Major Jackson – författare

In his fourth collection, a breakthrough volume, Major Jackson appropriates the vernacular notion of “rolling deep” to capture the spirit of aesthetic travel that defines these forceful new poems and brazenly announces his steady accretion of literary and artistic influences, both formal and experimental—his “crew.” The confident and radiant poems in Roll Deep address a range of topics, most prominently human intimacy and war. And like his best work to date, these poems create new experiences with language owed to Jackson’s willingness to once again seek a rhythmic sound that expresses the unique realities of the twenty-first century with humor and understanding. Whether set in Nairobi, Madrid, or Greece, the poems are sensuously evocative and unapologetically with-it, in their effort to build community across borders of language and style.From Urban Renewal, “The Dadaab Suite”:I have come to Dadaab like an actoron a press release, unprepared for the drained facesof famine-fleeing refugees, my craft’s glamourdimmed by hundreds of infant graves, childrenwhose lolling heads’ final drop landed on their mothers’backs like soft stones. What beauty can I spell inthis swelter of dust?

In Hoops, Major Jackson continues to mine the solemn marvels of ordinary lives: a grandfather gardens in a tenement backyard; a teacher unconsciously renames her black students after French painters. The substance of Jackson's art is the representation of American citizens whose heroic endurance makes them remarkable and transcendent.

In his fourth collection, a breakthrough volume, Major Jackson appropriates the vernacular notion of “rolling deep” to capture the spirit of aesthetic travel that defines these forceful new poems and brazenly announces his steady accretion of literary and artistic influences, both formal and experimental—his "crew". The confident and radiant poems in Roll Deep address a range of topics, most prominently human intimacy and war. And like his best work to date, these poems create new experiences with language owed to Jackson’s willingness to once again seek a rhythmic sound that expresses the unique realities of the twenty-first century with humour and understanding. Whether set in Nairobi, Madrid or Greece, the poems are sensuously evocative and unapologetically with-it, in their effort to build community across borders of language and style.

Inspired by Albert Camus’s seminal Myth of Sisyphus, Major Jackson’s fifth volume subtly configures the poet as “absurd hero” and plunges headfirst into a search for stable ground in an unstable world. We follow Jackson’s restless, vulnerable speaker as he ponders creation in the face of meaninglessness, chronicles an increasingly technological world, and the difficulty of social and political unity, probes a failed marriage and grieves his lost mother with a stunning, lucid lyricism.The arc of a man emerges; he bravely confronts his past, including his betrayals and his mistakes, and questions who he is as a father, as a husband, as a son and as a poet. With intense musicality and verve, The Absurd Man also faces outward, finding refuge in intellectual and sensuous passions. At once melancholic and jubilant, Jackson considers the journey of humanity, with all its foibles, as a sacred pattern of discovery reconciled by art and the imagination.

In this collection of essays, talks, and reviews, Major Jackson revels in the work of poetry not only to limn and assess the intellectual and spiritual dimensions of poets, but to amplify the controversies and inner conflicts that define our age: political unrest, climate crises, the fallout from bewildering traumas, and the social function of the art of poetry itself. Accessible and critically minded, Jackson returns to the poem as an unparalleled source of linguistic pleasure that structures a multilayered “lyric self.” In his interviews, Jackson illustrates poetry’s distinct ability to mediate the inexplicable while foregrounding the possibilities of human song. Collected over several decades, these essays find Jackson praising mythmaking in Frank Bidart and Ai’s poetry, expressing bafflement at the silence of white-identified poets in the cause of social and racial justice, unearthing the politics behind Gwendolyn Brooks’s Pulitzer Prize, and marveling at the “hallucinatory speed of thought” in a diverse range of poets including Mei-mei Berssenbrugge, Brenda Hillman, Afaa Michael Weaver, Forrest Gander, and Terrance Hayes. This collection passionately surveys the radical shifts of the art and notes poetry as a necessity for a modern sensibility.

Leaving Saturn, chosen by Al Young as the winner of the Cave Canem Poetry Prize, is an ambitious and honest collection. Major Jackson, through both formal and free verse poems, renders visible the spirit of resilience, courage, and creativity he witnessed among his family, neighbors, and friends while growing up in Philadelphia. His poems hauntingly reflect urban decay and violence, yet at the same time they rejoice in the sustaining power of music and the potency of community. Jackson also honors artists who have served as models of resistance and maintained their own faith in the belief of the imagination to alter lives. The title poem, a dramatic monologue in the voice of the American jazz composer and bandleader Sun Ra, details such a humane program and serves as an admirable tribute to the tradition of African American art. Throughout, Jackson unflinchingly portrays our most devastated landscapes, yet with a vividness and compassion that expose the depth of his imaginative powers.

A preeminent voice in contemporary literature, Major Jackson offers steady miracles of vision and celebrations of language in rapturous, sophisticated poems. Razzle Dazzle traces the evolution of Jackson’s transformative imagination and fierce music through five acclaimed volumes: his Cave Canem Poetry Prize–winning debut, Leaving Saturn (2002), which captures the spirit of resilience in the Philadelphia neighborhoods of the poet’s youth; Hoops (2006), which finds transcendence in the solemn marvels of ordinary lives; Holding Company (2010), which shifts away from narrative to explore the seductive force of art, literature, and music; Roll Deep (2015), which addresses human intimacy, war, and the spirit of aesthetic travel; and his vulnerable, philosophical latest, The Absurd Man (2020). The volume opens with over three dozen new poems that erupt into full-throated song in the face of indignity and invite us into a passionate experience of the world.Taken together, these two decades of writing offer a sustained portrait of a poet “bound up in the ecstatic,” whose buoyant lyricism confronts the social and political forces that would demean humanity. Equally attuned to sensuous connection, metaphysical inquiries, the natural world, and ever-changing urban landscapes, Jackson possesses a sensibility at once global and personal, driven by an enduring conviction in the possibilities of art and language to mark our lives with meaning.Whether addressing racial conflict and the ongoing struggle for human dignity in America, bearing witness to the plight of refugees, or grieving the contradictory nature of humankind, these dexterous poems proclaim the remarkable power of renewal, justice, and accountability.

A pre-eminent voice in contemporary literature, Major Jackson offers steady miracles of vision and celebrations of language in rapturous, sophisticated poems. Razzle Dazzle traces the evolution of Jackson’s transformative imagination and fierce music through five acclaimed volumes. The volume opens with over three dozen new poems that erupt into full-throated song in the face of indignity and invite us into a passionate experience of the world. Taken together, these two decades of writing offer a sustained portrait of a poet “bound up in the ecstatic”, whose buoyant lyricism confronts the social and political forces that would demean humanity. Jackson possesses a sensibility at once global and personal, driven by an enduring conviction in the possibilities of art and language to mark our lives with meaning. These dexterous poems proclaim the remarkable power of renewal, justice and accountability.

The 2019 edition of The Best American Poetry—“one of the mainstays of the poetry publication world” (Academy of American Poets)—now guest edited by Major Jackson, award-winning poet and poetry editor of the Harvard Review.Since 1988, The Best American Poetry has been the leading anthology of contemporary American poetry. The Washington Post said of the 2017 edition, “The poems...have a wonderful cohesion and flow, as if each contributes to a larger narrative about life today…While readers may question some of the selections—an annual sport with this series—most will find much that resonates, including the insightful author notes at the back of the anthology.” The state of the world has inspired many to write poetry, and to read it—to share all the rage, beauty, and every other thing under the sun in the way that only poetry can. Now the foremost anthology of contemporary American poetry returns, guest edited by Major Jackson, the poet and editor who, “makes poems that rumble and rock” (poet Dorianne Laux). This brilliant 2019 edition includes some of the year’s most defining, striking, and innovative poems and poets.

This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.