropology and literary criticism.Much of the most exciting work in history recently has been affiliated with this wide-ranging effort to write history that is essentially a history of culture. The essays presented here provide an introduction to this movement within the discipline of history. The essays in Part One trace the influence of important models for the new cultural history, models ranging from the pathbreaking work of the French cultural critic Michel Foucault and the American anthropologist Clifford Geertz to the imaginative efforts of such contemporary historians as Natalie Davis and E. P. Thompson, as well as the more controversial theories of Hayden White and Dominick LaCapra. The essays in Part Two are exemplary of the most challenging and fruitful new work of historians in this genre, with topics as diverse as parades in 19th-century America, 16th-century Spanish texts, English medical writing, and the visual practices implied in Italian Renaissance frescoes. Beneath this diversity, however, it is possible to see the commonalities of the new cultural history as it takes shape. Students, teachers, and general readers interested in the future of history will find these essays stimulating and provocative.

Nothing has generated more controversy in the social sciences than the turn toward culture, variously known as the linguistic turn, culturalism, or postmodernism. This book examines the impact of the cultural turn on two prominent social science disciplines, history and sociology, and proposes new directions in the theory and practice of historical research.The editors provide an introduction analyzing the origins and implications of the cultural turn and its postmodernist critiques of knowledge. Essays by leading historians and historical sociologists reflect on the uses of cultural theories and show both their promise and their limitations. The afterword by Hayden White provides an assessment of the trend toward culturalism by one its most influential proponents.Beyond the Cultural Turn offers fresh theoretical readings of the most persistent issues created by the cultural turn and provocative empirical studies focusing on diverse social practices, the uses of narrative, and the body and self as critical junctures where culture and society intersect.Nothing has generated more controversy in the social sciences than the turn toward culture, variously known as the linguistic turn, culturalism, or postmodernism. This book examines the impact of the cultural turn on two prominent social science disciplin

When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution''s role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years'' scholarship.

Two French Protestant refugees in eighteenth-century Amsterdam gave the world an extraordinary work that intrigued and outraged readers across Europe. In this captivating account, Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt take us to the vibrant Dutch Republic and its flourishing book trade to explore the work that sowed the radical idea that religions could be considered on equal terms.Famed engraver Bernard Picart and author and publisher Jean Frederic Bernard produced The Religious Ceremonies and Customs of All the Peoples of the World, which appeared in the first of seven folio volumes in 1723. They put religion in comparative perspective, offering images and analysis of Jews, Catholics, Muslims, the peoples of the Orient and the Americas, Protestants, deists, freemasons, and assorted sects. Despite condemnation by the Catholic Church, the work was a resounding success. For the next century it was copied or adapted, but without the context of its original radicalism and its debt to clandestine literature, English deists, and the philosophy of Spinoza.Ceremonies and Customs prepared the ground for religious toleration amid seemingly unending religious conflict, and demonstrated the impact of the global on Western consciousness. In this beautifully illustrated book, Hunt, Jacob, and Mijnhardt cast new light on the profound insight found in one book as it shaped the development of a modern, secular understanding of religion.

Now in a revised and updated edition with added original chapters, this acclaimed book provides an interdisciplinary perspective on the complex links between revolutionary struggles and human rights discourses and practices. Covering events as far removed from one another in time and space as the English Civil War, the Parisian upheavals of 1789, Latin American independence struggles, and protests in late twentieth-century China, the contributors explore the paradoxes of revolutionary and human rights projects. The book convincingly shows the ways in which revolutions have both helped spur new advances in thinking about human rights and produced regimes that commit a range of abuses. Providing an unusually balanced analysis of the changes over time in conceptions of human rights in Western and non-Western contexts, this work offers a unique window into the history of the world during modern times and a fresh context for understanding today's pressing issues.Contributions by: Florence Bernault, Mark Philip Bradley, Sumit Ganguly, Greg Grandin, James N. Green, Lynn Hunt, Yanni Kotsonis, Timothy McDaniel, Kristin Ross, Jeffrey N. Wasserstrom, Alexander Woodside, Marilyn B. Young, David Zaret, and Michael Zuckert

Now in a revised and updated edition with added original chapters, this acclaimed book provides an interdisciplinary perspective on the complex links between revolutionary struggles and human rights discourses and practices. Covering events as far removed from one another in time and space as the English Civil War, the Parisian upheavals of 1789, Latin American independence struggles, and protests in late twentieth-century China, the contributors explore the paradoxes of revolutionary and human rights projects. The book convincingly shows the ways in which revolutions have both helped spur new advances in thinking about human rights and produced regimes that commit a range of abuses. Providing an unusually balanced analysis of the changes over time in conceptions of human rights in Western and non-Western contexts, this work offers a unique window into the history of the world during modern times and a fresh context for understanding today's pressing issues.Contributions by: Florence Bernault, Mark Philip Bradley, Sumit Ganguly, Greg Grandin, James N. Green, Lynn Hunt, Yanni Kotsonis, Timothy McDaniel, Kristin Ross, Jeffrey N. Wasserstrom, Alexander Woodside, Marilyn B. Young, David Zaret, and Michael Zuckert

The French Revolution in Global Perspective illuminates the dense connections among the cultural, social, and economic aspects of the French Revolution, revealing how new political forms-at once democratic and imperial, anticolonial and centralizing-were generated in and through continual transnational exchanges and dialogues.Believe iSituating the French Revolution in the context of early modern globalization for the first time, this book offers a new approach to understanding its international origins and worldwide effects. A distinguished group of contributors shows that the political culture of the Revolution emerged out of a long history of global commerce, imperial competition, and the movement of people and ideas in places as far flung as India, Egypt, Guiana, and the Caribbean.This international approach helps to explain how the Revolution fused immense idealism with territorial ambition and combined the drive for human rights with various forms of exclusion. The essays examine topics including the role of smuggling and free trade in the origins of the French Revolution, the entwined nature of feminism and abolitionism, and the influence of the French revolutionary wars on the shape of American empire.

By the end of the nineteenth century, women had become an undeniable force both in the public discussion of social life and in politics itself. Yet in art and literature women's bodies continued to be represented-- and domesticated-- by men. They were still more often the object of the artist's or writer's gaze than they were the subject of their own representing processes. The erotic potential of women's bodies, however, was far from a marginal concern in the elaboration of modern forms of politics, art, literature, and psychology. In "Eroticism and the Body Politic", scholars from art history, history, and literature examine the frequent intersections between the body erotic and the body politic. Focusing on eighteenth- and nineteenth-century France, they show how eroticized representations of bodies had a multitude of political and cultural meanings. The authors consider the eroticized body in a wide variety of media: from Fragonard's paintings of "erotic mothers", to political pornography attacking Marie Antoinette, to the "new woman" of fin-de-siecle decorative arts.Exploring the possibilities of a multidisiplinary approach, the volume shows that eroticism had an impact far beyond the usual confines of libertine or pornographic literature-- and that politics included much more than voting, meeting, or demonstrating. At a time of general methodological ferment in the "human sciences", "Eroticism and the Body Politic" brings fresh approaches to the developing field of cultural studies.

Redrawing the map and resetting the clock of the Age of RevolutionsIn 2015, Bryan Banks and Cindy Ermus launched AgeofRevolutions.com, a site offering critical reconsideration of the foundational concept of revolution and centered on three key questions: What was the Age of Revolutions? Where was the Age of Revolutions? And are we still living in an Age of Revolutions? This collection represents the best of scholars' answers to these expansive, urgent questions. Throughout, contributors place the revolutionary era within a larger and more fluid context of global interconnections, situating it within multiple overlapping narratives of resistance and transformation and encouraging a more nuanced and expansive conception of revolution across time and space. They challenge traditional understandings that placed the Age of Revolutions between the years 1775 and 1848 and that confined it to Europe and the Atlantic world. Instead, this volume demonstrates that the Age of Revolutions began much earlier in the eighteenth century and continues through the present day and across the globe—from Haiti to Hong Kong. Collectively, these field-defining essays explore the implications of this new understanding of the concept, offering snapshots of the diverse nature of revolutionary change across all continents.

This is a superbly illustrated exploration of one of the most important works of comparative religion ever published. In an era of intense religious conflict in Europe and ongoing exploration of the lands beyond Europe, the "Ceremonies et costumes religieuses de tous les peoples du monde" (1723-37), written by Jean Frederic Bernard and illustrated by renowned engraver Bernard Picart, set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. Bernard Picart and the First Global Vision of Religion approaches this much-cited but little-studied work from a variety of angles, with fifteen scholarly essays examining Bernard and Picart's authorial and artistic strategies, the handling of religious differences, and the cultural context that fostered the creation of one of the most influential works of comparative religion ever published.

This latest work from an author known for her contributions to the new cultural history is a daring, multidisciplinary investigation of the imaginative foundations of modern politics. Hunt uses the term `Family Romance'', (coined by Freud to describe the fantasy of being freed from one''s family and belonging to one of higher social standing), in a broader sense, to describe the images of the familial order that structured the collective political unconscious. In a wide-ranging account that uses novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that the politics of the French Revolution were experienced through the network of the family romance.

This latest work from an author known for her contributions to the new cultural history is a daring, multidisciplinary investigation of the imaginative foundations of modern politics. Hunt uses the term `Family Romance'', (coined by Freud to describe the fantasy of being freed from one''s family and belonging to one of higher social standing), in a broader sense, to describe the images of the familial order that structured the collective political unconscious. In a wide-ranging account that uses novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that the politics of the French Revolution were experienced through the network of the family romance.