Marion Gibson – författare

In this original study of witchcraft, Gibson explores the stories told by and about witches and their 'victims' through trial records, early news books, pamphlets and fascinating personal accounts. The author discusses the issues surrounding the interpretation of original historical sources and demonstrates that their representations of witchcraft are far from straight forward or reliable. Innovative and thought-provoking, this book sheds new light on early modern people's responses to witches and on the sometimes bizarre flexibility of the human imagination.

In this original study of witchcraft, Gibson explores the stories told by and about witches and their 'victims' through trial records, early news books, pamphlets and fascinating personal accounts. The author discusses the issues surrounding the interpretation of original historical sources and demonstrates that their representations of witchcraft are far from straight forward or reliable. Innovative and thought-provoking, this book sheds new light on early modern people's responses to witches and on the sometimes bizarre flexibility of the human imagination.

This collection of pamphlets describes fifteen English witchcraft cases in detail, vividly recreating events to give the reader the illusion of actually being present at witchcraft accusations, trials and hangings. But how much are we victims of literary manipulation by these texts? The pamphlets are presented in annotated format, to allow the reader to decide. Some of the texts appear in print for the first time in three centuries, whilst others are newly edited to give a clearer picture of sources.

This collection of pamphlets describes fifteen English witchcraft cases in detail, vividly recreating events to give the reader the illusion of actually being present at witchcraft accusations, trials and hangings. But how much are we victims of literary manipulation by these texts? The pamphlets are presented in annotated format, to allow the reader to decide. Some of the texts appear in print for the first time in three centuries, whilst others are newly edited to give a clearer picture of sources.

Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its ‘defence’. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.

Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its ‘defence’. The coverage is unusually broad in its historical sweep, dealing with work from prehistory to the contemporary, with a particular emphasis on the period from the eighteenth century to the present. The subject matter includes notions of ancient deities, Druids, Celticity, the archaeological remains of pagan religions, traditional folk tales, racial and religious myths and ethnic politics, and the different types of returns and hauntings that can recycle these ideas in culture. Innovative and interdisciplinary, the scholarship in Mysticism, Myth and Celtic Identity is mainly literary but also geographical and historical and draws on religious studies, politics and the social sciences. Thus the collection offers a stimulatingly broad number of new viewpoints on a matter of great topical relevance: national identity and the politicization of its myths.

Imagining the Pagan Past explores stories of Britain’s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

Imagining the Pagan Past explores stories of Britain’s pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons.The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be.The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons.The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be.The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550–1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of "witches," accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced.

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550–1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of "witches," accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced.

A unique collection of materials, including works of literature as well as historical documents, Witchcraft and Society in England and America, 1550-1750 provides a broad view of how witches and magicians were represented in print and manuscript over three centuries. It combines newly annotated selections from famous texts, such as Macbeth, Doctor Faustus, and The Faerie Queene with unjustly obscure ones: portrayals of witchcraft and magic from private papers, court records, and little-known works of fiction. In this rich, broad context, Marion Gibson presents the voices of witches, accusers, ministers, physicians, poets, dramatists, magistrates, and witchfinders from both sides of the Atlantic. Each text is introduced with a short essay and fully annotated to explain unfamiliar words and concepts, give biographical details of participants and/or authors, and explore the context in which the text was produced.

This volume in the long-running and acclaimed Shakespeare Dictionary series is a detailed, critical reference work examining all aspects of magic, good and evil, across Shakespeare's works. Topics covered include the representation of fairies, witches, ghosts, devils and spirits.

An emotive, haunting story of a community torn apart, the Essex witch accusations and trial of 1581-2 are, taken together, one of the pivotal instances of that malign and destructive wave of misogynistic persecution which periodically broke over early modern England. Yet, for all their importance in the overall study of witchcraft, the so-called witches of St Osyth have largely been overlooked by scholars. Marion Gibson now sets right that neglect. Using fresh archival sources - and investigating not just the village itself, but also its neighbouring Elizabethan hamlets and habitations - the author offers revelatory new insights into the sixteen women and one man accused of sorcery while asking wider, provocative questions about the way history is recollected and interpreted. Combining landscape detective work, a reconstruction of lost spaces and authoritative readings of crucial documents, Gibson skilfully unlocks the poignant personal histories of those denied the chance to speak for themselves.

An emotive, haunting story of a community torn apart, the Essex witch accusations and trial of 1581-2 are, taken together, one of the pivotal instances of that malign and destructive wave of misogynistic persecution which periodically broke over early modern England. Yet, for all their importance in the overall study of witchcraft, the so-called witches of St Osyth have largely been overlooked by scholars. Marion Gibson now sets right that neglect. Using fresh archival sources – and investigating not just the village itself, but also its neighbouring Elizabethan hamlets and habitations – the author offers revelatory new insights into the sixteen women and one man accused of sorcery while asking wider, provocative questions about the way history is recollected and interpreted. Combining landscape detective work, a reconstruction of lost spaces and authoritative readings of crucial documents, Gibson skilfully unlocks the poignant personal histories of those denied the chance to speak for themselves.

Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the ‘Witch Finder Generall’ Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare’s Macbeth and Middleton’s The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.

Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the ‘Witch Finder Generall’ Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare’s Macbeth and Middleton’s The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.

Tells a story of injustice and passionate resistance to religious persecution in the last years of Queen Elizabeth's reign. Through an analysis of a sensational series of demonic possessions and exorcisms, this book highlights the existence of controversies in print in the late Elizabethan period of the kind that would one day lead to civil war.

Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganismWith an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.

Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganismWith an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.

'These stories of witchcraft, true and vividly told, demonstrate the potent reality of belief in evil and how in any era or place fear can be weaponised and marginal people, mostly women, labelled as wicked and dangerous. Together they comprise not just a history of witchcraft but a cautionary tale’Malcolm Gaskill, author of The Ruin of All Witches  The world of witch-hunts and witch trials sounds archaic and fanciful, these terms relics of an unenlightened, brutal age. However, we often hear ‘witch-hunt’ in today’s media, and the misogyny that shaped witch trials is all too familiar. Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.In Witchcraft – a stunning hardback with 16 pages of beautiful illustrations – Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions.  It shows us how witchcraft was reimagined by lawyers and radical historians in France, how suspicions of sorcery led to murder in Jazz Age Pennsylvania, the effects of colonialism and Christian missionary zeal on ‘witches’ in Africa, and how even today a witch trial can come in many guises.  Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.  Helena Scheuberin * Anny Sampson * Gillie Duncan Kari Edisdattar * Bess Clarke * Tatabe of Salem * Marie-Catherine Cadière * Nellie DuncanStormy Daniels  These are their stories  'Thought-provoking and timely... Searing'Jessie Childs, The Times

Salem, King James VI, Malleus Maleficarum. The world of witch hunts and witch trials sounds antiquated, relics of an unenlightened and brutal age. However, 'witch hunt' is heard often in the present-day media, and the misogyny it is rooted in is all too familiar today. A woman was prosecuted under the 1735 Witchcraft Act as recently as 1944. This book uses thirteen significant trials to explore the history of witchcraft and witch hunts. As well as investigating some of the most famous trials from the middle ages to the 18th century, it takes us in new and surprising directions. It shows us how witchcraft was decriminalised in the 18th century, only to be reimagined by the 1780s Romantic radicals. We will learn how it evolved from being seen as a threat to Christianity to perceived as gendered persecution, and how trials against chieftains in Africa stoked anger against colonial rule.  Significantly, the book tells the stories of the victims - women, such as Helena Scheuberin and Joan Wright - whose stories have too often been overshadowed by those of the powerful men, such as King James VI and I and “Witchfinder General” Matthew Hopkins, who hounded them.  While this will be a history of witchcraft, the subject cannot be consigned to the history books. Hundreds of people, mostly women, are tried and killed as witches every year in Africa. ‘WITCH HUNT!’ is as common in our language today as ever it was, and witches are still on trial across the world.

'These stories of witchcraft, true and vividly told, demonstrate the potent reality of belief in evil and how in any era or place fear can be weaponised and marginal people, mostly women, labelled as wicked and dangerous. Together they comprise not just a history of witchcraft but a cautionary tale’Malcolm Gaskill, author of The Ruin of All Witches  'Thought-provoking and timely... Searing'Jessie Childs, The Times  In Witchcraft,  Professor Marion Gibson uses thirteen significant trials to tell the global history of witchcraft and witch-hunts. As well as exploring the origins of witch-hunts through some of the most famous trials from the Middle Ages to the eighteenth century, it takes us in new and surprising directions.Three women were prosecuted under a version of the 1735 Witchcraft Act as recently as 2018.  Professor Gibson also tells the stories of the ‘witches’ – mostly women like Helena Scheuberin, Anny Sampson and Joan Wright, whose stories have too often been overshadowed by those of the powerful men, such as King James I and ‘Witchfinder General’ Matthew Hopkins, who hounded them.Once a tool invented by demonologists to hurt and silence their enemies, witch trials have been twisted and transformed over the course of history and the lines between witch and witch-hunter blurred. For the fortunate, a witch-hunt is just a metaphor, but, as this book makes clear, witches are truly still on trial.

'No historian before Marion Gibson has managed to convey so well the lived reality of British witch trials at the local level. This is as close to an eye-witness view of them as we are likely to get' Ronald Hutton, author of The Witch*If the witchfinders came to your town, who would you have believed – and what would you have done?In the 1640s, Britain was swept up in a brutal witch hunt. The economic uncertainty and religious extremism fuelled by the English Civil War created a climate of fear. Neighbours turned on each other. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame. In the resulting hysteria – which would, just a few decades later, provide a handbook for the Salem trials – hundreds of innocent people were killed.Moving from village to village in Scotland and England, Professor Marion Gibson reveals how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities took part in persecuting the vulnerable. Drawing on newly uncovered historical records, this gripping account restores the voices of those accused of witchcraft. Vivid and intimate, Witchland shows that these were ordinary people with extraordinary stories, largely forgotten by history, caught up in suspicion and moral panic.Witchland is a captivating story of fanaticism, inequality and the violence that surfaces during times of political upheaval.*'A remarkable feat of scholarship and empathy . . . chilling and timely read!' Shelley Puhak, author of The Blood Countess and The Dark Queens

If the witchfinders came to your town, who would you have believed – and what would you have done?Set during the chaos of the British civil wars, Witchland reveals how economic uncertainty, hunger and religious extremism created the ideal conditions for mass witch-hunting in Britain. Across the country, fear spread rapidly, and neighbours turned on one another in panic. Women and the poor were especially vulnerable, scapegoated by the powerful looking for someone to blame, and hundreds of witch trials across the country soon followed. The hysteria provided a handbook for similar trials to occur around the world, most famously just a few decades later in Salem. Moving from village to village, Witchland shows how accusations grew out of everyday tensions – poverty, grief, and resentment – and how entire communities became involved in the persecution of the innocent. Drawing on newly uncovered historical records, this gripping historical account restores the voices of those accused of witchcraft. These were ordinary people, largely forgotten by history, along with their families and neighbours caught up in suspicion and moral panic.Both a powerful history and a warning from the past, Witchland is the captivating story of witchcraft, inequality and the violence that surfaces during times of political and economic upheaval.

This volume in the long-running and acclaimed Shakespeare Dictionary series is a detailed, critical reference work examining all aspects of magic, good and evil, across Shakespeare's works. Topics covered include the representation of fairies, witches, ghosts, devils and spirits.