Massimo Fusillo – författare
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10 produkter
10 produkter
Inbunden, Engelska, 2025
2 785 kr
Skickas inom 10-15 vardagar
Negative Empathy in Literature and the Arts explores how readers and viewers engage cognitively and affectively with ethically troubling artworks across literature, the visual and performing arts, and screen media. Drawing on aesthetics, cultural history and theory, psychology, and neuroscience, Stefano Ercolino and Massimo Fusillo introduce the concept of “negative empathy” to describe the ambivalent and destabilizing emotional responses elicited by representations of negativity in art. Rather than dismissing empathy as naïve, the authors argue for a more nuanced understanding of its darker forms and their cognitive and ethical value. Through a comparative and intermedial approach, the book analyzes case studies from Littell’s The Kindly Ones to Wilson’s Deafman Glance; from Verdi’s Macbeth and Nitsch’s Theatre of Orgies and Mysteries to Caravaggio’s Martyrdom of Saint Matthew, Mapplethorpe’s “X” Portfolio, Kiefer’s The Seven Heavenly Palaces, Haneke’s The White Ribbon, and Gilligan’s Breaking Bad—offering a compelling new theory of aesthetic engagement.
E-bok
PDF, Engelska, 2025832 kr
Läs direkt efter köp
Negative Empathy in Literature and the Arts explores how readers and viewers engage cognitively and affectively with ethically troubling artworks across literature, the visual and performing arts, and screen media. Drawing on aesthetics, cultural history and theory, psychology, and neuroscience, Stefano Ercolino and Massimo Fusillo introduce the concept of "e;negative empathy"e; to describe the ambivalent and destabilizing emotional responses elicited by representations of negativity in art. Rather than dismissing empathy as naive, the authors argue for a more nuanced understanding of its darker forms and their cognitive and ethical value. Through a comparative and intermedial approach, the book analyzes case studies from Littell's The Kindly Ones to Wilson's Deafman Glance; from Verdi's Macbeth and Nitsch's Theatre of Orgies and Mysteries to Caravaggio's Martyrdom of Saint Matthew, Mapplethorpe's "e;X"e; Portfolio, Kiefer's The Seven Heavenly Palaces, Haneke's The White Ribbon, and Gilligan's Breaking Bad-offering a compelling new theory of aesthetic engagement.
E-bok
Engelska, 2025832 kr
Läs direkt efter köp
Negative Empathy in Literature and the Arts explores how readers and viewers engage cognitively and affectively with ethically troubling artworks across literature, the visual and performing arts, and screen media. Drawing on aesthetics, cultural history and theory, psychology, and neuroscience, Stefano Ercolino and Massimo Fusillo introduce the concept of "e;negative empathy"e; to describe the ambivalent and destabilizing emotional responses elicited by representations of negativity in art. Rather than dismissing empathy as naive, the authors argue for a more nuanced understanding of its darker forms and their cognitive and ethical value. Through a comparative and intermedial approach, the book analyzes case studies from Littell's The Kindly Ones to Wilson's Deafman Glance; from Verdi's Macbeth and Nitsch's Theatre of Orgies and Mysteries to Caravaggio's Martyrdom of Saint Matthew, Mapplethorpe's "e;X"e; Portfolio, Kiefer's The Seven Heavenly Palaces, Haneke's The White Ribbon, and Gilligan's Breaking Bad-offering a compelling new theory of aesthetic engagement.
Inbunden, Engelska, 2017
1 924 kr
Skickas inom 10-15 vardagar
Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert’s style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo’s analysis is postmodernism and its obsession with mass media icons—from DeLillo’s maximalist frescos and Zadie Smith’s reflections on autographs to Palahniuk’s porn objects; from pop art to commodity sculpture.
E-bok
Engelska, 20172 088 kr
Läs direkt efter köp
Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons-from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture.
E-bok
PDF, Engelska, 20172 088 kr
Läs direkt efter köp
Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons-from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture.
Del 42 - Nouvelle Poetique Comparatiste - New Comparative Poetics
Gesamtkunstwerk as a Synergy of the Arts
Häftad, Engelska, 2020
517 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2022
1 158 kr
Skickas inom 5-8 vardagar
What is the connection between philosophical enquiries and storytelling in contemporary narrative? Is it possible to outline some features of a so-called philosophical fiction in Western literature throughout the last two centuries? This book aims to provide a plural answer, hosting extensive essays by seven young researchers coming from different fields (Theory of literature, German, American, Russian and Italian contemporary literature, history and evolution of the essayistic form). A short The volume is addressed to all those with a strong interest in both evolution of philosophical speech and history of the novel and has a strong vocation to promote interdisciplinarity in literary studies.
Inbunden, Engelska, 2025
1 800 kr
Skickas inom 3-6 vardagar
This collection aims to renew our perspective on adaptation and intermedial processes by thinking of them in terms of codes rather than media. As a result, the notion of transcodification emerges as a crucial tool in order to study the circulation of semiotic and aesthetic resources across disciplines, knowledge systems, and cultures. Defined as the transfer of meaning-making potential from one semiotic domain to another, transcodification both includes and transcends intermediality, thus dramatically expanding the scope and research potential of adaptation and intermedial studies.The essays collected here apply this framework to an incredibly wide variety of objects and issues, from the relationship between art and historiography to the visual culture of finance, from contemporary approaches to ekphrasis to the hidden labor of screenwriters, from modern surveillance to digital comics, from fansubbing to the reception of the classical world in the digital age, from medieval theater to the role of videogames in the “war on terror”.By fostering dialogue between radically different disciplines, the book offers a unique approach to the study of semiotic interrelations across the most diverse aspects of human culture.
E-bok
Spanska, 201596 kr
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Una vez anulada la diferencia jerárquica entre alta y baja cultura, la dimensión estética se ha extendido a todos los aspectos y rincones del mundo contemporáneo (política, vida cotidiana, publicidad, objetos, urbanismo, cuidado del cuerpo, videojuegos, computer graphics, etc.), característica que coexiste con la homologación y el anonimato de periferias y no-lugares, herederos perversos de un ocaso de la belleza que se remonta a la época romántica. Por supuesto, con frecuencia se trata de una belleza velada y estandarizada, producida directamente por exigencias comerciales; pero es un fenómeno en absoluto fácil de analizar y valorar: según de qué punto de vista se trate puede interpretarse como progreso, como pesadilla o como perversa banalización del programa vanguardista, el cual pretendía sacar el arte de los museos para extender su alcance a todos los ámbitos de lo vivido.El autor aborda las problemáticas y cada vez más estrechas relaciones entre la estética y la literatura en dos perspectivas fundamentales: los diferentes momentos y las diversas tendencias de la estética literaria, es la primera; las ideas de los escritores, el papel desempeñado por las instituciones, la configuración de los términos claves (hacia un "mapa de palabras clave", escribe Fusillo), la segunda.