Maureen Daly Goggin - Böcker
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9 produkter
9 produkter
1 343 kr
Skickas inom 10-15 vardagar
In their search for a relationship, whether long- or short-term, how do desiring subjects signify their identities and those of their desiring subjects? The essays in Racialized Politics of Desire in Personal Ads take up this question by exploring how writers of personal ads fashion themselves and those with whom they seek a connection. More specifically, these essays explore the politics of desire—how complex intersections among the social categories of race, gender and sexuality within personal ads reveal a dynamic tapestry of power relations and hierarchies. By focusing on how, in each instance, African Americans both construct and are constructed discursively in the brief narrative space of personals, this collection offers a substantively new genre-based exploration of the politics of desire and makes an important contribution to studies of language and self; identity politics; cultural studies; gendered, sexualized and racialized discourses; and the performance of everyday texts that occupy scholarly attention in a variety of different disciplines. Those interested in American Cultural Studies, African American Studies, Sociology, Communication, Rhetoric, Queer Studies, Critical Race Theory, Women's Studies, Gender Studies, and Race Relations on a professional or lay basis will find this book informative and engaging.
675 kr
Skickas inom 10-15 vardagar
In their search for a relationship, whether long- or short-term, how do desiring subjects signify their identities and those of their desiring subjects? The essays in Racialized Politics of Desire in Personal Ads take up this question by exploring how writers of personal ads fashion themselves and those with whom they seek a connection. More specifically, these essays explore the politics of desire—how complex intersections among the social categories of race, gender and sexuality within personal ads reveal a dynamic tapestry of power relations and hierarchies. By focusing on how, in each instance, African Americans both construct and are constructed discursively in the brief narrative space of personals, this collection offers a substantively new genre-based exploration of the politics of desire and makes an important contribution to studies of language and self; identity politics; cultural studies; gendered, sexualized and racialized discourses; and the performance of everyday texts that occupy scholarly attention in a variety of different disciplines. Those interested in American Cultural Studies, African American Studies, Sociology, Communication, Rhetoric, Queer Studies, Critical Race Theory, Women's Studies, Gender Studies, and Race Relations on a professional or lay basis will find this book informative and engaging.
2 236 kr
Skickas inom 10-15 vardagar
In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.
3 406 kr
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Authoring A Discipline
Scholarly Journals and the Post-world War Ii Emergence of Rhetoric and Composition
Inbunden, Engelska, 2000
1 330 kr
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Authoring a Discipline traces the post-World War II emergence of rhetoric and composition as a discipline within departments of English in institutions of higher education in the United States. Goggin brings to light both the evolution of this discipline and many of the key individuals involved in its development. Drawing on archival and oral evidence, this history offers a comprehensive and systematic investigation of scholarly journals, the editors who directed them, and the authors who contributed to them, demonstrating the influence that publications and participants have had in the emergence of rhetoric and composition as an independent field of study.Goggin considers the complex struggles in which scholars and teachers engaged to stake ground and to construct a professional and disciplinary identity. She identifies major debates and controversies that ignited as the discipline emerged and analyzes how the editors and contributors to the major scholarly journals helped to shape, and in turn were shaped by, the field of rhetoric and composition. She also coins a new term--discipliniographer--to describe those who write the field through authoring and authorizing work, thus creating the social and political contexts in which the discipline emerged. The research presented here demonstrates clearly how disciplines are social products, born of political struggles for both intellectual and material spaces.
843 kr
Skickas inom 10-15 vardagar
In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.
Authoring A Discipline
Scholarly Journals and the Post-world War Ii Emergence of Rhetoric and Composition
Häftad, Engelska, 2016
454 kr
Skickas inom 10-15 vardagar
Authoring a Discipline traces the post-World War II emergence of rhetoric and composition as a discipline within departments of English in institutions of higher education in the United States. Goggin brings to light both the evolution of this discipline and many of the key individuals involved in its development. Drawing on archival and oral evidence, this history offers a comprehensive and systematic investigation of scholarly journals, the editors who directed them, and the authors who contributed to them, demonstrating the influence that publications and participants have had in the emergence of rhetoric and composition as an independent field of study.Goggin considers the complex struggles in which scholars and teachers engaged to stake ground and to construct a professional and disciplinary identity. She identifies major debates and controversies that ignited as the discipline emerged and analyzes how the editors and contributors to the major scholarly journals helped to shape, and in turn were shaped by, the field of rhetoric and composition. She also coins a new term--discipliniographer--to describe those who write the field through authoring and authorizing work, thus creating the social and political contexts in which the discipline emerged. The research presented here demonstrates clearly how disciplines are social products, born of political struggles for both intellectual and material spaces.
509 kr
Skickas inom 5-8 vardagar
494 kr
Skickas inom 5-8 vardagar
Women’s Ways of Making draws attention to material practices—those that the hands perform—as three epistemologies—an episteme, a techne, and a phronesis—that together give pointed consideration to making as a rhetorical embodied endeavor. Combined, these epistemologies show that making is a form of knowing that (episteme), knowing how (techne), and wisdom-making (phronesis). Since the Enlightenment, embodied knowledge creation has been overlooked, ignored, or disparaged as inferior to other forms of expression or thinking that seem to leave the material world behind. Privileging the hand over the eye, as the work in this collection does, thus problematizes the way in which the eye has been co-opted by thinkers as the mind’s tool of investigation. Contributors to this volume argue that other senses—touch, taste, smell, hearing—are keys to knowing one’s materials. Only when all these ways of knowing are engaged can making be understood as a rhetorical practice. In Women’s Ways of Making contributors explore ideas of making that run the gamut from videos produced by beauty vloggers to zine production and art programs at women’s correctional facilities. Bringing together senior scholars, new voices, and a fresh take on material rhetoric, this book will be of interest to a broad range of readers in composition and rhetoric. Contributors: Angela Clark-Oates, Jane L. Donawerth, Amanda Ellis, Theresa M. Evans, Holly Fulton-Babicke, Bre Garrett, Melissa Greene, Magdelyn Hammong Helwig, Linda Hanson, Jackie Hoermann, Christine Martorana, Aurora Matzke, Jill McCracken, Karen S. Neubauer, Daneryl Nier-Weber, Sherry Rankins-Roberson, Kathleen J. Ryan, Rachael Ryerson, Andrea Severson, Lorin Shellenberger, Carey Smitherman-Clark, Emily Standridge, Charlese Trower, Christy I. Wenger, Hui Wu, Kathleen Blake Yancey