Mark Evans – författare

Magnetism is important in environmental studies for several reasons, the two most fundamental being that most substances exhibit some form of magnetic behavior, and that iron is one of the most common elements in the Earth's crust. Once sequestered in a suitable material, magnetic particles constitute a natural archive of conditions existing in former times. Magnetism provides a tracer of paleo-climatic and paleo-environmental conditions and processes.Environmental Magnetism details the occurrence and uses of magnetic materials in the natural environment. The first half of the volume describes the basic principles. The second half discusses the applications of magnetic measurements in various environmental settings on land, in lakes, in the ocean, and even various biological organisms.* Material is broadly applicable to environmental studies* Case histories illustrate key points* Extensive bibliography makes further research quick and easy

Investigating a range of influential movement training practices, this ambitious book considers the significance of professional training to performers and their bodies. Performance training approaches are examined within their wider social and cultural contexts, illuminating their evolution in response to the changing context of theatre practice and production. Adopting a rigorous critical angle, Mark Evans’ approach is at the cutting-edge of Theatre scholarship, drawing on interviews with recognised practitioners and considering the implications for movement and the body in the digital age.Engaging and enlightening, this is essential reading for undergraduate and postgraduate students of Theatre, Drama and Performance wishing to understand and contextualise the theories behind performance training.

Frantic Assembly have had a powerful and continuing influence on the popularisation of devising practices in contemporary theatre-making. Their work blends brave and bold physical theatre with exciting new writing, and they have collaborated with some of the leading theatre-makers in the UK. The company’s impact reaches throughout the world, particularly through their extensive workshop and education programmes, as well as their individual and collective impact as movement directors on landmark, internationally successful productions such as Black Watch and The Curious Incident of the Dog in the Night-Time. This volume reveals the background to, and work of, a major influence on twentieth and twenty-first century performance. Frantic Assembly is the first book to combine: an overview of the history of the company since its foundation in 1994 an analysis of the key ideas underpinning the company’s work a critical commentary on two key productions – Hymns by Chris O’Connell (1999) and Stockholm by Bryony Lavery (2007) a detailed description of a Frantic Assembly workshop, offering an introduction to how the company works.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

Frantic Assembly have had a powerful and continuing influence on the popularisation of devising practices in contemporary theatre-making. Their work blends brave and bold physical theatre with exciting new writing, and they have collaborated with some of the leading theatre-makers in the UK. The company’s impact reaches throughout the world, particularly through their extensive workshop and education programmes, as well as their individual and collective impact as movement directors on landmark, internationally successful productions such as Black Watch and The Curious Incident of the Dog in the Night-Time. This volume reveals the background to, and work of, a major influence on twentieth and twenty-first century performance. Frantic Assembly is the first book to combine: an overview of the history of the company since its foundation in 1994 an analysis of the key ideas underpinning the company’s work a critical commentary on two key productions – Hymns by Chris O’Connell (1999) and Stockholm by Bryony Lavery (2007) a detailed description of a Frantic Assembly workshop, offering an introduction to how the company works.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000.Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre.From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.

This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000.Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre.From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.

Policy transfer analysis seeks to make sense of the cross-cultural transfer of knowledge about institutions, policies or delivery systems in an era of globalization. The purpose of this volume is to evaluate how useful policy transfer analysis is as a descriptive, explanatory and prescriptive theory of policy change. It provides both a response to its critics and it presents a variety of new directions for studying processes of policy transfer. The chapters proceed from an underlying assumption about the field of enquiry; that policy transfer analysis alone cannot provide a general explanatory theory of policy change but when combined with other approaches an empirically grounded account of policy change can be developed. Hence each of the chapters adopt a methodological pluralism in which complementary theories of policy development are combined in order to develop a theory of policy change that accounts for the role of particular agents of policy transfer in forging policy change. This is an important contribution to our understanding of the impact of globalization on domestic policy formulation.This book was previously published as a special issue of Policy Studies.

The Actor Training Reader is an invaluable resource for students and teachers of acting, offering access to a wide range of key texts that identify, explore, illuminate and interrogate the challenges, practices and processes involved in training the modern actor. A companion volume to the highly-acclaimed Actor Training (Hodge 2010), this book collects key writings by influential actor training practitioners of the twentieth century, introduced with essays from leading academics in the field of actor training. Key practitioners included are:Eugenio Barba;Anne Bogart;Bertolt Brecht;Peter Brook;Michael Chekhov; andKonstantin Stanislavsky.The book sets established, widely used texts alongside less well-known ones in order to trace the development of actor training from the pioneering advances of Eastern Europe to the acting games of Augusto Boal. The texts are grouped into thematic sections rather than chronologically in order to encourage a comparison of different approaches to similar aspects of the craft. Each section will have a specially commissioned introductory essay by an expert in that area of actor training, which will bring context, critical engagement and contemporary relevance to the extracts and offer provocations for further discussion.

The Actor Training Reader is an invaluable resource for students and teachers of acting, offering access to a wide range of key texts that identify, explore, illuminate and interrogate the challenges, practices and processes involved in training the modern actor. A companion volume to the highly-acclaimed Actor Training (Hodge 2010), this book collects key writings by influential actor training practitioners of the twentieth century, introduced with essays from leading academics in the field of actor training. Key practitioners included are:Eugenio Barba;Anne Bogart;Bertolt Brecht;Peter Brook;Michael Chekhov; andKonstantin Stanislavsky.The book sets established, widely used texts alongside less well-known ones in order to trace the development of actor training from the pioneering advances of Eastern Europe to the acting games of Augusto Boal. The texts are grouped into thematic sections rather than chronologically in order to encourage a comparison of different approaches to similar aspects of the craft. Each section will have a specially commissioned introductory essay by an expert in that area of actor training, which will bring context, critical engagement and contemporary relevance to the extracts and offer provocations for further discussion.

This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

John Constable is one of the greatest painters of the English weather. His depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings in which the landscape beneath the ever-changing sky is completely absent.Constable kept a weather diary and was endlessly fascinated by the sky. In a letter written in 1821 to friend John Fisher, Bishop of Salisbury, Constable commented, ‘That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids ... It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.’Written by Mark Evans, a leading authority on the work of John Constable, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. It will appeal to a broad readership of museum visitors and art lovers, as well as practising landscape painters keen to learn new skills by studying the work of one of the most enduringly popular English artists of all time.

Witches the world over will relish this new tarot! Award-winning author Ellen Dugan, a highly respected Witch and tarot reader, and award-winning artist Mark Evans have created the perfect deck for all devotees of the Craft. Positively radiating witchy energy, this easy-to-use tarot showcases beautiful and evocative digital artwork. Echoing the traditional Rider-Waite structure, each card includes instantly recognizable Pagan symbols that resonate with today's Witch. In addition to card descriptions and meanings, Dugan's companion guide features seven unique spell-enhancing spreads for both tarot readings and magickal practice.

This fun mini-edition of the bestselling Witches Tarot is perfect for on-the-go readings. Small enough to fit in a pocket or a purse, you can carry your deck everywhere. It also makes a great gift or stocking stuffer for tarotists. Whether you are an expert reader or just starting your tarot journey, a tarot mini will be an exciting and practical addition to your collection. Based on the traditional Rider-Waite-Smith deck and filled with images that speak to today's magickal practitioner, witchcraft takes center stage in this stunning deck designed by highly respected Witch and Tarot reader Ellen Dugan. Here, the Hierophant becomes the High Priest, Wheel of Fortune becomes Wheel of the Year, and Judgement becomes Karma. Featuring the vibrant artwork of award-winning artist Mark Evans, Witches Tarot is the perfect combination of Tarot and the Craft. This is a mini edition of the Witches Tarot (9780738728001). Cards measure approximately 1.7 x 3 inches. Please note that this deck does not come with an instructional booklet.

Despite the millennial hopes for peace wishfully harboured by so many, the opening years of the twenty-first century have seen the morality of war remain urgently central to political argument around the world.The just war tradition has provided one of the most beguiling frameworks for the question of when it is right to go to war, and how war ought to be conducted. However, criticisms of it are as old as the tradition itself and many now claim that the nature of contemporary warfare has made it truly redundant.This book addresses the criticisms and explores new angles to just war thinking, analysing its practical adequacy in the face of modern-day realities. It is written with the aim of stimulating debate, recasting or revivifying critical reservations, but also powerfully demonstrating how just war theory cannot be ignored if we take seriously the moral questions warfare forces upon us.Key Features* Focuses on individual elements of Just War Theory to clarify specific claims and explore very particular issues* Uses a clear, analytical writing style to ensure clarity for the reader* Raises new questions not addressed in other Just War literature* Focuses on contemporary moral applications of Just War theory* Shows how Just War theory can serve as a basis for anti-war movements

Despite the millennial hopes for peace wishfully harboured by so many, the opening years of the twenty-first century have seen the morality of war remain urgently central to political argument around the world.The just war tradition has provided one of the most beguiling frameworks for the question of when it is right to go to war, and how war ought to be conducted. However, criticisms of it are as old as the tradition itself and many now claim that the nature of contemporary warfare has made it truly redundant.This book addresses the criticisms and explores new angles to just war thinking, analysing its practical adequacy in the face of modern-day realities. It is written with the aim of stimulating debate, recasting or revivifying critical reservations, but also powerfully demonstrating how just war theory cannot be ignored if we take seriously the moral questions warfare forces upon us.Key Features* Focuses on individual elements of Just War Theory to clarify specific claims and explore very particular issues* Uses a clear, analytical writing style to ensure clarity for the reader* Raises new questions not addressed in other Just War literature* Focuses on contemporary moral applications of Just War theory* Shows how Just War theory can serve as a basis for anti-war movements

What is the Arabic term for ‘sleeper cell’? How would you say 'hijacker'? Can you recognise the phrase 'operational planning'? Or 'money-laundering investigations'? This short, accessible vocabulary gives you ready-made lists of key terms in security Arabic for translating both from and into Arabic. It is divided into 13 key areas: General - Global Security - Organisations - Energy Security - Weapons of Mass Destruction (WMD) - Defence & Military - Law Enforcement - Counter Terrorism - Human Intelligence - Communications Technology - Information Technology - Information Security - Intelligence Analysis.

The world of public policy is becoming increasingly small due to dramatic changes in global communications, political and economic institutional structures, and to nation states themselves. This book evaluates the implications of these changes and challenges for both the study and the practice of policy transfer, and provides a unique understanding of the relationship between systemic globalizing forces and the increasing scope and intensity of policy transfer activity. It provides: an explanation of policy transfer as a process of organizational learning; an insight into how and why such processes are studied by policy scientists; an evaluation of its use by policy practitioners; and the first published collection of policy transfer case studies between developed countries, from developed to developing countries, and from developing countries.

This title offers instant energy and relaxation exercises using easy-to-follow yoga techniques. It offers a clearly explained guide, illustrated with specially commissioned step-by-step photographs. Counteract the stresses and strains of today's hectic lifestyle with quick yoga sequences that leave you feeling calm and refreshed, supple and renewed. Exercises include tired and aching leg revivers; abdominal tension relievers; instant fatigue revitalizers; tension and backache relievers; flexibility enhancers; waking-up stretches; and exercises to relieve anxiety, aid breathing, increase blood flow and improve posture. Tried and tested ways to ease tension and restore energy whenever you need to, using simple exercises that are easy to perform in your everyday life. Over 200 photographs clearly show each yoga sequence in detail. Drawing on the ancient art of yoga, this clear and simple book guides you through a series of exercises to help you achieve a fit, supple body and relieve your body of strain and tension.The main part of the book consists of invigorating exercises that will stretch, tone, revive, enhance or relax different parts of the body, to leave you feeling calm, refreshed and better able to cope with stress. After a warm-up routine, special stretches are shown for a multitude of purposes and to treat a variety of aches, pains and ailments. The exercises are simple to do, and take around 10 minutes. Clear instructions, combined with step-by-step photographs, will guide you confidently through the quick-and-easy sequences. Whether you wish to counteract the pressures of a hectic daily routine, improve your posture and muscle tone or become more supple, this practical handbook will set you on your way.

Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at:age/aging and children in the training contexthow training impacts over a lifetimethe duration of training and the impact of training regimes over timeconcepts of timing and the ‘right’ timehow time is viewed from a range of international training perspectivescollectives, ensembles and fashions in training, their decay or enduranceThrough focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices.Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.Chapter 16 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license.

Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at:age/aging and children in the training contexthow training impacts over a lifetimethe duration of training and the impact of training regimes over timeconcepts of timing and the ‘right’ timehow time is viewed from a range of international training perspectivescollectives, ensembles and fashions in training, their decay or enduranceThrough focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices.Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.Chapter 16 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY) 4.0 license.